• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / THINKING LATINA with SARA INÉS CALDERÓN 9.24.12

THINKING LATINA with SARA INÉS CALDERÓN 9.24.12

September 24, 2012 by Tia Tenopia

WHAT DOES JUNOT DÍAZ MEAN TO MEXICANS?

The Dominican Pulitzer Prize winner writer Junot Díaz recently published a new collection of short stories, “This Is How You Lose Her,” and as I’ve consumed the interviews with him ravenously, I forget sometimes that I’m reading stories about someone who isn’t Mexican. I have yet to pick up this latest book, but I’ve read Díaz two other books (“Drown” and “Oscar Wao“) and I have to say they are among my favorites.

Over the weekend I had a series of conversations with two other Mexican American readers about whether Díaz’s work is relevant to them — to us — to Latinos who aren’t Dominican, and to Mexicans specifically. My vote is yes.

First, from personal experience, reading “Oscar Wao” I found myself often in tears, or biting my nails, or forgetting that I was reading all together and just living in a world created by Díaz where I felt like I belonged. Of course I don’t know many Dominicans, I didn’t grow up near a Dominican enclave, but for whatever reason reading Díaz’s work allows me to feel a connection to his characters — and to their culture — that feels real. I’ve discussed his work with other Mexican Americans who have also expressed this visceral experiential cultural connection.

Secondly, I remember reading an interview with him where he made the connection between Latin America and the entire civilization that exists in the Western Hemisphere.  The world we live in now in these United States comes from that spark between Columbus and the people he encountered here. In that sense, if you think about it, Díaz’s work is truly documenting the American experience, or the “Latino” experience. I think about the way his characters feel confused by the ways their world rejects them, and I know what the feels like, this is another reason Díaz’s work speaks to me.

Finally, even though I know people who are uncomfortable with the amalgamation of “Latinos” into a seemingly monolithic group, I like the experience of being part of something larger. The truth is that Mexicans or Salvadorans or Puerto Ricans don’t win the Pulitzer Prize everyday, publishers aren’t foaming at the mouth to promote books by Guatemalans at every opportunity, and book stores aren’t always willing to stock the kinds of stories that Colombians want to tell so we can run into them. So, even though these are all separate countries with separate histories, I feel like talking about a Dominican writer who won the Pulitzer Prize makes the idea of a Mexican writer winning one a little bit less far fetched.

I don’t expect everyone to like Díaz’s new book. That would be ridiculous. But, I do think it’s important to approach the book with an open mind and realize that, even though this guy is from the East Coast and speaks about a specific culture that you may not understand, there’s something in his books and in his characters that might just speak to you anyway.

Filed Under: Blogs, Sara Ines Calderon

EL PROFE QUEZADA NOS DICE 07.09.26 FOOTPRINTS OF COURAGE: A JOURNEY THROUGH CHICANO CIVIL RIGHTS HISTORY

July 9, 2026 By wpengine

Throughout the twentieth century, Mexican Americans and Chicanos/as fought tirelessly for civil rights, often in overlooked corners of the nation.  An initial review of the literature revealed the following list of potential historic sites where civil rights battles took place by Mexican Americans/ Chicanos/as.  This list is by no means conclusive.  Further research may still provide […]

BURUNDANGA BORICUA DEL ZOCOTROCO 07.09.26 (ENGLISH) TURNING EIGHTY: COSTS AND BENEFITS

July 9, 2026 By wpengine

I’m 80 years old. It is a round number, with the forcefulness that eight decades can have. I don’t claim prowess, although living beyond the average life expectancy is still an achievement. Adequacy, adaptability, perhaps? Who can explain the survival instinct and the mysteries of still being here? I know, from science and experience, that […]

BURUNDANGA BORICUA DEL ZOCOTROCO 07.09.26 OCTOGENARIO: COSTOS Y BENEFICIOS

July 9, 2026 By wpengine

Burundanga de Zocotroco José M. Umpierre Octogenario: costos y beneficios Cumplo 80 años. Es un número redondo, con la contundencia que pueden tener ocho décadas. No reclamo proeza, aunque vivir más allá de la expectativa de vida promedio no deja de ser un logro. ¿Adecuación, adaptabilidad, tal vez? ¿Quién explica el instinto de supervivencia y […]

RICARDO ROMO’S TEJANO REPORT 7.09.26 JACINTO GUEVARA’S ART DOCUMENTS BARRIO LIFE

July 9, 2026 By wpengine

Chicano art originated in the late 1960s and early 1970s as a means to fill an artistic void in American art. Artistically, the Chicano artists painted murals that protested the Vietnam War, promoted the United Farm Workers’ labor movement, and challenged their status as second-class citizens living in a world filled with racial and ethnic […]

More Posts from this Category

New On Latinopia

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin