• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / THINKING LATINA with SARA INÉS CALDERÓN 6.30.13

THINKING LATINA with SARA INÉS CALDERÓN 6.30.13

June 30, 2013 by Breht Burri

FORGET “DEVIOUS MAIDS” THE GLASS CEILING IS MUCH MORE COMPLICATED FOR LATINAS.

“Devious Maids” seems to have captured the attention, or rather ire, of most of the people I know. There’s all kinds of pieces that have been written about it, the show’s presentation of Latina stereotypes as positive representations, about Eva “Mexican bike cop” Longoria’s responsibility to know better as a recent Chicano Studies graduate, about how far Latinos have come in the entertainment industry if the only thing that calls for their casting is immigration and stereotypical service jobs.

But me, I’m too busy fighting real-life Latina stereotypes to care much what a gay white man’s fantasies about what Latinas should be doing as maids, or housewives, or whatever he fancies we do.

While Marc Cherry controls the narrative of what Latinas get to be on TV, me and my Latina friends who are hitting our professional prime are having to combat assumptions about what we can and cannot do, our we can and cannot control our tempers, how sexual we are, whether or not we should be fetching coffee and wondering whether we’ll be able to break through the glass ceiling that nobody told me about when I was at Stanford University.

It’s nice that Cherry, and the people defending his use of stereotypes to make money, get to skate on top of ideas that don’t really affect them. They get to speak in pure hypotheticals about what Latino and Latina consumers do, and do not, want to see on TV and don’t have to deal with the repercussions.

They also don’t have to deal with these things in real life, where there are no punchlines , applause or repartee that will settle the sexism or racism that prevents me and my friends from being as successful as we could be if we were treated to the same privilege as someone, say, like Marc Cherry.

So, as far as the show “Devious Maids,” from what I understand it’s just not a good show, so probably won’t last. I feel for the Latina actresses most, who will be out of work when it’s cancelled and have a hard time finding a steady gig outside of playing maids, immigrants or sex kittens. But it will go away, and inevitably, be replaced by something just as bad.

Me and my friends, however, will have to deal with stereotypes affecting our income, professional progress, and general opportunities whether or not the show is on TV. You can’t cancel mistaken cultural assumptions as easily as you can bad programming. If you ask me, that’s more devious than anything else.
______________________________________________

Copyright 2013 by Sara Inés Calderón

Filed Under: Blogs, Sara Ines Calderon Tagged With: Devious Maids, Latina portrayals on television, Latina Stereotypes

RICARDO ROMO’S TEJANO REPORT 10.23.26. LATINA ARTISTS EXPLORE THEMES OF MIGRATION, BORDERS AND CULTURAL PERSISTENCE

October 24, 2026 By wpengine

Latina artists are becoming especially active in painting and sculpture in Southwestern communities with large Latino populations, including Los Angeles, Houston, and San Antonio. In this essay, I highlight two Latina artists who held successful art shows in San Antonio, Texas, over the past year. I begin with the renowned textile weaver Consuelo Jimenez Underwood. […]

EL PROFE QUEZADA NOS DICE – THE SIGNIFICANCE OF RETURNING THE CODEX AZCATITLAN TO MEXICO

October 24, 2026 By wpengine

There are moments when history seems to awaken—when something long kept distant finds its way home, carrying with it the breath of ancestors and the weight of memory.  In Mexico City, such a moment has arrived with the return of the Codex Azcatitlan, a treasured Aztec manuscript that has spent nearly two centuries in France.  […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 10.15.26

October 15, 2026 By wpengine

Where’s the shame? Esos no tienen vergüenza (Those people have no shame). My saintly Nana Petra (she of blessed memory) My Nana would say that of people who were hypocrites, that is, whose actions contradicted their words. Or of people whose behavior was blatantly, knowingly wrong – e.g., starting or spreading hurtful rumors about someone, […]

RICARDO ROMO’S TEJANO REPORT 10.15.26

October 15, 2026 By wpengine

Vincent Valdez, a Mexican-American visual artist living and working in San Antonio, recently received the MacArthur Foundation Fellowship in the 2-D Visual Art category. The John D. and Catherine C. MacArthur Foundation recognized Valdez along with nineteen others as recipients of the annual “genius grants” across the arts, sciences, and humanities. The award provides $800,000 […]

More Posts from this Category

New On Latinopia

LATINOPIA ART GASPAR ENRÍQUEZ 1 “RETROSPECTIVE”

By Tia Tenopia on May 4, 2014

Gaspar Enríquez is a renowned Chicano artist whose airbrush portraits of barrio youth are haunting and memorable. Drawing from museums and collectors around the United States, in April 2014, the El Paso Museum of Art mounted a retrospective of Gaspar’s art titled Metaphors of the Barrio. Latinopia visited the exhibit and asked Gaspar what inspires […]

Category: Art, LATINOPIA ART

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin