• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / MIRÁNDOLO BIEN with EDUARDO DÍAZ 8.07.16 “LA PELOTA IS MORE THAN A BALL GAME”

MIRÁNDOLO BIEN with EDUARDO DÍAZ 8.07.16 “LA PELOTA IS MORE THAN A BALL GAME”

August 7, 2016 by Tia Tenopia

Sports have been a major presence in the lives of Mexican Americans since the early 20th century. This has been particularly true of Mexican Americans in the Midwest, where sports such as baseball took on a special significance. More than merely games for boys and girls, the teams and contests involved nearly the entire community, and often had political and cultural objectives…

— Richard Santillán, Vol. 7, Perspectives in Mexican American Studies, February 2001

Early-Cuban-Baseball3_200

Latinos have been at play since the early days of baseball.

It is estimated that 27 percent of today’s major league and 42 percent of minor league baseball players are Latino. We have come a long way since the great Roberto Clemente, Juan Marichal, and Luis Aparicio burst onto professional baseball diamonds, ushering in a dramatic demographic shift like no other in professional sport. Forty-three players from Puerto Rico alone have played for the Kansas City Royals, last year’s World Series champions. If you were to add players from the Dominican Republic, Cuba, Venezuela, and other Latin American countries, KC’s numbers would be even more stunning.

While fans have marveled at the prowess and achievements of the likes of Pedro Martínez, Sammy Sosa, Fernando Valenzuela, Rod Carew, Mariano Rivera and today’s David Ortiz (aka Big Papi), Yasiel Puig, Johnny Cueto and Jake Arrieta (whose paternal grandfather was Puerto Rican), and while Major League Baseball is taking stock of how Latinos are transforming the professional game, I think it is equally important to closely examine the role baseball has played in Latino community formation.

Baseball-Diamond-public-domain_200

Baseball spread in Latino communities like Kansas City and the Midwest.

Kansas City and the Midwest offer us an excellent lens through which to explore the impact of the game on our communities. On August 12 and 13, the Kansas City Museum and local baseball enthusiasts will host a community forum and collecting program designed to do just that. The program is part of a Smithsonian Institution initiative, Latinos and Baseball: In the Barrios and the Big Leagues. Spearheaded by curator Margaret Salazar-Porzio and advised by an accomplished and diverse group of scholars and community leaders, the initiative has already conducted similar programs in Los Angeles and San Bernardino, CA. After Kansas City, the initiative moves on to Syracuse, NY, back to Los Angeles, and then to Tampa, FL. A visit with the family of Roberto Clemente in Puerto Rico is also scheduled. Decisions on excursions into other communities are pending finalization. With these stories and objects in hand, the plan is to open an exhibition at the National Museum of American History in 2020.

Pancho-Villa2

By 1910 the Mexican Revolution had provoked more than a half-million Mexicans to enter the US.

The Midwest experienced a great influx of Mexicans, owing, first, to the chaos of the Mexican Revolution, 1910-21. It is estimated that by 1910, over a half-million Mexicans had crossed the border, among them my maternal grandfather who became a copper miner in Arizona. The numbers continued to increase, with many workers recruited by railroad companies and meat packing industries of the Midwest. Understandably, Mexican families desired to acculturate to the ways of their new homeland, and baseball, including fast-pitch softball, became a path. Ever alert, companies encouraged the formation of baseball teams and leagues as a strategy to keep their Mexican workers content, with the added notion of discouraging or diminishing the impact of union organizing, among other worker-based initiatives. Not surprisingly, institutionalized racism and segregated social norms acted as strong deterrents to integrated play, forcing Midwestern Mexicans to organize their own leagues and tournaments. The Railway Ice Company of Argentine, KS, supported its own Mexican American team, while Kansas City, KS, fielded the Kansas Stateline Locos. Many of the teams selected ancestral names, like the Aztecas, Mayans, Cuatémoc and Águilas.

Book-Cover-Making-lemonade_200

Mexican families transformed baseball, among other leisure activities, into political spaces for advancement,

In his book, Making Lemonade out of Lemons: Labor and Leisure in a California Town, 1880-1960, José Alamillo argues that Mexican Americans helped lay the groundwork for civil rights struggles and electoral campaigns in the post-World War II era. In this case the “lemons” were low pay, segregated schooling, inadequate housing, and racial discrimination faced by Mexican citrus workers and their families in Corona, CA. The “lemonade” was how Mexican families transformed baseball, among other leisure activities, into political spaces to voice grievances, debate strategies for advancement, and build solidarity. Dr. Alamillo is a Professor of Chicana/o Studies at California State University, Channel Islands. He is also a member of the Smithsonian’s advisory baseball team.

Adrián Burgos’ benchmark study on Latinos and professional baseball from the 1880s to the present, Playing America’s Game: Baseball, Latinos and the Color Line, provides us a compelling story of the men who negotiated the color line at every turn—passing as “Spanish” in the major leagues or seeking respect and acceptance in the Negro leagues. Dr. Burgos teaches in the History Department at the University of Illinois at Urbana-Champaign. He is also a Smithsonian pelotero.

While we acknowledge achievement at the professional level, let us also continue to learn more about and celebrate baseball in our local communities—from San Juan to San Bernardino—and its role in narrating our valiant and vibrant history of cultural negotiation, struggle and achievement.

_____________________________________

Copyright 2016 by Eduardo Díaz. Smithsonian logo and book covers used under”fair use” proviso of copyright law. All other photos are in the public domain.

Filed Under: Blogs, Mirándolo Bien with Eduado Díaz Tagged With: Eduardo Díaz, Mirandolo Bien with Eduardo Diaz

RICARDO ROMO’S TEJANO REPORT 6.20.25 REMEMBERING JESUS MOROLES

June 20, 2025 By wpengine

Latino Sculptor Jesús Moroles Remembered Born in Corpus Christi, Texas in 1950, Jesús Bautista Moroles, the renowned Mexican American artist and sculptor, created a name for himself through his brilliant monumental abstract granite works. At the time of his sudden and tragic death in 2014, Moroles had completed more than 2,000 granite sculptures worldwide which […]

RICARDO ROMO’S TEJANO REPORT 06.13.24

June 13, 2025 By wpengine

Latina Artists Take Texas Culture to New York City The Ruiz-Healy Art Gallery in New York City presents Vast and Varied: Texan Women Painters, a group exhibition that includes works by Marta Sánchez , Eva Marengo Sánchez , and Ethel Shipton. The exhibit will be on view at the gallery from June 12 to August […]

MIS PENSAMIENTOS with ALFREDO SANTOS 06.13.25

June 13, 2025 By wpengine

Bienvenidos a La Voz Newspaper. As you know, there are so many things going on all around us today. The Trump administration is moving quickly to remake America into a vision that he believes will take us into the future, but the real question is who is “us”? The Make America Great Again movement doesn’t […]

RICARDO ROMO’S TEJANO REPORT 6.07.25 iliana emilia Garcia celebrates Memory, Tradition & Identity

June 7, 2025 By wpengine

Latina Artist iliana emilia García Celebrates Memory, Traditions, and Identity The New York City art scene has become more interesting and engaging as the city’s museums move toward greater inclusiveness. This Spring, the Guggenheim allotted its entire museum space–all six floors–to Rashid Johnson, one of America’s most prominent Black artists. The Whitney Museum of Art […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin