• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / BURUNDANGA BORICUA FROM EL ZOCOTROCO 5.17.15 “THE LAST COLONY”

BURUNDANGA BORICUA FROM EL ZOCOTROCO 5.17.15 “THE LAST COLONY”

May 18, 2015 by Tia Tenopia

Puerto-Rico-A-Colnial-Experiment_200

British author Raymond Carr comments on Puerto Rico from the outside.

The British Professor Raymond Carr in his book, Puerto Rico A Colonial Experiment (Vintage Books, 1984), with the supposed objectivity of someone not involved, describes us with a not very generous appraisal of how we are.

“Such pessimism can be seen as characteristic of the exaggerated general discomfort of the West in recession, another symptom of a Puerto Rican illness; the insistent importance of their singular problem, perversely ignored by the world in general and the United States in particular…

The national political status divides the claustrophobic world of Puerto Rico into three areas of discourse, each propelled by its own myths, its vision of the past and specific recommendations for the future.

The obsessive and byzantine discussion may rise to provide an innocuous occupation for academics and for the politically minded with a legalistic bent. But for Puerto Ricans, national status doesn’t just involve a concept of their identity or a vision of their history; it appears to interfere with job prospects, income level and life options…

For the residents of the community in this tiny, politically introverted island, the matter is of supreme importance.”

As a Zocotroco educated in behavioral sciences, I do not find it flattering to refer to our most disturbing cultural issue as an illness, it belittles the indignation of our imminent problem proposing it is a pathology. More so when he labels our world as claustrophobic, our discussions obsessive and byzantine, and our debate as innocuous. I will not debate the truth in his opinion; I do regret his choice of words.

The-Last-Colony-Poster1_200

Poster for the feature length documentary The Last Colony.

The documentary The Last Colony written and directed by Juan A. Márquez (now showing in theaters) confirms the crucial importance of status for Puerto Ricans. A most welcome effort to put in current perspective the lasting issue; an attempt to break with the claustrophobic introversion and advance dialogue with the people up North, a fair and representative sample of how we think and feel about the status.

Márquez is a Puerto Rican documentalist, living in L.A. with previous credits in 100,00 Dogs and Los 17, both winners of EMMY awards. The title of the documentary brings to mind the book, Puerto Rico, the Trials of the Oldest Colony in the World, by José Trías Monje, an accomplished jurist and architect of the Constitution of the Commonwealth (Estado Libre Asociado), where he passes judgment on the status of the Island. Professor Carr is right, the status is crucial for Puerto Ricans.

Puerto-Rico-The-Trials-of_200

Puerto Rico, the Trials of the Oldest Colony in the World.

The effort of the filmmaker to focus on the facts is noteworthy. Passion is provided by testimonials, incipient to the circumspect sobriety portrayed by all the characters interviewed. Cancel Miranda is the only one who speaks in Spanish, with the conviction provided by his courage and sacrifice. One of many voices that put into context the relation between Puerto Rico and the USA, in a fluid movement of statements, leading to the 2012 referendum, including the reaction in the Island as well as up North.

As testimonials accumulate, it is clear that none of the political parties are satisfied with the prevailing formula. The Populares procure enhancement of powers for the Commonwealth, concerned with a certain loss of identity and language if granted admission to the union. Pro statehood followers caress the ideals of equality, counter arguing that identity is not threatened, facing the challenge of acquiring a super majority of 75%. Pro independence advocates promote the dignity of sovereignty and the political, legal and ideological contradictions involved, and they predicts separatism in case statehood were granted.

Puerto-Rico-Public-Domain_200

The documentary puts the debate on national identity in perspective.

Who is who in Island politics delivers their personal view; to name then all would require an unreasonable amount of limited space. Let it be said that they all present vibrant conviction in their interpretation of what we are, are not, what we could and want to be. Not an easy task, made confusing by the power of our emotional convictions. The conclusion is: Burundanga. To the eye of this beholder, the diversity of opinions, together with the results of the plebiscite leaves me with more uncertainty and ambiguity, not because of the filmmaker but because of the subject matter; since ever riddled by contradiction and confusion. What is imminent and irrefutable is that the U.S. President has appropriated $2.5 million for a referendum in 2016, the fifth one, this time supported by the Federal Government.

The-Last-Colony-poster-with-Juan_200

Filmmaker Juan A. Márquez

The Last Colony is the product of three long years of labor and dedication of a talented filmmaker, committed to contribute to a better understanding of our political culture. A spark to initiate or continue a dialogue, preferably outside of party lines, to think about the future of the Island. Perhaps this is the time to feel optimistic, the path to break with our obsession, to solve the excruciating problem of status, and move to other obsessions that free us from stagnation. Bravo Juan!

__________________________________

Copyright 2015 by José M. Umpierre.

 

Filed Under: Blogs, Burundanga Boricua Tagged With: 2016 Referendum in Puerto Rico, Burundanga Borciua del Zocotroco, Films on Puerto Rico, Juan A.Márquez, Ther Last Colony

BURUNDANGA BORICUA DEL ZOCOTROCO 5.23.25 – EMINENT DANGER

May 23, 2025 By wpengine

In 2012, in Puerto Rico there were 13,000 farms; in the recent agricultural census, between 8 and 10,000 farms are recorded; a substantial decrease in the figure reported for 2012. At present, the agricultural sector of the Puerto Rican economy reports approximately 0.62% of the gross domestic product, which produces 15% of the food consumed […]

BURUNDANGA BORICUA DEL ZOCOTROCO 5.23.25 MORE ON THE NEED TO GROW

May 23, 2025 By wpengine

The title of the documentary, The Need to Grow by Rob Herring and Ryan Wirick,  is suggestive. Its abstract character is enough to apply in a general and also in a particular way. The Need to Grow applies to both the personal and to so many individuals. At the moment, the need for growth in […]

BURUNDANGA DEL ZOCOTROCO 5.16.25 PELIGRO INMINENTE

May 15, 2025 By wpengine

Peligro Inminente En 2012, en Puerto Rico habían 13 mil granjas; en el censo agrícola reciénte se registran entre 8 y 10 mil granjas; una disminución sustantiva de la cifra reportada para 2012. Al presente, el sector agrícola de la economía puertorriqueña reporta aproximadamente 0.62% del producto bruto interno, que produce el 15% de la […]

RICARDO ROMO’S TEJANO REPORT 5.23.25 MAYA BLUE EXHIBIT

May 23, 2025 By wpengine

Maya Blue Exhibit Incorporates the Artwork of Latino/a Artists A new exhibit, Maya Blue: Ancient Color, New Visions, at the San Antonio Museum of Art [SAMA], brings together for the first time pre-Columbian crafted clay figures, the art of Mexican modernist Carlos Mérida, and works by contemporary Latino/a artists Rolando Briseño, Clarissa Tossin, and Sandy […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin