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You are here: Home / Blogs / RICARDO ROMO’S TEJANO REPORT 8.31.24

RICARDO ROMO’S TEJANO REPORT 8.31.24

August 31, 2024 by wpengine

A Latino Art Journal: South Texas 2024

Walking into the University of California Los Angeles Chicano Studies Research Library one day in 1970 I saw the first Chicano mural in a higher education setting in the U.S.– art history in the making. I learned over time that our duty as trained historians is to gather vital documents, capture significant events in film or video, interview key players, and write about our findings. I am spending my short vacation time organizing photos. I have taken more than 20,000 since the 1970s. This week I have chosen 16 photos taken during the first half of 2024 as part of a photo
journal. Enjoy.

Millicent Alvardo. “Split Decision of Poor Choices.” [2D layered cardstock]. Courtesy of Presa House. Photo by Ricardo Romo.

Millicent Alvardo, “A Gift for the Eyes, Not the Soul.” Courtesy of Presa House. Photo by Ricardo Romo

Millicent Alvardo. Front view of artist’s immersive felt art installation at Presa House. Photo by Ricardo Romo.

Kant [Alberto Garza} Jimi Hendrix mural near completion. Guadalupe Street. Photo by Ricardo Romo.

 

 

 

 

 

 

 

 

Calvo Murals. “Bad Bunny. Northside San Antonio near Broadway. Photo by Ricardo Romo.

Cesar Martinez, “Mona Lupe.” Courtesy of The Art Museum of South Texas. Photo by Ricardo Romo.

Ricardo Ruiz [the elder]. El Corrido del Mocho Eugenio, Mathis, Texas (The Songs My Father Taught Me are the Songs I’ll Teach My Son), 1994. Courtesy of The Art Museum of South Texas. Photo by Ricardo Romo.

Ricardo Ruiz [the elder]. Courtesy of The Art Museum of South Texas. Photo by Ricardo Romo.

 

 

 

 

 

 

 

 

 

Joe Peña. Corpus Christi studio. Photo by Ricardo Romo.

Joe Peña, “Camila.” Courtesy of the Artist.

Joe Peña, “Austin Stop.” Photo courtesy of the artist.

Bruno Andrade. Courtesy of The Art Museum of South Texas. Photo by Ricardo Romo.

 

 

 

 

 

 

 

 

 

Benjamin Soriano, Guadalupe Lumber Co. mural. Saltillo St. Photo by Ricardo Romo.

Volunteer artist at Guadalupe Lumber Co. mural. Saltillo St. Photo by Ricardo Romo.

Guadalupe Lumber Co. mural. Saltillo St. Photo by Ricardo Romo.

Doroteo Garza, Lead artist, Guadalupe Lumber Co. mural. Saltillo St. Photo by Ricardo Romo.

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Copyright 2024 by Ricardo Romo. Photo credits as indicated.

Filed Under: Blogs, Ricardo Romo's Tejano Report Tagged With: Ricardo Romo's Tejano Report

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Latino art has come of age in the Southwest and beyond, and October is a banner month for Chicano and Mexican art exhibitions in Texas. In mid-October, San Antonio galleries opened three exhibits devoted to the Latino experience. This essay covers the Mercardo/Materials exhibit at the Centro de Artes in San Antonio’s downtown Market Square, […]

RICARDO ROMO’S TEJANO REPORT 10.23.26. LATINA ARTISTS EXPLORE THEMES OF MIGRATION, BORDERS AND CULTURAL PERSISTENCE

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Latina artists are becoming especially active in painting and sculpture in Southwestern communities with large Latino populations, including Los Angeles, Houston, and San Antonio. In this essay, I highlight two Latina artists who held successful art shows in San Antonio, Texas, over the past year. I begin with the renowned textile weaver Consuelo Jimenez Underwood. […]

EL PROFE QUEZADA NOS DICE – THE SIGNIFICANCE OF RETURNING THE CODEX AZCATITLAN TO MEXICO

October 24, 2026 By wpengine

There are moments when history seems to awaken—when something long kept distant finds its way home, carrying with it the breath of ancestors and the weight of memory.  In Mexico City, such a moment has arrived with the return of the Codex Azcatitlan, a treasured Aztec manuscript that has spent nearly two centuries in France.  […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 10.15.26

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Where’s the shame? Esos no tienen vergüenza (Those people have no shame). My saintly Nana Petra (she of blessed memory) My Nana would say that of people who were hypocrites, that is, whose actions contradicted their words. Or of people whose behavior was blatantly, knowingly wrong – e.g., starting or spreading hurtful rumors about someone, […]

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