• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / TALES OF TORRES THANKSGIVING LEFTOVERS 11.27.21

TALES OF TORRES THANKSGIVING LEFTOVERS 11.27.21

November 26, 2021 by Tia Tenopia

After the dinner, everyone’s attention is on the leftovers.

Thanksgiving Day has come and gone, leaving lots of leftovers – both actual and metaphorical. Above the din of football game crowds emanating from the nonstop television in the next room, there were conversations. Conversations about family chisme (gossip), politics and the very issue of what Thanksgiving is really all about.

Leftover conversations continue days after Thanksgiving Day about how the holiday began and what its meaning was and is today. There’s lots of talk about how Native people in this country are seemingly erased from our history. There are ongoing talks about articles in newspapers (those that still survive) and social media platforms about the myths associated with the original Thanksgiving observance. Leftover conversations.

And, of course, there are actual leftovers. The chunks of turkey or slabs of Tofurky. The mashed potatoes. The pumpkin pie. The tamales (in my family). The collard greens, the tandoori chicken, the kimchi, the yakitori or the lahmacun in other Southern California homes. There are recipes on social media and on TV cooking shows about how to cook and serve leftovers.

When I was a kid growing up on L.A.’s Eastside I had never even heard the word “leftovers”. It was an unknown word to me and – it named what was to me an alien concept. I remember the exact moment when I encountered the word leftovers. I can’t remember the exact date, but I remember the circumstances clearly. It was two days before Thanksgiving Day in 1959. I was nine years old and I was a “paper boy”. I sold the Los Angeles Mirror. It was an afternoon paper, something that’s gone the way of rotary phones and buggy whips.

I discovered “left overs” in 1959.

During the time I sold newspapers I actually took time to read them. A couple of days before Thanksgiving there was a long article about how to cook and serve the anticipated leftovers. Seriously, that word was never uttered in my house, where nine of us kids lived with my perennially on-the-move mother. As I read the article in what was probably “the Woman’s Section” or something like that, I was startled. I wasn’t exactly shocked but I sure was amused. What a concept! People ate dinner and had food left over. In my family we never had food left over. Instead of “leftovers” there should have been a word that suggested “not enoughs”.

Now, we weren’t the poorest of the poor on our block. Most people in my neighborhood were in the same boat. We got by, but extravagance meant having two of my mother’s handmade tortillas, rather than one. But the discovery of the notion of leftovers made an impression on me as I read that newspaper article. And it has stuck with me ever sense.

The hoary notions of “waste not, want not” and “a stitch in time saves nine” actually have stuck with me all my life. It has led to a lifelong consciousness about the limited resources of his planet and our responsibility to be conscientious stewards. Today, as an ageing boomer, every time Thanksgiving Day comes around I’m reminded of that afternoon reading about leftovers. What a concept.

__________________________________
Copyright by Luis Torres. Luis Torres is a veteran journalist and author and regular contributor to Latinopia. He can be reached at: Luis.r.torres@charter.net. Turkey photo in the public domain. street scene copyright by Barrio Dog Productions Inc.  This article was originally published on December 7, 2019.

Filed Under: Blogs, Tales of Torres Tagged With: Luis R.. Torres, Tales of Torres, Thanksgiving leftovers

RICARDO ROMO’S TEJANO REPORT 04.23.26 – TREVIÑO, GONZALEZ AND LUNA AT THE BLANTON

April 23, 2026 By wpengine

Latino Artists Treviño, Gonzalez, and Luna, Featured at UT Austin’s Blanton Museum Latino Artists Treviño, Gonzalez, and Luna, Featured at UT Austin’s Blanton Museum The UT Austin’s Blanton Museum of Art is currently featuring ten Chicano art prints from the Gilberto Cardenas-Dolores Garcia collection. Among the works on exhibit are prints by José Francisco Treviño, […]

EL PROFE QUESADA NOS DICE 4.23.26 – ON CALÓ AND BARRIO SLANG

April 23, 2026 By wpengine

I would like to share with you some of the slang Spanish words that I heard while growing up in the Barrio El Azteca in Laredo, Texas during the 1940s thru the 1960s.  When I was growing up in the Barrio El Azteca, the second oldest working-class neighborhood in Laredo, batos was slang for boys.  I […]

RICARDO ROMO’S TEJANO REPORT 04.17.26 MAGO GÁNDARA’S MUJER MODERNA EXHIBIT

April 17, 2026 By wpengine

El Paso’s new Mexican American Cultural Center’s (MACC) exhibit, Mujer Moderna: The Life and Artwork of Mago Gándara, opened in the fall of 2025. Curated by Ramon Cardenas, the exhibition honors Margarita “Mago” Orona Gándara (1929–2018), celebrated as the first Chicana Modernist artist and the first female muralist and sculptor of the U.S.–Mexico Borderlands. On view […]

BURUNDANGA BORICUA DEL ZOCOTROCO (ENGLISH) 4.10.26 OLIGARCHY AND KAKOCRACY: MONEY TAKS

April 10, 2026 By wpengine

Oligarchy and Kakocracy Boricua: money talks… Two events currently dominate public attention in Puerto Rico: the legislative views to attend the lobbying firm founded by the current secretary of the governorship and the Esencia megaproject, a residential development in the southwest of the island. They grab attention for the large sums of money they handle, […]

More Posts from this Category

New On Latinopia

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin