• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / RICARDO ROMO’S TEJANO REPORT 9.05.20 “COMING TO AMERICA – A ROMO FAMILY”

RICARDO ROMO’S TEJANO REPORT 9.05.20 “COMING TO AMERICA – A ROMO FAMILY”

September 5, 2020 by Tia Tenopia

Coming to America: A Romo Family in 1539

In 1539 Hernando De Soto recruited the Romo brothers for a trip to the New World.

Latinos have been in America longer than any other ethnic or racial immigrant group. This is an account of how a Romo family came to America.

In 1539 Maria Romo bid farewell to her three sons, Alonso, Diego, and Arias as they joined an adventurous group to help their kinsman, Hernando de Soto, recruit men willing to sail to the New World in search of wealth and exploration.

The three brothers, Arias Tinoco, Alonso Romo, and Diego Tinoco, were the sons of Gutierre Garcia Calderon and Maria Romo. It is likely that they had different fathers. Diego is often listed as Diego Arias Tinoco, while Alonso is also listed as Alonso Romo de Cardenosa.

The three Romos were related by blood to De Soto, according to the accounts of that era, and hailed from the same village in the Province of Badajoz. They were joined by Pedro Calderon, age 51, likely a brother to their father also from Badajoz.

In the 1500s when these three brothers were born, their province offered little livelihood other than farming
for uneducated youth. De Soto had gone to the New World in 1510 as a 14-year- old soldier and had participated in the conquest of Nicaragua. But it was his military service with Francisco Pizarro in the Conquest of Peru that made him a wealthy man.

De Soto returned to Spain in 1536, wealthy from the plunder of the Inca Empire. Upon his return, De Soto
became familiar with the stories of Cabeza de Vaca who had shipwrecked in 1528 in Matagorda Bay near present day Galveston, Texas. De Vaca’s accounts were published in Spain, and talk of finding another Inca empire that would yield gold riches became popular.

Hernando De Soto landing in Tampa Bay, Florida.

When De Soto was “granted the right to conquer Florida” by the King of Spain in 1536, he instantly began the recruitment of 600 men to sail with him to the New World. Numerous recruits came from Elvas, Portugal, a few miles west of the Spanish border and the town of Badajoz. Alonso Romo, whom De Soto appointed as one of his cavalry captains, likely assisted his primo De Soto in selecting good men for the adventure.

In June 1538, De Soto arrived in Santiago de Cuba aboard the San Cristobal. He was accompanied by a 950-man expedition. His kinsman, Alonso Romo, was placed as commander of a large ship De Soto named “San Anton.” Arias Tinoco was given charge of the large ship Santa Barbara.

There were a total of seven ships and two smaller ships referred to as brigantines. Pedro Calderon, a kinsman to the Romos, was placed in charge of one of the brigantines. Because of their command of three ships and
military rank, their participation is well documented. Thus, we are able to follow the Romos and their kinsman Pedro Caldernon from the beginning of the expedition to the end of their adventures.

Upon landing in Florida, near present-day Tampa Bay, De Soto and his men had their first bit of good luck.
Juan Ortiz, a survivor of the ill fated Panfilo Narvaez expedition of Florida in 1528, had been living among the
Indians and joined with De Soto as a translator. Over De Soto’s four thousand mile sojourn, the explorers
encountered many tribes and often struggled with communications given the hundreds of dialects used in
the vast region between Florida and Texas.

The expedition did not go well. As historian David Weber wrote: “Journeying wherever rumors of gold took
them, De Soto and his men left a trail of shattered lives, broken bodies, ravaged fields, empty storehouses, and
charred villages.”

Hernando De Soto was buried in the Mississippi. The Romo brothers and their cousin Pedro Calderon survived.

Upon reaching the great Mississippi River, De Soto fell ill and died in a short time. The loyal brothers, Alonso, Arias, and Diego, were chosen to bury him at night in the river in a bag loaded with sand to keep their Indian enemies from learning of the Spanish leader’s death.

The expedition continued for several more months traveling as far west as the Colorado River near present day Austin, Texas. There, the weary explorers decided it would be easier to travel along the Gulf coast by boat. They turned back and marched toward the Mississippi River where they constructed seven sturdy boats to take them to the Gulf of Mexico.

From the Gulf of Mexico they sailed south along the coast until they reached the mouth of the Panuco River, a
river which connected them with Mexico City. The Romo brothers and their cousin Pedro Calderon survived, and the majority of the 300 survivors remained in the Americas.

The mystery of where the Romo brothers lived out their lives is buried perhaps in some obscure documents
in Spain. I have some leads, but I am not expecting to solve this question anytime soon. The topic of Latino
immigration is of great interest to me. I am also convinced that we know too little of the narratives of Latino families and their experiences in coming to America. There remains much to learn and I will continue to explore more of my family history. I also encourage you to do the same.
_________________________________________

Copyright 2020 by By Dr. Ricardo Romo. All images used in this blog in the public domain.

Filed Under: Blogs, Ricardo Romo's Tejano Report Tagged With: Ricardo Romo's Tejano Report

POLITICAL SALSA Y MÁS with SAL BALDENEGRO 11.05.26 WHERE IS THE LOVE?

November 5, 2026 By wpengine

Where is the love? And now abideth faith, hope, charity, these three; but the greatest of these is charity. Saul of Tarsus, aka Paul the Apostle (Chapter 13, First Letter to the Corinthians) The Apostle Paul’s epistles are a key feature of Christian teachings. Charity, as posited by Paul in Corinthians 13, is love. [“Caritas,” […]

RICARDO ROMO’S TEJANO REPORT 11.05.26 LATINO ARTISTS INSPIRED BY MEXICAN FOOD TRADITIONS

November 5, 2026 By wpengine

The 17th Annual Mole Feast: A Taste of Cuisine, Culture and Art opened last week on October 15, 2026 at the Centro Cultural Aztlan. Curated by Edna Lugo, the exhibit included 35 artists. I am most familiar with the following ten artists: Rolando Briseño, Carolina Flores, Maria Jessica Brown, Hector Garza, Jacinto Guevara, Frank Harris, […]

RICARDO ROMO’S TEJANO REPORT 10.29.26 LATINO ART FOR THE FALL IN SAN ANTONIO AND TEXAS

October 29, 2026 By wpengine

Latino art has come of age in the Southwest and beyond, and October is a banner month for Chicano and Mexican art exhibitions in Texas. In mid-October, San Antonio galleries opened three exhibits devoted to the Latino experience. This essay covers the Mercardo/Materials exhibit at the Centro de Artes in San Antonio’s downtown Market Square, […]

RICARDO ROMO’S TEJANO REPORT 10.23.26. LATINA ARTISTS EXPLORE THEMES OF MIGRATION, BORDERS AND CULTURAL PERSISTENCE

October 24, 2026 By wpengine

Latina artists are becoming especially active in painting and sculpture in Southwestern communities with large Latino populations, including Los Angeles, Houston, and San Antonio. In this essay, I highlight two Latina artists who held successful art shows in San Antonio, Texas, over the past year. I begin with the renowned textile weaver Consuelo Jimenez Underwood. […]

More Posts from this Category

New On Latinopia

LATINOPIA ART GASPAR ENRÍQUEZ 1 “RETROSPECTIVE”

By Tia Tenopia on May 4, 2014

Gaspar Enríquez is a renowned Chicano artist whose airbrush portraits of barrio youth are haunting and memorable. Drawing from museums and collectors around the United States, in April 2014, the El Paso Museum of Art mounted a retrospective of Gaspar’s art titled Metaphors of the Barrio. Latinopia visited the exhibit and asked Gaspar what inspires […]

Category: Art, LATINOPIA ART

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin