• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / MIRANDOLO BIEN with EDUARDO DIAZ “DÉJÁ VU IN OREGON. NOT EXACTLY.”

MIRANDOLO BIEN with EDUARDO DIAZ “DÉJÁ VU IN OREGON. NOT EXACTLY.”

January 24, 2016 by Tia Tenopia

Juan-de-OnatePD_200

Juan de Oñate.

In 1598, a defining Spanish expedition, led by conquistador Juan de Oñate, departed Zacatecas, Mexico. The Spaniards and their indigenous servants, following trails previously blazed by Native Americans, made their way north to what is now Santa Fe, New Mexico, founded in 1610. To solidify its occupation, the Spanish monarchy awarded mercedes (land grants) to early settlers committed to community building. Abiquiú, Tierra Amarilla, Truchas, and many others are among the earliest land grant-based European settlements in what is now the United States.

Upon gaining its independence from Spain in 1821, Mexico recognized the validity of the mercedes. Note that nearly 1,200 miles separate Mexico City and Santa Fe. My sense is that the young republic thought it impractical to disturb things in far-flung communities, by then over two hundred years old. Things went rather swimmingly until the Mexican-American War, when, in 1846, a Manifest Destiny-driven United States waged war with Mexico, producing one of the largest land grabs in world history—the states of Arizona, California, Nevada, New Mexico, Texas, Utah and parts of Colorado and Wyoming.

Mexican-American-War-Map-Public-Domain_300

The Treaty of Guadalupe Hidalgo ceded half of Mexico to the United States.

The signing of the Treaty of Guadalupe Hidalgo in 1848 brought an official end to the conflict, a document that ostensibly respected the legality of the Spanish land grants. However, through an institutionalized, race-based pattern of legal maneuvering, theft and violent confrontation, possession of too many of the mercedes was yanked away from the early settlers by the new conquerors at a startling scale and dizzying rate.

Fast-forward to the creation of La Alianza Federal de Mercedes (Federal Alliance of Land Grants), led by Reies López Tijerina, a charismatic ex-preacher and land grant activist. In October 1966, protesting the tolerated pattern of land dispossession and economic and social marginalization, Tijerina and his band occupied the Echo Amphitheater, a U.S. National Parks site located just west of Abiquiú. (Readers are probably more familiar with Abiquiú as the community just down the road from Georgia O’Keefe’s storied Ghost Ranch.) By seizing this federal property, (sound familiar?) the group hoped to draw attention to the claims of the former land grant community of nearby San Joaquín. Things did not go well with New Mexico’s governor and, upping the ante, the activists took over the Tierra Amarilla Courthouse, located north of Abiquiú, on June 5, 1967. Shooting erupted and hostage-taking ensued, followed by the prompt ouster of the activists and a massive manhunt. Tijerina and many of his followers were actively prosecuted.

Tierra Amarilla Courthouse

Tierra Amarilla Courthouse was taken over by Reies López Tijerina in 1967.

Fast-forward again to the recent occupation of southeast Oregon’s Malheur National Wildlife Refuge by armed anti-federalists. This white militia’s seizure of federal land, now in its third week, was prompted by the imprisonment of two convicted local arsonists whose crimes were perpetrated on nearby federal lands. According to an Arizona-based militiaman holding up at the refuge, “It needs to be very clear that these buildings will never, ever return to the federal government.” (Washington Post, January 17) I am not sure that rough and ready Teddy Roosevelt, who established the Malheur Refuge in 1908, would approve, nor would his government standby in response to this violation of federal law. The militia has indicated that it will use force to maintain possession, which is not sitting too well with the law-abiding folks of nearby Burns, Oregon. (I wonder if some there are thinking the situation could escalate into something resembling WGN America’s The Outsiders television series.) I join millions in hoping for a peaceful solution.

Let us be clear. In the case of New Mexico and Oregon, we are talking about Native lands. I find it unfortunate, though not surprising, that original claims of tribal sovereignty have been largely ignored in the reporting of the takeover, a most regrettable outcome of all of this.

Malheur-HeadquartersCC-Cacaphony_200

What would happen if a group of armed Latinos or Native Americans took over the Malheur headquarters?

Imagine, if you will, if a group of armed Latinos or Native Americans had occupied Malheur professing to violently resist eviction? I suspect that Harney County, state, and federal officials would have mobilized swiftly. I invite readers to imagine the scene and outcome.

New York-born comic Hari Kondabolu reflects, “Telling me that I’m obsessed with talking about racism in America is like telling me I’m obsessed with swimming when I’m drowning.” I find his words hauntingly resonant in assessing the implications of the Malheur Refuge conundrum.

______________________________________________

Copyright 2016 by Eduardo Díaz.  Photos are in the public domain.

Filed Under: Blogs, Mirándolo Bien with Eduado Díaz Tagged With: Chicano, Chicano Movement, Land Grants, Malheur National Wildlife Refuge, Manifest Destiny, Mexico, New Mexico, Oregon, Santa Fe, Treaty of Guadalupe Hidalgo

RICARDO ROMO’S TEJANO REPORT 8.20.26

August 19, 2026 By wpengine

The Shadow of the Sun is a film about two brothers who believed in one another and are chasing a dream. The brothers are close, but their lives are filled with financial struggles, boredom, interpersonal conflicts, and confrontations with local bullies. They eventually look to music as a path to financial stability and a possible […]

BURUNDANGA BORICUA DEL ZOCOTROCO 8.14.26 WATER (ENGLISH VERSION)

August 14, 2026 By wpengine

José M. Umpierre Journalistic reports are usually composed of events, data and the way in which the event is reflected or affects people. In that case, the event is the water situation in Puerto Rico, since I am part of the affected human contingent, the affective content is yours truly. The Data The water situation […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 8.14.26 FEMINISTS BEFORE THEIR TIME PART TWO

August 14, 2026 By wpengine

Part II of Feminists before their times… “A woman with a voice is by definition a strong woman.”    Melinda French Gates, American philanthropist In Part I of this series, I noted that back in the day, before the term “feminist” was popular, there were many strong, assertive women within our community. I refer to them […]

RICARDO ROMO’S TEJANO REPORT 8.14.26 THE RAMIREZ SISTERS EXPLORE CULTURE AND BELONGING

August 14, 2026 By wpengine

Latina artists Manola and Maria Ramirez’s exhibition, Había Una Vez, at Centro Cultural Aztlán in San Antonio, brings their interest in participation and visual storytelling into an immersive gallery setting. On view through August 27, 2026, the installation at the Centro Cultural Aztlán explores and commemorates the culture, memories, bicultural identities, and often fractured experiences […]

More Posts from this Category

New On Latinopia

LATINOPIA ART GASPAR ENRÍQUEZ 1 “RETROSPECTIVE”

By Tia Tenopia on May 4, 2014

Gaspar Enríquez is a renowned Chicano artist whose airbrush portraits of barrio youth are haunting and memorable. Drawing from museums and collectors around the United States, in April 2014, the El Paso Museum of Art mounted a retrospective of Gaspar’s art titled Metaphors of the Barrio. Latinopia visited the exhibit and asked Gaspar what inspires […]

Category: Art, LATINOPIA ART

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin