• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / THINKING LATINA with SARA INÉS CALDERÓN 5.05.13

THINKING LATINA with SARA INÉS CALDERÓN 5.05.13

May 6, 2013 by

HOW MANY GENERATIONS UNTIL LATINOS BECOME “AMERICAN?”

I consider myself Latina, close even to my family’s Mexican culture, bilingual and happily comfortable in that identity. But, more often than not, it seems like everyone else is trying to corral me into some other identity, or telling me that mine is not sufficient.

The neighborhood where I live is the perfect example.

I live in a neighborhood that’s split in two: one part of it is gentrifying rapidly, and the other part is filled with Mexican and many immigrant families. I live in the part that’s more Mexican, which makes me in all my professional hipster-ness stand out sometimes, but people still speak to me in Spanish and oftentimes I just become part of the scenery. But then there are other times…

I was speaking to a gentleman in the local bright pink-colored laundromat recently when he started to tell me about “Ustedes,” “You people,” in reference to the rich hipsters who are populating the other side of the neighborhood. The fact that we were speaking in Spanish, that I told him my family was from Mexico, mattered little.

Those are the moments that I find myself wondering about that identity I felt so secure in just a few moments before. What it means to be Latina to me isn’t the same as being Latina to someone else, and as our country moves towards being ever more Latino, I wonder what exactly that’s going to mean to the next few generations. I might be ethnocentric to them, or perhaps I’ll just be whitewashed. There’s no way of knowing.

These moments — where I’m torn from the reality into the reality of someone else — seem very abrupt to me. Because of where I live, they happen every so often, and every time they do, they catch me by surprise. This is probably mostly due to the fact that, when I leave my neighborhood and go out into the greater Los Angeles area, the number of Latinos who speak Spanish, who have molcajetes and cazuelas in their house, who actually cook Mexican food for themselves every day, who went to college and don’t feel the need to mispronounce their names in English — is slim.

I think about this often. Is it because I’m light-skinned and green-eyed that I don’t feel any shame about being Latina? Is it because my father is an educator who taught me from a young age to be proud of who I am? Because of how I look, or because I went to college, or because I purposely cling to my culture, there are moments when I stick out like a sore thumb amongst people I feel a kinship with. But more often than not, they see me as an outsider.

So what are my alternatives?

I don’t want to become one of those “vendidas” who pretends like being Mexican never happened to her. I don’t want to spin some myth that I’ve managed to overcome huge obstacles because I grew up with college educated parents. I don’t want to pretend that, despite my features, I’m mostly “Spanish,” or that my family’s history means nothing to me.

So, what I do instead, is recognize that I live in a world that changes everyday. What it was to me growing up in LA in the 1990s in the era of Proposition 187, what it was to me in 2010 during the era of SB 1070, what it is to me now when Texas representatives target Latino studies courses in colleges for elimination, is complex and escapes definition. It changes, it evolves, devolves, and then we find ourselves asking the same questions we’ve asked before.

Thus, when I find myself being picked apart and divided and categorized according to someone else’s criteria, I think about it, and then I let it go. Because when everything is changing so quickly, there’s no real way to keep track of who’s opinion counts, as we move forward in time, there’s no way of telling who’s going to “count” as Latino.

Copyright 2013 by Sara Inés Calderón.

Sara Inés Calderón
sarainescalderon.com
@SaraChicaD
Skype: SaraChicaD

la vida es dura, pero es bella

Filed Under: Blogs, Sara Ines Calderon Tagged With: Sara Ines Calderon, What is an American?, who is an American?

RICARDO ROMO’S TEJANO REPORT 07.03.25 BRILLIANCE OF ÁNGEL RODRÍGUEZ-DÍAZ

July 3, 2025 By wpengine

The Brilliance of Latino Artist Ángel Rodríguez-Díaz Among the major acquisitions by the prestigious Smithsonian American Art Museum in the 1990s was an Ángel Rodríguez-Diaz painting of famed Latina novelist Sandra Cisneros. Rodríguez-Díaz painted Cisneros in a black Mexican dress decorated with sequins and embroidery, and she “holds a patterned rebozo that snakes around her […]

MIS PENSAMIENTOS with ALFREDO SANTOS 07.03.25 NO KINGS DAY PROTESTS

July 3, 2025 By wpengine

THE NO KINGS PROTEST RALLY IN AUSTIN, TEXAS On a pleasant Saturday afternoon on June 14, 2025, Austin participated in a nationwide ‘NO KINGS” protest rally along with 2,100 other cities and towns and 5,000,000 others citizens across the U.S.A.. It’s estimated that the Austin rally, held on the Texas Capital grounds, drew over 20,000 […]

BURUNDANGA BORICUA DEL ZOCOTROCO 07.03.25 VIEQUES PARAÍSO AGRÍCOLA

July 3, 2025 By wpengine

Burundanga de Zocotroco José M. Umpierre Vieques Vieques es la Isla Nena del Archipiélago Borinkano que descansa a diez leguas al este de la Isla Grande;  cuenta con 132 kilómetros cuadrados, 33de largo por 7,2 de ancho, con una topografía de montes, colinas, pequeños valles y planicies costeras; abundan playas espectaculares, lagunas con algunos manantiales […]

BURUNDANGA BORICUA DEL ZOCOTROCO 07. 03.25 VIEQUES AN AGRO PARADISE (ENGLISH)

July 3, 2025 By JT

Umpierre Agro Vieques Vieques is the Nena Island of the Borinkano Archipelago that rests ten leagues east of the Isla Grande; it has 132 square kilometers, 33 long by 7.2 wide, with a topography of mountains, hills, small valleys and coastal plains; spectacular beaches abound, lagoons with some springs and ravines but insufficient to supply […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin