• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / MIRÁNDOLO BIEN with EDUARDO DÍAZ 8.07.16 “LA PELOTA IS MORE THAN A BALL GAME”

MIRÁNDOLO BIEN with EDUARDO DÍAZ 8.07.16 “LA PELOTA IS MORE THAN A BALL GAME”

August 7, 2016 by Tia Tenopia

Sports have been a major presence in the lives of Mexican Americans since the early 20th century. This has been particularly true of Mexican Americans in the Midwest, where sports such as baseball took on a special significance. More than merely games for boys and girls, the teams and contests involved nearly the entire community, and often had political and cultural objectives…

— Richard Santillán, Vol. 7, Perspectives in Mexican American Studies, February 2001

Early-Cuban-Baseball3_200

Latinos have been at play since the early days of baseball.

It is estimated that 27 percent of today’s major league and 42 percent of minor league baseball players are Latino. We have come a long way since the great Roberto Clemente, Juan Marichal, and Luis Aparicio burst onto professional baseball diamonds, ushering in a dramatic demographic shift like no other in professional sport. Forty-three players from Puerto Rico alone have played for the Kansas City Royals, last year’s World Series champions. If you were to add players from the Dominican Republic, Cuba, Venezuela, and other Latin American countries, KC’s numbers would be even more stunning.

While fans have marveled at the prowess and achievements of the likes of Pedro Martínez, Sammy Sosa, Fernando Valenzuela, Rod Carew, Mariano Rivera and today’s David Ortiz (aka Big Papi), Yasiel Puig, Johnny Cueto and Jake Arrieta (whose paternal grandfather was Puerto Rican), and while Major League Baseball is taking stock of how Latinos are transforming the professional game, I think it is equally important to closely examine the role baseball has played in Latino community formation.

Baseball-Diamond-public-domain_200

Baseball spread in Latino communities like Kansas City and the Midwest.

Kansas City and the Midwest offer us an excellent lens through which to explore the impact of the game on our communities. On August 12 and 13, the Kansas City Museum and local baseball enthusiasts will host a community forum and collecting program designed to do just that. The program is part of a Smithsonian Institution initiative, Latinos and Baseball: In the Barrios and the Big Leagues. Spearheaded by curator Margaret Salazar-Porzio and advised by an accomplished and diverse group of scholars and community leaders, the initiative has already conducted similar programs in Los Angeles and San Bernardino, CA. After Kansas City, the initiative moves on to Syracuse, NY, back to Los Angeles, and then to Tampa, FL. A visit with the family of Roberto Clemente in Puerto Rico is also scheduled. Decisions on excursions into other communities are pending finalization. With these stories and objects in hand, the plan is to open an exhibition at the National Museum of American History in 2020.

Pancho-Villa2

By 1910 the Mexican Revolution had provoked more than a half-million Mexicans to enter the US.

The Midwest experienced a great influx of Mexicans, owing, first, to the chaos of the Mexican Revolution, 1910-21. It is estimated that by 1910, over a half-million Mexicans had crossed the border, among them my maternal grandfather who became a copper miner in Arizona. The numbers continued to increase, with many workers recruited by railroad companies and meat packing industries of the Midwest. Understandably, Mexican families desired to acculturate to the ways of their new homeland, and baseball, including fast-pitch softball, became a path. Ever alert, companies encouraged the formation of baseball teams and leagues as a strategy to keep their Mexican workers content, with the added notion of discouraging or diminishing the impact of union organizing, among other worker-based initiatives. Not surprisingly, institutionalized racism and segregated social norms acted as strong deterrents to integrated play, forcing Midwestern Mexicans to organize their own leagues and tournaments. The Railway Ice Company of Argentine, KS, supported its own Mexican American team, while Kansas City, KS, fielded the Kansas Stateline Locos. Many of the teams selected ancestral names, like the Aztecas, Mayans, Cuatémoc and Águilas.

Book-Cover-Making-lemonade_200

Mexican families transformed baseball, among other leisure activities, into political spaces for advancement,

In his book, Making Lemonade out of Lemons: Labor and Leisure in a California Town, 1880-1960, José Alamillo argues that Mexican Americans helped lay the groundwork for civil rights struggles and electoral campaigns in the post-World War II era. In this case the “lemons” were low pay, segregated schooling, inadequate housing, and racial discrimination faced by Mexican citrus workers and their families in Corona, CA. The “lemonade” was how Mexican families transformed baseball, among other leisure activities, into political spaces to voice grievances, debate strategies for advancement, and build solidarity. Dr. Alamillo is a Professor of Chicana/o Studies at California State University, Channel Islands. He is also a member of the Smithsonian’s advisory baseball team.

Adrián Burgos’ benchmark study on Latinos and professional baseball from the 1880s to the present, Playing America’s Game: Baseball, Latinos and the Color Line, provides us a compelling story of the men who negotiated the color line at every turn—passing as “Spanish” in the major leagues or seeking respect and acceptance in the Negro leagues. Dr. Burgos teaches in the History Department at the University of Illinois at Urbana-Champaign. He is also a Smithsonian pelotero.

While we acknowledge achievement at the professional level, let us also continue to learn more about and celebrate baseball in our local communities—from San Juan to San Bernardino—and its role in narrating our valiant and vibrant history of cultural negotiation, struggle and achievement.

_____________________________________

Copyright 2016 by Eduardo Díaz. Smithsonian logo and book covers used under”fair use” proviso of copyright law. All other photos are in the public domain.

Filed Under: Blogs, Mirándolo Bien with Eduado Díaz Tagged With: Eduardo Díaz, Mirandolo Bien with Eduardo Diaz

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 10.15.26

October 15, 2026 By wpengine

Where’s the shame? Esos no tienen vergüenza (Those people have no shame). My saintly Nana Petra (she of blessed memory) My Nana would say that of people who were hypocrites, that is, whose actions contradicted their words. Or of people whose behavior was blatantly, knowingly wrong – e.g., starting or spreading hurtful rumors about someone, […]

RICARDO ROMO’S TEJANO REPORT 10.15.26

October 15, 2026 By wpengine

Vincent Valdez, a Mexican-American visual artist living and working in San Antonio, recently received the MacArthur Foundation Fellowship in the 2-D Visual Art category. The John D. and Catherine C. MacArthur Foundation recognized Valdez along with nineteen others as recipients of the annual “genius grants” across the arts, sciences, and humanities. The award provides $800,000 […]

EL PROFE QUEZADA NO DICE REVIEW OF VIÁZTLÁN REDUX BY RAFAEL C. CASTILLO

October 15, 2026 By wpengine

Rafael C. Castillo’s Viáztlán Redux is a luminous and deeply personal chronicle of a literary dream brought to life through passion, struggle, and unwavering cultural commitment.  As a professor of English Literature and former Editor‑in‑Chief of the international journal Viáztlán, Castillo brings an intimate authority to this narrative, guiding the reader through the journal’s origins […]

BURUNDANGA BORICUA DEL ZOCOTROCO 10.01.26 (ENGLISH)

October 1, 2026 By wpengine

Burundanga from Zocotroco José M. Umpierre At this point, it would be absurd to deny the irrefutable. Despite the many evidences and experiences to the contrary, I have not lost the fascination with falling in love. Reading the findings of the Psychology Research Center – Human Area of Spain on the subject is nothing less […]

More Posts from this Category

New On Latinopia

LATINOPIA ART GASPAR ENRÍQUEZ 1 “RETROSPECTIVE”

By Tia Tenopia on May 4, 2014

Gaspar Enríquez is a renowned Chicano artist whose airbrush portraits of barrio youth are haunting and memorable. Drawing from museums and collectors around the United States, in April 2014, the El Paso Museum of Art mounted a retrospective of Gaspar’s art titled Metaphors of the Barrio. Latinopia visited the exhibit and asked Gaspar what inspires […]

Category: Art, LATINOPIA ART

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin