• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / EL PROFE QUEZADA NOS DICE 10.10.25 REMEMBERING MANUEL B.BRAVO

EL PROFE QUEZADA NOS DICE 10.10.25 REMEMBERING MANUEL B.BRAVO

October 10, 2025 by wpengine

Twenty-six years ago, April 1999, Texas A&M University Press published Border Boss: Manuel B. Bravo and Zapata County authored by this writer. It received the prestigious Texas Institute of Letters Award, the Webb County Heritage Foundation Award, and the American Association for State and Local History Award.  The paperback edition was published in 2001.

Border Boss has stood the test of time and will always remain my magnum opus.  It was dogmatic discipline during the research and writing phases of the project which made true originality possible.  The intellectual, emotional, and sometimes physical journey, in having to drive to the different archival depositories in Texas to augment my research on the Judge Bravo papers, has been gratifying and rewarding.

What makes Border Boss so appealing is that it is more than just about a Tejano political boss named Manuel B. Bravo, or about South Texas politics.  The tome is much more than a political biography.  It is an intriguing story that has national appeal because of the human drama involved in the issues of the times.  Interwoven within the fabric of South Texas politics are high profile political figures, such as Lyndon B. Johnson, George Bush, Lloyd Bentsen Jr., and many others.  Everyone likes a good book that contains human drama, personalities, and the juicy political stuff that makes for an interesting read.  In somber retrospect, I am extremely proud to have written Border Boss and to have juxtaposed it against the backdrop of Texas and national politics.

Now, I would like to share with you some memorabilia of on Judge Bravo that we have decorating our walls in our cottage in Zapata, Texas.

This photo has many odds and ends that typify his political career over the span of twenty years.

poster announcing the meeting of the two presidents.

During the El Chamizal celebration on Saturday, October 28, 1967, large crowds lined the streets in El Paso increasing concentration along the route to the Chamizal Memorial Park.  The crowds waved Mexican and U.S. flags and carried large posters, like the one in the second attachment, bearing the portraits of the two presidents.

LBJ meets President Diaz Ordaz with Manuel Bravo in he background.

I found these two photographs very interesting.  By this time, Judge Bravo was working for the International Boundary and Water Commission, and in the second photograph, he is wearing a white hardhat and is standing behind Lady Bird Johnson.  President Johnson is shaking hands with Mexican President Gustavo Diaz Ordaz at a marker dedication during El Chamizal ceremony on Saturday, October 28, 1967.  The Chamizal Ceremony marked a significant diplomatic event between the United States and Mexico.  This ceremony was held to commemorate the resolution of a long-standing border dispute over the Chamizal area, which had been affected by the shifting course of the Rio Grande River.

Manuel Bravo’s typewriter.

His manual typewriter that he used to type all his personal correspondence is in the second attachment.

And this photo is a notice about the Great Political Meeting of the Democratic Party.  The event will take place on October 13, 1940, at 6: 30 P.M., at the public plaza of Zapata.  There will be popular music and dancing.  And that meeting took place 85 years ago on Monday, October 13, 2025.

As the sun sets over our quiet cottage in Zapata, the walls whisper stories of a man whose impact reached far beyond the county lines.  Each photograph, each nameplate, each relic of Judge Bravo’s life is more than just memorabilia—it is a living testament to a legacy of service, dignity, and deep-rooted pride in community.  Thanks to Jo Emma’s inheritance of these treasured pieces, due to the fact that Judge Bravo was her paternal grandfather, we are not merely curators of history—we are keepers of memory, stewards of a narrative that continues to inspire.

Our home feels like a museum, but to us, it is a sanctuary of remembrance.  It is where the past greets the present, and where future generations will come to understand the strength and spirit of Judge Bravo.  His story lives on—not just in books or awards, but in the quiet corners of our cottage, where history breathes and hearts remember.

_________________________________________________________________________

Copyright 2025 by J. Gilberto Quezada. All images used in this blog courtesy of the author. Cover of book used under “fair use” proviso of the copyright law.

 

 

Filed Under: Blogs, El Profe Quezada Tagged With: El Profe Quezada Nos Dice, Manuel B. Bravo

RICARDO ROMO’S TEJANO REPORT 1.30.26 ALEJANDRO DÍAZ AT RUIZ-HEALY ART GALLERY

January 29, 2026 By wpengine

Alejandro Díaz, A Latino Texan-New Yorker Exhibits at Ruiz-Healy Art Gallery. Texas native Alejandro Díaz developed an artistic practice over thirty-five years grounded in the bicultural and visual mix of South Texas and Mexico, with formative ties to Mexico City in the early 1990s. He is known for multi-media work: cardboard signs, neon, sculpture, furniture, […]

EL PROFE QUEZADA NOS DICE 1.30.26 NO PORK ON FRIDAYS – A DUAL CULTURAL LEGACY

January 29, 2026 By wpengine

The Rio Grande has long been more than a river dividing nations; it has been a meeting place of cultures, faiths, and hidden legacies.  Along its banks, towns in northern Mexico and South Texas became home to families who carried with them traditions that were not always spoken aloud.  Among these were crypto-Jews—descendants of Sephardic […]

EL PROFE QUEZADA NOS DICE 1.24.26 TWO MEXICAN FILM GREATS

January 24, 2026 By wpengine

During the 1940s and 1950s, two of the well-known Mexican actors of the Golden Age of Mexican cinema that I would see on the big screen at the Cine Azteca in the Barrio El Azteca were Arturo de Córdova and René Cardona.  The Cine Azteca was located at 311 Lincoln Street and was situated in the […]

RICARDO ROMO’S TEJANO REPORT 1.24.26 CHICANO AND MEXICAN ART AT MCNAY MUSEUM

January 24, 2026 By wpengine

The McNay Art Museum, founded in 1954 as Texas’s first modern art museum, occupies Marion Koogler McNay’s Spanish Colonial Revival mansion in San Antonio. The museum is situated on 24 landscaped acres, featuring courtyards, a fish pond, and a beautiful nature garden. The museum’s collection of over 20,000 artworks showcases 19th- and 20th-century European and […]

More Posts from this Category

New On Latinopia

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin