• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / THINKING LATINA with SARA INÉS CALDERÓN 10.01.12

THINKING LATINA with SARA INÉS CALDERÓN 10.01.12

October 1, 2012 by

“ILLEGAL” IS NOT RACIST – YEAH, RIGHT.

How can I convince my editor that “illegal” is a racist term?

A young woman frantically asked me for advice to answer this question this week. She was trying to figure out how to convince her editor at a major news organization that using the term “illegal” was racist. The fact that the news organization was quoting someone seemed to be their excuse to use this word, claiming that since they weren’t saying it, they could wash their hands of its racist implications.

It’s a really convenient way out.

When you hear the word “illegal,” what kind of people come to mind? Thanks to major media outlets, we as Americans have been conditioned to associated this word with Latinos — whether they are immigrants or not. Chinese immigrants, Indian immigrants, European immigrants are not the images that flash in your mind when you hear that word. You think of a Latino, and that type of thinking has consequences.

If you recall, Americans think that 1 out of 3 Latinos are here without papers — how can you wash your hands of that inaccuracy?

I told the young lady to stand her ground and to point this out to her supervisors. At that point, after she spoke up, the meeting broke up for management only. How convenient, I told her, so they could rationalize their bad decisions to each other, uninterrupted by the inconvenience of someone pointing out the flaws in their “logic.”

I find it tragic that, as the country pummels towards becoming an ethnically “minority” nation, the people at the helm of our news outlets insists on keeping their feet so firmly planted in the past. As a journalist, I like to think of myself as one who has the power, the opportunity, to try to peek into the future, to look at where we could be headed, to point towards potential routes and start a conversation about what that might mean for all of us.

To hear that a major news outlet that purports to be non-partisan would be so insistent on publishing a racist insult to one of the country’s emergent ethnic groups is more than a disappointment. It’s a tragedy. Publishing, and defending the use of, racial slurs never helped this country evolve in the past, I have no reason to believe it will do so now.

You can parry the blame towards whoever you want. At the end of the day, when you make a decision to use backwards language, you are not helping your fellow Americans move forward — no matter what justification you use to make excuses for yourself.

 

Copyright 2012 Sara Inés Calderón

Filed Under: Blogs, Sara Ines Calderon

RICARDO ROMO’S TEJANO REPORT 10.10.25 PORCELAIN AND PAINT AT CENTRO CULTURAL AZTLAN

October 10, 2025 By wpengine

A Latino Exhibit of Porcelain and Paint at Centro Cultural Aztlan Gricelda Corpus Nill’s new porcelain sculpture exhibition,  “El Vuelo de la Monarca” at Centro Cultural Aztlan in San Antonio, explores themes related to Latino history, identity, and spirit tied to the San Antonio community. Her work is deeply rooted in her Mexican and Texas cultural […]

EL PROFE QUEZADA NOS DICE 10.10.25 REMEMBERING MANUEL B.BRAVO

October 10, 2025 By wpengine

Twenty-six years ago, April 1999, Texas A&M University Press published Border Boss: Manuel B. Bravo and Zapata County authored by this writer. It received the prestigious Texas Institute of Letters Award, the Webb County Heritage Foundation Award, and the American Association for State and Local History Award.  The paperback edition was published in 2001. Border Boss has stood […]

RICARDO ROMO’S TEJANO REPORT 10.03.25 MEL CASAS AND HUMANSCAPES

October 3, 2025 By wpengine

Mel Casas, a native of El Paso, moved to San Antonio in 1961 to teach art at San Antonio College. Over the next fifty years, until his death in 2014, Casas established himself as one of the nation’s preeminent Chicano artists. His celebrated “Humanscapes” series, which spans 150 works produced between 1965 and 1989 and […]

EL PROFE QUEZADA NOS DICE 10.03.25 “VETE POR LA SOMBRITA”

October 3, 2025 By wpengine

In the heart of Mexican culture, certain phrases carry more than just meaning—they carry memory, warmth, and a sense of belonging.  One such phrase is “Vete por la sombrita” or “Te vas por la sombrita,” a gentle farewell that literally means “go through the little shade.”  But for many, especially those like me who grew […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin