Day of The Dead Resurrected By U.S Latino CommunitiesThe Mexican/U.S. Latino holiday known as Dia de Los Muertos, or Day of the Dead, falls on November 1 and 2. Today’s broad public celebration of this event has relatively recent origins in the United States. We know that for 250 years the Day of the Dead celebrations in Spanish/Mexican Borderland communities were private and modest. Even one hundred years ago, Day of the Dead was a private affair, usually celebrated by faithful families wishing to remember their loved ones. While the celebration has ancient roots, the cultural tradition is celebrated enthusiastically by thousands today in cities with large Latino populations.
What changed over the past fifty years? This is an account of how Latino artists who saw a need for greater acknowledgement of the departed relatives and their Indigeneous cultural heritage resurrected celebration of Day of The Dead. Two cities, Los Angeles and San Antonio, offer guidance as to how this celebration evolved in our Latino communities. My family and I have lived in both Los Angeles and San Antonio, and we have witnessed the rise of Day of the Dead celebrations in both cities. We resided in Southern California for 14 years and before the mid 1970s, Day of the Dead had little public meaning. Latino families created small altars in their homes and also went to the cemetery to tend to burial sites of friends and relatives. Most cemeteries devote little time and resources to older grave sites, so Day of the Dead provided the opportunities for families to honor their departed loved ones by leaving offerings and remembrances at the grave site and perhaps constructing a small altar at home to recognize the memories of those deceased.
The celebration of the lives of the deceased is believed to have Aztec origins dating back to the 14th century, perhaps even centuries before that. The Aztec Queen Mictecacihuatl ruled over the underworld and served as a protector of the dead. Annually Mictecacihuatl returned to grave sites to make certain that the bones of the deceased were protected. On the Day of the Dead, family members and friends celebrate with ofrendas [offerings] of special foods such as pan de muerto or atole [corn cereal]. On those celebratory two days, the dead were thought to be awakened from their eternal sleep by the presence of guests and the scent of favorite foods and flowers. Music, dance, and candles also contributed to the awakenings.
Several years ago before the release of Coco, Disney’s popular film on this topic, a James Bond movie, Spectre, opened with an elaborate Day of the Dead
parade through downtown Mexico City. Mexico City officials decided that the celebration of Day of the Dead with a parade was indeed a good idea. Oscar Lopez, a journalist with the New York Times, noted on October 30, 2021, “The parade has since become an important tourist attraction for the capital, with 2.6 million attending in 2019.”
For the first few hundred years, Day of the Dead in San Antonio was a small and private celebration. On those special days, my grandparents, all born in Mexico, went to San Fernando Cemetery #2 on Castroville Road with flowers for the deceased. They did not spend the night and our family was unfamiliar with ofendas. As I wondered why this was the case, I found a good explanation in the words of Los Angeles Times writer Fidel Martinez. In a recent essay on this topic, Martinez recalled: “Like many Mexican American families, we held on to some Mexican holiday traditions — tamales at Christmas, buñuelos at New Year’s…But Día de Muertos? Not in our house. I think we were too assimilated — too citified in the L.A. suburbs — to appreciate the Indigenous worldview that accompanies the day.” That may explain my late appreciation of this colorful holiday.
My personal introduction to Dia de Los Muertos occurred in the early 1970s as I began to cultivate an interest in Mexican and Chicano art. From my graduate
anthropology courses at UCLA, I learned that Aztec art and artifacts suggested that Nahualt-speaking ancestors may have practiced celebrations of the dead in the centuries before migrating to the interior of Mexico where they founded the Aztec capital. The Spanish conquistadors who arrived in the Aztec capital in 1519 found evidence of art and sculptures demonstrating that the Aztecs believed in the underworld and that ancestral gods ruled in that world.
Mexican art, which I began learning about in the early 1970s, provided me with the ideal visual interpretation of what Day of the Dead meant to the Aztec people. The great Mexican illustrator and lithographer Guadalupe Posada [1852-1913] is credited with the popularization of imagery once employed by the Aztecs to convey deceased persons. His drawings of calacas and calaveras [skulls and skeletons] were popularized in the penny press and later incorporated into murals by acclaimed Mexican painter, Diego Rivera.
One of the oldest and largest Day of the Dead celebrations is held in East Los Angeles sponsored by Self Help Graphics, a community art organization. Sister Karen, a Catholic nun who started Self Help Graphics, loved printmaking, but was receptive to new ideas. Many of the young artists who came to learn about art and printmaking at Self Help had been born in Mexico, and they introduced Mexican imagery associated with Day of the Dead to the art center and indirectly to East Los Angeles. Before the celebration of Day of the Dead events at the Self Help art complex, East L.A. residents knew little of the colorful ceremonies associated with this special tradition.
Los Angeles Latino artists organized the first festival of Day of the Dead 49 years ago. Initially, the festival at Self Help consisted of a large outdoor gathering with street closings. Sister Karen’s support of the introduction of Day of the Dead activities led to the event’s rise as a signature event of the non-profit organization. The following year the ‘Muertitos” organized a parade. I visited Self Help several years ago as they were preparing for the Day of the Dead parade. Over the past few years this event has been known to attract more than 10,000 participants. This year’s celebration will be held on Saturday, November 5th. Information about their events can be found at the Self Help Graphics’ website: Self Help Graphics & Art’s 49th Annual Día de los Muertos Celebration .
In San Antonio, the Centro Cultural Aztlan, founded in the mid 1970s, will be celebrating its 45th year of Day of the Dead events. Ramon Vasquez y Sanchez, the first director of the Centro Cultural Aztlan, established close relationships with the Mexican Cultural Institute in San Antonio. In the first Centro Cultural Aztlan Day of the Dead celebration, participants brought small altars from their homes. Several artists constructed larger altars on the premises located on North Cherry Street.
Photographer Mary Jesse Garza contributed to creating a new interest by exhibiting photos of Day of the Dead events in Mexico. Event organizers also went to Mexico to buy Day of the Dead products such as candy skulls [calaveras] to create the Muertos ambiance for the Centro. The Day of the Dead event is now one of the more popular celebrations hosted by Centro Cultural Aztlan. KSAT Television in San Antonio has provided an excellent list of events for Day of the Dead: [https://www.ksat.com/news/local/2022/10/19/celebrate-dia-de-los-muertos-at-these-free-festivalsin-the-san-antonio-area/]
Although over the years the Aztec celebration has become more recognized and appreciated for its connections with deceased loved ones, the tradition has experienced transformations with the advent of the digital age. As social media introduced this Indigenous celebration to global audiences, more U.S. cities with large Latino populations have added Day of the Dead celebrations to their annual cultural events calendars.
Local community groups incorporate adaptations of this cultural legacy to reflect links to Indigenous roots as well as contemporary experiences. The regeneration of this Day of the Dead celebration has brought growing attention to the deep and rich heritage of Latino culture in the United States.
Copyright 2022 by Ricardo Romo. Ricardo Romo will be away on a research trip over the next two weeks. Articles will resume after Nov. 8. Advertisement art used under “fair use” proviso of the copyright law. All other images as indicated.