• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / El Profe Quezada / LE PROFE QUEZADA NOS DICE 9.05.25 CURANDERISMO IN THE BARRIO

LE PROFE QUEZADA NOS DICE 9.05.25 CURANDERISMO IN THE BARRIO

September 5, 2025 by wpengine

Curanderismo (folk healing) is an integral component of the fabric that is very much a part of the Mexican American cultural, social, and historical heritage.  My paternal grandmother, Doña Emilia, or Memia as we fondly called her was a curandera (healer).  Her older sister, Doña Ester, was a renowned curandera in Nuevo Laredo, Tamaulipas, Mexico, where she lived with her husband Don Manuel Ibarra.  Both women were highly respected in their communities for their reputation of healing the sick.  Doña Ester wanted us to call her Mamá Ester, but in our developing sense of hearing since we were small children, the name sounded like Mamá Tay, and so that became her sobriquet.  Their house was located at the corner of Degollado and Gutiérrez and across the street on Degollado, my parents and my older siblings Peter and Lupe lived before crossing the Río Grande and immigrating to Laredo, Texas.  This was in the early 1940s, so I was not born yet.

When my siblings and I were growing up in the barrio El Azteca in Laredo, Texas, during the late 1940s and early 1950s, my mother learned many home healing remedies from both Memia and Mamá Tay.  So, on very, very rare occasions that Mamá had the neighbors (Tencha or Conchita), who had a telephone, call Dr. Raúl de la Garza to make a house call.  He seemed tall, and of medium built, and was always well groomed and impeccably dressed with a coat and tie.  All the people in the barrio knew the good doctor was in the neighborhood because of his long and dark blue Cadillac that barely made it through the narrow unpaved streets.

Dr. de la Garza wasn’t even called when I was born.  It was customary in the barrio El Azteca that babies were born at home with the assistance of a mid-wife.  Only the middle and upper class families could afford to have their children born at Mercy Hospital.  In my case, the mid-wife saved my life.  Instead of coming out normal, I somehow got twisted inside the placenta and ended up feet first.  And the umbilical cord got tangled around my ruddy head and neck.  I never knew who she was and now I am sorry I didn’t ask Mamá about it so that I could have met her in person and offer my sincere gratitude.

Whenever I had a cólico (stomach ache), Mamá boiled the leaves of the Estafiate plant (Mugwort) and gave them to me in the form of hot tea.  She grew this plant behind the house, in the small backyard.  Surprisingly, the pain went away.  She also had great faith in the Arnica, another herb that she used for bruises and cuts.  And, Mamá used these two herbs very effectively well into my high school days.

When I had an empacho (indigestion), Mamá placed an egg on the stomach and moved it around until I would tell her the area where the discomfort was located.  She would then crack the egg and covered it with strips of cloth.  The empacho caused diarrhea and loss of appetite.  I felt like something was stuck in the stomach or was blocking the intestines.  Mamá told me that I was eating too quickly and not digesting the food properly.  If at the end of the day, I was still aching, then Dr. Raúl de la Garza was summoned.  He had an innate nervous twitch of turning his head from side to side, as if slowly saying, “No.”  Mamá was afraid of asking him how I was doing.  Nonetheless, as a last resort, he came and with a calm expression on his face, he gently removed each sticky strip of saturated cloth to check my stomach.

Now, my two siblings and I affectionately called our paternal grandfather Pana instead of his real name Don Cipriano Juárez.  Pana claimed that he had a special God given gift–a don, for curing people of the mal de ojo (the evil eye).  His remedy, which I personally witnessed, was quite an experience for a six-year-old.  Pana was also the only member of the family who claimed to have supernatural powers to give the evil eye, which was not done with a malicious intent.  Whether it was true or not, nobody dared questioned him.  On the contrary, he had our utmost respect.  According to what I heard from Mamá of this phenomenon, if Pana was attracted by another human being or by a material object, then he needed to touch it.  Otherwise, the affected person got sick with fever, body aches, and vomiting or the ornate vase broke into little pieces.

One afternoon, Mamá started complaining about severe pain in her lower extremities.  Memia stopped by to visit and Mamá told her about her discomfort.  Immediately, she exclaimed in a loud voice, “Alguien te hizo ojo!” (“Someone gave you the evil eye!”).  Mamá tried to recall who had visited her during the day, or when she was outside hanging the clothes to dry maybe someone passing by might have seen her.  Then, Memia said, “As soon as Pana comes home from work, I will have him come over right away.”  When he arrived, he asked Mamá to lay down on the small bed.  He gently brushed her legs with a bundle of leaves while in sotto voce, he recited some incantation in Spanish.  Then, he swept her legs with an egg and afterwards cracked it and placed it on a small plate with water with two broom sticks in the form of a cross over the yolk and placed it under the bed.  He said that when the yolk breaks, she was well because the egg was supposed to take the evil spirits away from Mamá.  We all sat in the kitchen waiting.  About an hour later, Mamá was standing by the doorway, smiling and saying that the pain had gone away.

On several occasions, Mamá Tay came to the house to cure my sister and Mamá of susto, which occurred when they became frightened.  She told Mamá that when this happened, the spirit is temporarily separated from the body and needs to be reunited.  I vividly remember that she asked Mamá to lay on the small bed and then proceeded to sweep her body with a bundle of herbs while simultaneously reciting an incantation in Spanish.  This ritual was repeated for three consecutive nights.

I clearly recall one time when I became a victim of susto.   This occurrence happened in 1950 and I was four years old.  On a hot Saturday afternoon, Pana and I were walking from Nayo’s Grocery Store on Iturbide Street to our house at 402 San Pablo.  We were walking on the Arroyo del Zacate bridge when I stuck my head between the concrete pillars to see if there were any fish in the creek.   When I wanted to leave, I could not get my head out.  Naturally I panicked and became very frightened.  My grandfather tried to pull me by different body parts, but to avail.  He ran for help and in the meantime, I was giving my small behind to the vehicular traffic that was going by.  I was really scared.  A commotion soon ensued with people from the neighborhood coming over to see what was going on.  Finally, someone brought a bucket of water with plenty of soap and threw it over my head.  Voila!–my head slipped off with no problem, and Pana rushed me home to start the treatments for susto.

Even without having a black and white television set or a telephone in our home to call our friends, there was never a dull moment growing up in the barrio El Azteca.

El Profe Quezada

_________________________________________________________________________

Copyright 2025 by Gilberto Quezada.

 

Filed Under: El Profe Quezada Tagged With: El Profe Quezada, Gilberto Quezada

RICARDO ROMO’S TEJANO REPORT 1.30.26 ALEJANDRO DÍAZ AT RUIZ-HEALY ART GALLERY

January 29, 2026 By wpengine

Alejandro Díaz, A Latino Texan-New Yorker Exhibits at Ruiz-Healy Art Gallery. Texas native Alejandro Díaz developed an artistic practice over thirty-five years grounded in the bicultural and visual mix of South Texas and Mexico, with formative ties to Mexico City in the early 1990s. He is known for multi-media work: cardboard signs, neon, sculpture, furniture, […]

EL PROFE QUEZADA NOS DICE 1.30.26 NO PORK ON FRIDAYS – A DUAL CULTURAL LEGACY

January 29, 2026 By wpengine

The Rio Grande has long been more than a river dividing nations; it has been a meeting place of cultures, faiths, and hidden legacies.  Along its banks, towns in northern Mexico and South Texas became home to families who carried with them traditions that were not always spoken aloud.  Among these were crypto-Jews—descendants of Sephardic […]

EL PROFE QUEZADA NOS DICE 1.24.26 TWO MEXICAN FILM GREATS

January 24, 2026 By wpengine

During the 1940s and 1950s, two of the well-known Mexican actors of the Golden Age of Mexican cinema that I would see on the big screen at the Cine Azteca in the Barrio El Azteca were Arturo de Córdova and René Cardona.  The Cine Azteca was located at 311 Lincoln Street and was situated in the […]

RICARDO ROMO’S TEJANO REPORT 1.24.26 CHICANO AND MEXICAN ART AT MCNAY MUSEUM

January 24, 2026 By wpengine

The McNay Art Museum, founded in 1954 as Texas’s first modern art museum, occupies Marion Koogler McNay’s Spanish Colonial Revival mansion in San Antonio. The museum is situated on 24 landscaped acres, featuring courtyards, a fish pond, and a beautiful nature garden. The museum’s collection of over 20,000 artworks showcases 19th- and 20th-century European and […]

More Posts from this Category

New On Latinopia

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin