• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / THINKING LATINA with SARA INÉS CALDERÓN 6.30.13

THINKING LATINA with SARA INÉS CALDERÓN 6.30.13

June 30, 2013 by Breht Burri

FORGET “DEVIOUS MAIDS” THE GLASS CEILING IS MUCH MORE COMPLICATED FOR LATINAS.

“Devious Maids” seems to have captured the attention, or rather ire, of most of the people I know. There’s all kinds of pieces that have been written about it, the show’s presentation of Latina stereotypes as positive representations, about Eva “Mexican bike cop” Longoria’s responsibility to know better as a recent Chicano Studies graduate, about how far Latinos have come in the entertainment industry if the only thing that calls for their casting is immigration and stereotypical service jobs.

But me, I’m too busy fighting real-life Latina stereotypes to care much what a gay white man’s fantasies about what Latinas should be doing as maids, or housewives, or whatever he fancies we do.

While Marc Cherry controls the narrative of what Latinas get to be on TV, me and my Latina friends who are hitting our professional prime are having to combat assumptions about what we can and cannot do, our we can and cannot control our tempers, how sexual we are, whether or not we should be fetching coffee and wondering whether we’ll be able to break through the glass ceiling that nobody told me about when I was at Stanford University.

It’s nice that Cherry, and the people defending his use of stereotypes to make money, get to skate on top of ideas that don’t really affect them. They get to speak in pure hypotheticals about what Latino and Latina consumers do, and do not, want to see on TV and don’t have to deal with the repercussions.

They also don’t have to deal with these things in real life, where there are no punchlines , applause or repartee that will settle the sexism or racism that prevents me and my friends from being as successful as we could be if we were treated to the same privilege as someone, say, like Marc Cherry.

So, as far as the show “Devious Maids,” from what I understand it’s just not a good show, so probably won’t last. I feel for the Latina actresses most, who will be out of work when it’s cancelled and have a hard time finding a steady gig outside of playing maids, immigrants or sex kittens. But it will go away, and inevitably, be replaced by something just as bad.

Me and my friends, however, will have to deal with stereotypes affecting our income, professional progress, and general opportunities whether or not the show is on TV. You can’t cancel mistaken cultural assumptions as easily as you can bad programming. If you ask me, that’s more devious than anything else.
______________________________________________

Copyright 2013 by Sara Inés Calderón

Filed Under: Blogs, Sara Ines Calderon Tagged With: Devious Maids, Latina portrayals on television, Latina Stereotypes

RICARDO ROMO’S TEJANO REPORT 8.08.25 FLACO JIMENEZ

August 8, 2025 By wpengine

Flaco Jimenez: A South Texas Music Legend Flaco Jiménez, the legendary accordionist from San Antonio, passed away on July 31, 2025, at the age of 86.  Over a remarkable seven-decade career, he redefined conjunto, Tejano, and Tex-Mex music, earning global acclaim and numerous accolades, including six Grammy Awards and a Grammy Lifetime Achievement Award.  He […]

BURUNDANGA BORICUA 8.01.25 DAY OF THE INVASION AND OF THE CONSTITUTION

August 1, 2025 By wpengine

July 25: Day of the Invasion and of the Constitution July 25 is an important date for Puerto Ricans who pay some attention to political and ideological matters. I don’t pretend to be all of them and I even wonder if there are really so many. This coincidence gives us the extraordinary uniqueness of being […]

RICARDO ROMO’S TEJANO REPORT 8.01.25 MARGARET GARCIA PORTRAIT ARTIST AND MURALIST

August 1, 2025 By wpengine

Latina Portrait Artist and Muralist Margaret Garcia: Visual Narrator of Los Angeles History I returned to the fabulous art studio of Margaret Garcia in late July of 2025, joined by famed Chicano film producer Jesús Salvador Treviño and my Substack editor Dr. Harriett Romo, for an exclusive interview with the prominent and talented Chicana artist. […]

BURUNDANGA BORICUA 8.01.25 EL DIA DE LA INVASIÓN Y CONSTITUCIÓN

August 1, 2025 By wpengine

Burundanga de Zocotroco José M. Umpierre 25 de julio: El Dia de la Invasión y Constitución El 25 de julio es una  fecha importante para los puertorriqueños que prestan alguna atención a los asunto politicos e ideológicos, no pretendo sean todos y hasta me pregunto si somos muchos. La coincidencia nos otorga la extraordinaria singularidad […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin