• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / THINKING LATINA with SARA INÉS CALDERÓN 9.10.12

THINKING LATINA with SARA INÉS CALDERÓN 9.10.12

September 10, 2012 by

BEING LATINO IS BEING AMERICAN: WHAT I LEARNED FROM JULIAN CASTRO’S SPEECH.

Like so may others last week, I listened to San Antonio Mayor Julián Castro’s speech to the Democratic National Convention with something of a sense of wonder. As I listened to his speech, I thought of my life, of my parents, my grandparents, of so many friends and acquaintances, of our collective experiences with trying to integrate ourselves into the fabric of this country’s culture. Sometimes these experiences can be painful, and sometimes, they can be rather joyous, and that’s what struck me about Castro’s speech.

He spoke about his family and his experiences, about menudo and abuelitas, and about how all of these experiences are what made him a proud American. I know the feeling.

As a matter of fact, it seems lots of us do. Everyone I have talked to about the speech has essentially shared the same sentiment. That, to them — to see a Latino man on a national platform talking about his culture proudly, like it was normal, and equating that culture with being American — was incredible as it was validating. So many of us have been trying to establish the same thing in our own respective fields, whether it be through media or education, that to see the same message broadcast on national television was almost a relief.

When I was growing up, my father the historian would tell me about the dramatic demographic shifts that were taking place around us. That in my lifetime, by 2050, Latinos would be 1/3 of the population and the majority of Americans will be from minority groups. Growing up in 1990s anti-immigrant California, living in South Texas and witnessing the SB 1070 anti-immigrant surge in Arizona, I would often wonder whether this shift would be pacific, or excruciating.

I think, in a sense, the shift has been both.

Sometimes there are triumphs, and sometimes there are challenges that we all must contribute to overcoming. As someone who has spent years writing about how Latino culture is American culture, and how racism hurts all Americans, Castro’s speech was a powerful contribution to the conversation. Perhaps most importantly because his speech reached many non-Latinos who, maybe for the first time, listened to someone who doesn’t look like them and wasn’t raised as they were talk about why he’s proud to be their countryman.

There’s no doubt in my mind that Arizona, and other states, will continue to try to use the law to exclude Latinos and others from mainstream American life. I know that racism will continue to exist in this country, but that doesn’t invalidate all of the little steps, conversations and contributions to making the U.S. a more inclusive place. Castro wasn’t the first Latino to share his American narrative. But, because he did so with such grace and honesty in a tremendously public way, perhaps more of us will feel safe to talk about our Latino American experiences, or even better, perhaps others will be more ready to hear them.

 

Copyright 2012 Sara Inés Calderón

_____________________________________________________

Sara Inés Calderón
sarainescalderon.com
@SaraChicaD
Skype: SaraChicaD

la vida es dura, pero es bella

Filed Under: Blogs, Sara Ines Calderon Tagged With: 2012 Democatratic National Convention, Julian Castro, Latino politics

BURUNDANGA BORICUA DEL ZOCOTROCO (ENGLISH) 4.10.26 OLIGARCHY AND KAKOCRACY: MONEY TAKS

April 10, 2026 By wpengine

Oligarchy and Kakocracy Boricua: money talks… Two events currently dominate public attention in Puerto Rico: the legislative views to attend the lobbying firm founded by the current secretary of the governorship and the Esencia megaproject, a residential development in the southwest of the island. They grab attention for the large sums of money they handle, […]

BURUNDANGA BORICUA DEL ZOCOTROCO 04.10.16 OLIGARQUIA Y KAKOCRACIA BORICUA MONEY TALKS…

April 10, 2026 By wpengine

Burundanga de Zocotroco José M. Umpierre Oligarquía y Kakocracia Boricua: money talks… Dos sucesos dominan actualmente la atención pública en Puerto Rico: las vistas legislativas para atender la firma de cabildeo que fundó el hoy secretario de la gobernación y el megaproyecto Esencia, un desarrollo residencial en el suroeste de la Isla. Acaparan la atención […]

TALES OF TORRES 04.03. 26 RAZA AND OTHERS DEMONSTRATE AT NO KINGS RALLIES

April 3, 2026 By wpengine

NO KINGS PROTEST RAZA AND OTHERS DEMONSTRATE AT THE NO KINGS RALLIES.           My favorite sign – a very succinct and telling placard—at this past weekend’s protest in Pasadena, California read simply: “Arrogant, Depraved Racist.” The protest sign appeared above photos of Donald Trump and Stephan Miller, the diabolical architect of Trump’s immigration […]

RICARDO ROMO’S TEJANO REPORT 4.10.26 CHICANO PRINTS AT UT AUSTIN’S BLANTON MUSEUM

April 10, 2026 By wpengine

The UT Austin’s Blanton Museum of Art is currently featuring ten Chicano art prints from the Gilberto Cardenas-Dolores Garcia collection. Among those on exhibit are Carlos Cortez, Leo Limón, and Alma López, discussed in this story. Graphic artist Carlos Cortez was a Chicago-based writer, poet, illustrator, muralist, and activist. He is best known for his […]

More Posts from this Category

New On Latinopia

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin