• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / TALES OF TORRES 11.04.13 “PLANE WRECK AT LOS GATOS”

TALES OF TORRES 11.04.13 “PLANE WRECK AT LOS GATOS”

November 4, 2013 by Breht Burri

THE IMPORTANCE OF OUR NAMES AND OUR STORIES.

In 1974 a teenager named Jaime Ramirez made his way from a tiny town in Mexico to the city of Pasadena, California. He got a job as a dishwasher. It was a move little noticed by anyone.  In the big historical picture, it was a moment of quiet anonymity. But that day when he arrived served to eventually connect him to an event once steeped in anonymity but decidedly worth noting, for it crystalizes issues of immigration, of repatriation, of deportation and of identity. That event – and its long aftermath – resonates with meaning about who we are, as mexicanos, as Latinos.

Plane Crash HeadlineIn 1948 a plane took off from an Oakland airport, headed to the Mexican border. It was carrying 28 Mexicans. Some were braceros being returned to Mexico after their “guest worker” contract ran out. Others were undocumented immigrants who were rounded up and were being deported. As iconic folksinger Woody Guthrie wrote in his song “Plane Wreck at Los Gatos”:  “The sky plane caught fire over Los Gatos Canyon, a fireball of lightning that shook all our hills, who are all those friends all scattered like dry leaves?” There were no survivors. The newspapers and the radio mentioned the names of the white crewmembers on board the plane, but did not mention the names of the Mexicans. In the words of Woody Guthrie’s song: “The radio says they are just deportees.” Nameless. Faceless.

To the gringo world, we Latinos are often nameless and faceless.  We are almost invisible toWoody Guthrie Public Domain photo them. It has been a struggle. The U.S. government’s official Repatriation Program of the 1930s saw thousands of Mexicans rounded up and put into boxcars, like cattle, and shipped “back” to Mexico. Many were U.S. citizens or legal residents. It didn’t matter. We were scapegoats for the economic downturn. Sound familiar?

Deportations of undocumented workers continue today. Latinos have long struggled to “prove” we are “good Americans,” often in the face of prejudice and discrimination. We have endured. And our names and faces are acknowledged.

For 65 years the names of those Mexicans who perished in the plane crash were unknown. Forgotten. But research by writer Tim Hernández and others recently helped change that. The names of the 28 Mexicans were discovered in the archives of a Roman Catholic cemetery. Interestingly, researchers who had been trying for years to discover the names were thwarted because of confusion over the name of a community. Most people who heard the Woody Guthrie song assumed the plane had crashed over the town of Los Gatos, near San Jose. That was incorrect.

The “Los Gatos Canyon” mentioned in the song was actually an out of the way spot near the city of Fresno, where the Roman Catholic cemetery is. Finally a mystery had been solved. Those 28 Mexicans were buried in a mass grave without their names. On Labor Day of this year a plaque was placed at the site – a plaque which included the names of all of those mexicanos who died in the plane crash over Los Gatos Canyon.

They were anonymous no more.

Jaime Ramirez, now lives in Salinas where he owns a small restaurant. He discovered recently that among those “deportees” on that ill-fated plane was his abuelito, Ramon Paredes Gonzales. It has brought solace to him to know that his grandfather’s name has been acknowledged. Anonymous no more.

In the historical Big Picture of things, perhaps it’s a small matter. But it’s a significant one, an important one.  As Latinos in the United States we continue to fight to have our achievements, our contributions, acknowledged. We are not nameless. We are not faceless.
_________________________________________________

Luis TorresLatinopia contributor Luís Torres is the author of the just-published book “Doña Julia: The Life and Legacy of Educational Reformer Vahac Mardirosian.”

Filed Under: Blogs, Tales of Torres Tagged With: Deportees, Dona Julia's Children, Los Gatos Plane Crash, Luis Torres, PLane Wreck at Los Gatos, What's New, Woody Guthrie

RICARDO ROMO’S TEJANO REPORT 8.20.26

August 19, 2026 By wpengine

The Shadow of the Sun is a film about two brothers who believed in one another and are chasing a dream. The brothers are close, but their lives are filled with financial struggles, boredom, interpersonal conflicts, and confrontations with local bullies. They eventually look to music as a path to financial stability and a possible […]

BURUNDANGA BORICUA DEL ZOCOTROCO 8.14.26 WATER (ENGLISH VERSION)

August 14, 2026 By wpengine

José M. Umpierre Journalistic reports are usually composed of events, data and the way in which the event is reflected or affects people. In that case, the event is the water situation in Puerto Rico, since I am part of the affected human contingent, the affective content is yours truly. The Data The water situation […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 8.14.26 FEMINISTS BEFORE THEIR TIME PART TWO

August 14, 2026 By wpengine

Part II of Feminists before their times… “A woman with a voice is by definition a strong woman.”    Melinda French Gates, American philanthropist In Part I of this series, I noted that back in the day, before the term “feminist” was popular, there were many strong, assertive women within our community. I refer to them […]

RICARDO ROMO’S TEJANO REPORT 8.14.26 THE RAMIREZ SISTERS EXPLORE CULTURE AND BELONGING

August 14, 2026 By wpengine

Latina artists Manola and Maria Ramirez’s exhibition, Había Una Vez, at Centro Cultural Aztlán in San Antonio, brings their interest in participation and visual storytelling into an immersive gallery setting. On view through August 27, 2026, the installation at the Centro Cultural Aztlán explores and commemorates the culture, memories, bicultural identities, and often fractured experiences […]

More Posts from this Category

New On Latinopia

LATINOPIA ART GASPAR ENRÍQUEZ 1 “RETROSPECTIVE”

By Tia Tenopia on May 4, 2014

Gaspar Enríquez is a renowned Chicano artist whose airbrush portraits of barrio youth are haunting and memorable. Drawing from museums and collectors around the United States, in April 2014, the El Paso Museum of Art mounted a retrospective of Gaspar’s art titled Metaphors of the Barrio. Latinopia visited the exhibit and asked Gaspar what inspires […]

Category: Art, LATINOPIA ART

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin