• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / THINKING LATINA with SARA INÉS CALDERÓN 9.24.12

THINKING LATINA with SARA INÉS CALDERÓN 9.24.12

September 24, 2012 by Tia Tenopia

WHAT DOES JUNOT DÍAZ MEAN TO MEXICANS?

The Dominican Pulitzer Prize winner writer Junot Díaz recently published a new collection of short stories, “This Is How You Lose Her,” and as I’ve consumed the interviews with him ravenously, I forget sometimes that I’m reading stories about someone who isn’t Mexican. I have yet to pick up this latest book, but I’ve read Díaz two other books (“Drown” and “Oscar Wao“) and I have to say they are among my favorites.

Over the weekend I had a series of conversations with two other Mexican American readers about whether Díaz’s work is relevant to them — to us — to Latinos who aren’t Dominican, and to Mexicans specifically. My vote is yes.

First, from personal experience, reading “Oscar Wao” I found myself often in tears, or biting my nails, or forgetting that I was reading all together and just living in a world created by Díaz where I felt like I belonged. Of course I don’t know many Dominicans, I didn’t grow up near a Dominican enclave, but for whatever reason reading Díaz’s work allows me to feel a connection to his characters — and to their culture — that feels real. I’ve discussed his work with other Mexican Americans who have also expressed this visceral experiential cultural connection.

Secondly, I remember reading an interview with him where he made the connection between Latin America and the entire civilization that exists in the Western Hemisphere.  The world we live in now in these United States comes from that spark between Columbus and the people he encountered here. In that sense, if you think about it, Díaz’s work is truly documenting the American experience, or the “Latino” experience. I think about the way his characters feel confused by the ways their world rejects them, and I know what the feels like, this is another reason Díaz’s work speaks to me.

Finally, even though I know people who are uncomfortable with the amalgamation of “Latinos” into a seemingly monolithic group, I like the experience of being part of something larger. The truth is that Mexicans or Salvadorans or Puerto Ricans don’t win the Pulitzer Prize everyday, publishers aren’t foaming at the mouth to promote books by Guatemalans at every opportunity, and book stores aren’t always willing to stock the kinds of stories that Colombians want to tell so we can run into them. So, even though these are all separate countries with separate histories, I feel like talking about a Dominican writer who won the Pulitzer Prize makes the idea of a Mexican writer winning one a little bit less far fetched.

I don’t expect everyone to like Díaz’s new book. That would be ridiculous. But, I do think it’s important to approach the book with an open mind and realize that, even though this guy is from the East Coast and speaks about a specific culture that you may not understand, there’s something in his books and in his characters that might just speak to you anyway.

Filed Under: Blogs, Sara Ines Calderon

RICARDO ROMO’S TEJANO REPORT 01.28.23 CRYSTAL CITY 1969

January 27, 2023 By wpengine

An Inspiring Latino Play: Crystal City 1969 David Lozano and Raul Trevino wrote Crystal City 1969 in 2009, a production which The Dallas Morning News called the “Best New Play” of 2009. Residents from Crystal City learned of its success by word of mouth, but individuals who contributed to the school walkouts that permanently transformed […]

RICARDO ROMO’S TEJANO REPORT 01.20.23 OSCAR ALVARADO MASTER MOSAIC ARTIST

January 20, 2023 By wpengine

Oscar Alvarado: Latino Master Artist of Tile Mosaic On most days of the year, Oscar Alvarado steps out of the warehouse at his San Antonio Southtown studio, spaces that he shares with his twin brother Robert, to look over sections of nearly two acres filled with sand, tile, rock, glass, and steel. He treasures the […]

RICARDO ROMO’S TEJANO REPORT AL RENDON AN ACCLAIMED LATINO PHOTOGRAPHER

January 14, 2023 By wpengine

Al Rendon: A Highly Acclaimed Latino Photographer Every American City has its favorite photographer who is able to produce revealing imagery that captures the mind and soul of its people, that documents the cultural attributes of its society, and that reveals the historical aspects of the region’s landscape. Large cities with diverse populations count on […]

RICARDO ROMO’S TEJANO REPORT JOSÉ ESQUIVAL A CHICANO TRAILBLAZER

January 7, 2023 By wpengine

José Esquivel: A Chicano Art Trailblazer José Esquivel, one of the founding members of the Chicano art movement in America, passed away on December 16, 2022. He was 87 years old. A memorial to Esquivel is planned for Tuesday evening, January 3rd at the Centro Cultural Aztlan. Through his paintings Esquivel documented life in his […]

More Posts from this Category

New On Latinopia

LATINOPIA EVENT 1966 UFW PEREGRINACIÓN (PILGRIMAGE) MARCH

By Tia Tenopia on March 19, 2013

The effort to organize farm workers under a union contract has been a long and difficult struggle. In 1965, César Chávez and Dolores Huerta created what would become the United Farm Workers Union. From the onset they  faced many obstacles, not the least of which was how to get dozens of California grape growers to […]

Category: History, LATINOPIA EVENT

LATINOPIA MUSIC ANGELA ROA “TOCO DESAFINADO”

By Tia Tenopia on June 22, 2014

Angela Roa is a Chilean singer and lyricist residing in Los Angeles, California. Her songs are about the Latino experience in the United States and in Latin America. Here she performs an original song, “Toco Desafinado” (Out of Tune). She is accompanied by Fernando Losada, Rich Silva and Thiago Winterstein..

Category: LATINOPIA MUSIC, Music

LATINOPIA MUSIC LOS FABULOCOS “UNA PURA Y DOS CON SAL”

By Tia Tenopia on January 4, 2015

Delta Groove Music recording artist Los FabuLocos is a Southern California band whose unique sound, “Cali-Mex,”is a fusion of blues, Americana and Chicano soul music. Band members include Jesús Cuevas, accordion and vocals; Rubén Guaderama, guitar,bajo sexto, tres and vocals; James Barrios, bass and vocals; Mike Molina, drums and Kid Ramos, guitar( not in this […]

Category: LATINOPIA MUSIC, Music

© 2023 latinopia.com · Pin It - Genesis - WordPress · Admin