• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / POLITICAL SALSA Y MÁS with SAL BALDENEGRO 10.19.18 ”INDIGENOUS POLITICAL REPRESENTATION”

POLITICAL SALSA Y MÁS with SAL BALDENEGRO 10.19.18 ”INDIGENOUS POLITICAL REPRESENTATION”

October 19, 2018 by Tia Tenopia

Indigenous political representation…

In 1998 Gonzales was the first Indigenous woman elected to the Arizona Legislature.

Arizona recently made history by electing three Indigenous women—Jamescita Peshlakai (Navajo), Victoria Steele (Seneca), and Sally Ann Gonzales (Pascua Yaqui)—to the Arizona Senate. All three won their respective Democratic Primaries, and only one has opposition in the General election (a long-shot write-in opponent). Two Indigenous men—Myron Tsosie, Arlando Teller, both Navajo—also have no Republican opposition in the General election. This will increase the Arizona legislature’s Indigenous Peoples Caucus from four (4) to five (5), a far cry from just 20 years ago, when the de-facto Indigenous Peoples Caucus was comprised of one person, Sally Ann Gonzales. In 1998, Gonzales was the first Indigenous woman elected to the Arizona Legislature and was the only Indigenous person in the legislature. After serving two terms, she took a hiatus from politics until 2010, when she again ran for the House of Representatives.

One of my recent Latinopia blogs focused on Gonzales. [For those who may want to refresh their memory, here is the link to that blog: http://latinopia.com/blogs/political-salsa-y-mas-with-sal-baldenegro-1-14-18/ ] Since the first time she ran for office, political machines (including so-called “progressives”) have targeted her and tried to silence her and deprive the Yaquis a political voice, a throwback to the shameful history of disenfranchising Indigenous people. More on this later in this blog.

Indigenous peoples considered “foreigners!”

In 1924, when indigenous men fought under the U.S. flag in World War I, the U.S. finally granted full U.S. citizenship. to the country’s indigenous people.

In historical context, electing five Indigenous people to the Arizona legislature is noteworthy. One of our country’s dirty little secrets is that the Indigenous peoples who inhabited this land before any white folks “discovered” it didn’t have citizenship status until 1924 and couldn’t vote for decades after that. Under Article 1 of the U.S. Constitution “Indians not taxed” weren’t counted as citizens. The infamous U.S. Supreme Court Dred Scott decision (1857) determined that Indigenous people were subjects of a “foreign government,” their tribes, and that only Indigenous persons who left their tribe and lived among white people could claim the rights and privileges that would accrue to an emigrant from any other “foreign people.”

In 1868, the Fourteenth Amendment granted citizenship to all people born or naturalized in the United States and “subject to the jurisdiction thereof.” Since Indigenous peoples were perceived to be subject to the jurisdiction of their respective tribes, the jurisdiction requirement was used to deny citizenship to Indigenous people. In deference to the many Indigenous men who had fought under the U.S. flag in World War I, in 1924 the Indian Citizenship Act granted full U.S. citizenship to the country’s indigenous people.

However, since voting rights were governed by state law, the federal Indian Citizenship Act did not confer voting rights on Indigenous people. Until 1957, some states barred Indigenous peoples from voting. [The Indian Citizenship Act didn’t include people born before the act’s 1924 effective date. It was not until the Nationality Act of 1940 that all Indigenous people born on U.S. soil were considered citizens.]

Meanwhile in Arizona…

In my home state, Arizona, Indigenous peoples were not allowed to vote until 1948, when the Arizona Supreme Court overturned a ban on Indian voting. But Arizona continued to exclude Indigenous peoples from voting by means of virtually-impossible-to-pass English literacy tests. These tests (also used by other states) were not outlawed until 1970.

Considering this history, then, it is heartening to see Indigenous people being elected to the state legislature and in numbers sufficient to impact legislation and influence policy.

But Arizona lawmakers never give up…

Arizona lawmakers replaced voting bans and literacy tests with other voter suppression measures. For example, it is a felony for someone other than family members or postal workers to deliver a neighbor’s or an elder’s ballot to a polling place. Some relevant facts: (1) about 80% of Arizonans vote early by mail and (2) Indian Reservations tend to be rural, with large distances between people’s homes and polling places or post offices where people can pick up or drop off mail. Thus, criminalizing people helping elderly, disabled, etc., neighbors deliver their ballots keeps many Reservation residents from exercising their voting rights. Another voter suppression tactic is to not allow voters to vote in a precinct other than their own. Allowing voters to do so is logical and practical in large, rural Reservations where people might live far away from where they work.

Arizona’s not alone. Just this month the U.S. Supreme Court upheld a North Dakota law that will disenfranchise thousands of Indigenous people. That law, which requires voters to produce at the polls an ID with a “current residential street address” or proof thereof, specifically targeted Indigenous people. The U.S. Postal Service doesn’t provide residential mail delivery in remote areas. Thus, many members of North Dakota’s Indigenous tribes don’t have street addresses and use their mailing addresses, like P.O. boxes, on their IDs. This disqualifies them from voting.

Political machines target Sally Gonzales…

As noted, since 1997 political machines (including some so-called “progressives”) have tried to silence Sally Gonzales. But these efforts go beyond Gonzales—they are out to deprive the Yaquis a political voice. In my recent Latinopia blog I noted that the Yaquis are known as a “warrior nation.” From the mid-1500s to the early-1900s, the Yaquis successfully fought off the Spanish and then the Mexicans when both of these groups wanted to seize the very fertile and mineral-rich Yaqui land, which is concentrated along the Río Yaqui in the Mexican state of Sonora, which is contiguous to Arizona.

Sally Ann Gonzales has fought for the rights of people of color, for workers, children, women, teachers.

Sally Ann Gonzales does her Yaqui “warrior nation” heritage proud. She not only beat back the political establishment-machines, she fights ferociously for the rights of people of color, for workers, children, women, teachers. She doesn’t pontificate about “speaking truth to power”—she does it. A couple of examples:

Recently she stood with barrio residents who successfully fought back an all-Democratic Mayor-Council decision favorable to developers that would have had profound negative effects on two Chicano barrios. [Democratic State Representatives Macario Saldate and Bruce Wheeler also stood with the barrios.] During her Primary race a few months ago, Sally Gonzales called out a high-ranking Democratic elected official, a Mexican American, for, in her words, “disrespecting women.” In retaliation, the Democratic Party establishment-machine set out to defeat Gonzales. But the voters rebuffed the Democratic Party establishment-machine and elected Gonzales by a significant margin. In 2010 Gonzales also handily beat this same Democratic Party establishment-machine.

Likewise, in 1997, when she was elected State Representative the first time, she took on the Democratic Party establishment-machine of that time who worked militantly to prevent Mexican Americans-Yaquis from being elected in a predominantly Mexican American-Yaqui district. That battle started in the late 1970s, when Luis Armando Gonzales (no relation to Sally) emerged from the Old Pascua Yaqui Village and took on the establishment-machine and won a state senate seat and changed, for the better, the political dynamics of the Mexican American-Yaqui community for generations.

Real goal is to take away the voice of the Yaquis…

Sally Gonzales is the sole member of the Pascua Yaqui tribe in the Arizona legislature.

The attacks on Sally Ann Gonzales are the modern incarnation of the campaign to disenfranchise Indigenous people, attempts to take away the voice of the Yaqui community, for Sally Gonzales is the face of the Pascua Yaqui tribe in the legislature. No other explanation makes sense given that Sally Ann Gonzales is very competent and productive, is true to the values the Democratic Party purports to represent, and she stands up for her constituents.

Sally Gonzales made history in 1997 by being the first Indigenous woman elected to the Arizona Legislature. Today she not only is the sole member of the Pascua Yaqui tribe in the Arizona legislature, she is the first Indigenous person from Southern Arizona to ever be elected to the state senate and is the senior member of the Indigenous Peoples Caucus. And she is very good at her job. From my perspective this is something to celebrate rather than oppose. c/s

Again, here’s the link to my previous blog on Sally Ann Gonzales:

http://latinopia.com/blogs/political-salsa-y-mas-with-sal-baldenegro-1-14-18/

______________________________________________________________

Copyright 2018 by Sal Baldenegro. To contact Sal visit: salomonrb@msn.com  World War One photo in the public domain, all other photos used under the “fair use” proviso of the copyright law.

Filed Under: Blogs, Political Salsa y Más Tagged With: Political Salsa y Mas with Sal Baldenegro, Sal Baldenegro, Sally Ann Gonzales

RICARDO ROMO’S TEJANO REPORT 5.31.25 LATINOS INFLUENCE NEW YORK ART SCENE

May 31, 2025 By wpengine

Latino Artists Are Influencing the New York City Art Scene. I love New York City [NYC], a city with world-class museums, brilliant theatre, opera and orchestra venues, fabulous art galleries, artists’ studios, and more than twenty-three thousand restaurants to delight and often surprise every taste. What I love best about this great city is its […]

BURUNDANGA BORICUA DEL ZOCOTROCO 5.23.25 – EMINENT DANGER

May 23, 2025 By wpengine

In 2012, in Puerto Rico there were 13,000 farms; in the recent agricultural census, between 8 and 10,000 farms are recorded; a substantial decrease in the figure reported for 2012. At present, the agricultural sector of the Puerto Rican economy reports approximately 0.62% of the gross domestic product, which produces 15% of the food consumed […]

BURUNDANGA BORICUA DEL ZOCOTROCO 5.23.25 MORE ON THE NEED TO GROW

May 23, 2025 By wpengine

The title of the documentary, The Need to Grow by Rob Herring and Ryan Wirick,  is suggestive. Its abstract character is enough to apply in a general and also in a particular way. The Need to Grow applies to both the personal and to so many individuals. At the moment, the need for growth in […]

MIS PENSAMIENTOS with ALFEDO SANTOS 5.31.25

May 31, 2025 By wpengine

Bienvenidos otra vez a La Voz Newspaper. Como pueden veren la portada de este ejemplar, tenemos al maestro de la musica de Mariachi Zeke Castro. As you read his story you will discover the long trajectory of his career across the United States and his impact of Mariachi music education in the Austin Independent School […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin