• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / MIRÁNDOLO BIEN with EDUARDO DÍAZ 03.05.17

MIRÁNDOLO BIEN with EDUARDO DÍAZ 03.05.17

March 5, 2017 by Tia Tenopia

The Sunday after the recent presidential election was particularly special at All Souls Unitarian Church in Washington, D.C., where I worship. Aside from Easter, I have never seen the church so packed. The ushers were caught off guard; but I don’t think they, or anyone else, were surprised by the overflow. I got the sense that congregants were seeking sanctuary, in both the religious and social sense.

I work at the Smithsonian Institution. The Smithsonian is not a government agency; it is a public trust. As such, I consider myself a public servant, and conduct myself accordingly. This means that, aside from the basic tenants of human compassion and kindness, respect for divergent views and equitable treatment of all, I do not permit my religious values and practices to influence my professional life.

The new President has stated his commitment to deporting millions of unauthorized immigrants, the majority of whom are from Latin America. Pew Research reports that approximately 19 million (35 percent) of the over 55 million Latinos residing in the U.S. are immigrants, of which some 11 million are estimated to be here with impermanent status. I believe that those within this population who have committed serious crimes need to be speedily brought to justice. However, I also understand that the conditions in some home countries have left many law-abiding, economically and socially productive individuals and their families no viable choice other than to, literally, flee northward. As a person of faith, I have compassion for their plight, and know that mass deportation will likely condemn many to lives of great uncertainty, unbearable stress, and in numerous cases, death.

Many in the Latino community are relieved that the President altered his position on individuals here under the DACA (Deferred Action for Childhood Arrivals) program. Understandably, many in this program felt threatened and looked for institutions, including religious and educational ones, to provide sanctuary. We will have to wait to see how things play out for the estimated 1.9 million individuals in this country who participate in or are eligible for the program.

In the beginning, sanctuary was defined as a sacred place, such as a shrine or other spiritual haven. With the passage of time, and by extension, the term has come to signify a place of safety, which has been actualized as such in response to the persistent, heart-wrenching global refugee crisis. Within this context, the notion of sanctuary has become increasingly complex and vexingly politicized.

The Smithsonian Institution does not take political positions. Rather, it plays to its strength, and proper role—that of researcher, exhibiter, collector, publisher, educator and convener. In exercising these roles the Smithsonian can naturally operate as a non-partisan sanctuary—a safe space for the exchange of a complete, divergent range of ideas and opinions. This would include questions relating to immigration and migration—the history, what causes these mass movements, the governing laws, its racialization, and the associated social, economic and political implications. This summer, the Smithsonian’s National Museum of American History will open Many Voices, One Nation. As their website notes, this exhibition will “offer an original, dynamic history of the ways Americans have lived and worked together, sometimes at odds, yet more often with common purpose and heart.”

One of the Smithsonian’s strategic initiatives is Understanding and Sustaining a Biodiverse Planet. Annually, the institution spends millions operating facilities, hiring scholars, conducting research, convening meetings, training future scientists, and publishing. These activities help address a myriad of issues, including Climate Change. The Smithsonian’s Environmental Research Center, Tropical Research Institute (in Panama), and Conservation Biology Institute play important roles in exploring environmental questions and offering up approaches to address these challenges. Next month in fact, the Smithsonian will host an Earth Optimism Summit, which will focus on the impact and future trends of the global conservation movement.

While it is important to acknowledge our present vulnerabilities, I believe it is also imperative to remind ourselves of our strengths. We must recognize the beauty of all that we are a part of, and of the abiding presence of critically important institutions, like the Smithsonian—ones that we can trust as safe places for the exchange of diverse perspectives in the pursuit of consensus solutions, regardless the matter or concern.

_______________________________________________

Copyright 2017 by Eduardo Díaz. This blog was previously published in the Huffington Post on March 3, 2017.

Filed Under: Blogs, Mirándolo Bien with Eduado Díaz Tagged With: Mirandolo Bien with Eduardo Diaz

BURUNDANGA BORICUA DEL ZOCOTROCO 5.23.25 – EMINENT DANGER

May 23, 2025 By wpengine

In 2012, in Puerto Rico there were 13,000 farms; in the recent agricultural census, between 8 and 10,000 farms are recorded; a substantial decrease in the figure reported for 2012. At present, the agricultural sector of the Puerto Rican economy reports approximately 0.62% of the gross domestic product, which produces 15% of the food consumed […]

BURUNDANGA BORICUA DEL ZOCOTROCO 5.23.25 MORE ON THE NEED TO GROW

May 23, 2025 By wpengine

The title of the documentary, The Need to Grow by Rob Herring and Ryan Wirick,  is suggestive. Its abstract character is enough to apply in a general and also in a particular way. The Need to Grow applies to both the personal and to so many individuals. At the moment, the need for growth in […]

BURUNDANGA DEL ZOCOTROCO 5.16.25 PELIGRO INMINENTE

May 15, 2025 By wpengine

Peligro Inminente En 2012, en Puerto Rico habían 13 mil granjas; en el censo agrícola reciénte se registran entre 8 y 10 mil granjas; una disminución sustantiva de la cifra reportada para 2012. Al presente, el sector agrícola de la economía puertorriqueña reporta aproximadamente 0.62% del producto bruto interno, que produce el 15% de la […]

RICARDO ROMO’S TEJANO REPORT 5.23.25 MAYA BLUE EXHIBIT

May 23, 2025 By wpengine

Maya Blue Exhibit Incorporates the Artwork of Latino/a Artists A new exhibit, Maya Blue: Ancient Color, New Visions, at the San Antonio Museum of Art [SAMA], brings together for the first time pre-Columbian crafted clay figures, the art of Mexican modernist Carlos Mérida, and works by contemporary Latino/a artists Rolando Briseño, Clarissa Tossin, and Sandy […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin