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You are here: Home / Blogs / RICARDO ROMO’S TEJANO REPORT 8.31.24

RICARDO ROMO’S TEJANO REPORT 8.31.24

August 31, 2024 by wpengine

A Latino Art Journal: South Texas 2024

Walking into the University of California Los Angeles Chicano Studies Research Library one day in 1970 I saw the first Chicano mural in a higher education setting in the U.S.– art history in the making. I learned over time that our duty as trained historians is to gather vital documents, capture significant events in film or video, interview key players, and write about our findings. I am spending my short vacation time organizing photos. I have taken more than 20,000 since the 1970s. This week I have chosen 16 photos taken during the first half of 2024 as part of a photo
journal. Enjoy.

Millicent Alvardo. “Split Decision of Poor Choices.” [2D layered cardstock]. Courtesy of Presa House. Photo by Ricardo Romo.

Millicent Alvardo, “A Gift for the Eyes, Not the Soul.” Courtesy of Presa House. Photo by Ricardo Romo

Millicent Alvardo. Front view of artist’s immersive felt art installation at Presa House. Photo by Ricardo Romo.

Kant [Alberto Garza} Jimi Hendrix mural near completion. Guadalupe Street. Photo by Ricardo Romo.

 

 

 

 

 

 

 

 

Calvo Murals. “Bad Bunny. Northside San Antonio near Broadway. Photo by Ricardo Romo.

Cesar Martinez, “Mona Lupe.” Courtesy of The Art Museum of South Texas. Photo by Ricardo Romo.

Ricardo Ruiz [the elder]. El Corrido del Mocho Eugenio, Mathis, Texas (The Songs My Father Taught Me are the Songs I’ll Teach My Son), 1994. Courtesy of The Art Museum of South Texas. Photo by Ricardo Romo.

Ricardo Ruiz [the elder]. Courtesy of The Art Museum of South Texas. Photo by Ricardo Romo.

 

 

 

 

 

 

 

 

 

Joe Peña. Corpus Christi studio. Photo by Ricardo Romo.

Joe Peña, “Camila.” Courtesy of the Artist.

Joe Peña, “Austin Stop.” Photo courtesy of the artist.

Bruno Andrade. Courtesy of The Art Museum of South Texas. Photo by Ricardo Romo.

 

 

 

 

 

 

 

 

 

Benjamin Soriano, Guadalupe Lumber Co. mural. Saltillo St. Photo by Ricardo Romo.

Volunteer artist at Guadalupe Lumber Co. mural. Saltillo St. Photo by Ricardo Romo.

Guadalupe Lumber Co. mural. Saltillo St. Photo by Ricardo Romo.

Doroteo Garza, Lead artist, Guadalupe Lumber Co. mural. Saltillo St. Photo by Ricardo Romo.

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Copyright 2024 by Ricardo Romo. Photo credits as indicated.

Filed Under: Blogs, Ricardo Romo's Tejano Report Tagged With: Ricardo Romo's Tejano Report

BURUNDANGA BORICUA 8.01.25 DAY OF THE INVASION AND OF THE CONSTITUTION

August 1, 2025 By wpengine

July 25: Day of the Invasion and of the Constitution July 25 is an important date for Puerto Ricans who pay some attention to political and ideological matters. I don’t pretend to be all of them and I even wonder if there are really so many. This coincidence gives us the extraordinary uniqueness of being […]

RICARDO ROMO’S TEJANO REPORT 8.01.25 MARGARET GARCIA PORTRAIT ARTIST AND MURALIST

August 1, 2025 By wpengine

Latina Portrait Artist and Muralist Margaret Garcia: Visual Narrator of Los Angeles History I returned to the fabulous art studio of Margaret Garcia in late July of 2025, joined by famed Chicano film producer Jesús Salvador Treviño and my Substack editor Dr. Harriett Romo, for an exclusive interview with the prominent and talented Chicana artist. […]

BURUNDANGA BORICUA 8.01.25 EL DIA DE LA INVASIÓN Y CONSTITUCIÓN

August 1, 2025 By wpengine

Burundanga de Zocotroco José M. Umpierre 25 de julio: El Dia de la Invasión y Constitución El 25 de julio es una  fecha importante para los puertorriqueños que prestan alguna atención a los asunto politicos e ideológicos, no pretendo sean todos y hasta me pregunto si somos muchos. La coincidencia nos otorga la extraordinaria singularidad […]

RICARDO ROMO’S TEJANO REPORT 7.17.25 ART “QUINCEANERA” AT THE BORDERLANDS

July 17, 2025 By wpengine

An Art “Quinceanera” in the Borderlands. An exhibition featuring large prints by a talented cohort of borderland artists opened last week  [July 12, 2025] at the Centro Cultural Aztlan in San Antonio, Texas.  The Centro press release described the exhibit as a prime example of community artists engaging “in the deeply rooted democratic art form of […]

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