• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / ZOMBIE MEX DIARIES 1.28.14 “THE RAID”

ZOMBIE MEX DIARIES 1.28.14 “THE RAID”

January 28, 2014 by JT

THE RAID.

We left the secret La Familia zombie training camp at Joshua Tree at two in the morning. Filomino Brancos, our combat trainer, estimated that the drive to the Oñate zombie compound at Big Bear would take about two hours. I sat next to Pearl Gonzalez in the lead van. With us was Filomino, Gus Dominguez, Jaime Mendoza, Jenny Mendez, Sally Irola and, of course, Vida, my zombie dog.

All of us (well, except for Vida) were dressed in combat gear, including kevlar reinforced fatigues and the cranial helmet that Filomino had designed. The metal alloy was covered with black mesh since we knew a bright three-quarter moon would be shining tonight. We were armed with the silent piston-driven dart guns that Filomino had also designed. The plan was just as Pearl Gonzalez and Gus Dominguez had outlined. We planned to initiate the attack at 4:55AM, hoping to catch the Oñate zombies while they were still sleeping.

The route we took  out of the Joshua Tree Park took us West on Twenty-Nine Palms Highway. At the town of Yucca Valley, at the corner with the Chevron station and the Papa John’s Pizza,  we turned North on Highway 247 to the Lucerne Valley. There we would  turn South along route Highway 18, approaching Big Bear from the back route. There were five vans in the caravan. Three carried the raiders, the fourth and fifth van were empty–they were for the young child zombies we hoped to rescue from Oñate and his thugs.

The drive along 247 was through desert terrain, the road ahead was pitch black except for the beam of the van’s headlights on the two-lane asphalt highway. Occasionally, a tumbleweed or  spirited jack rabbit skittered across the road. We slowed at one intersection and I saw Pearl’s face was suddenly illuminated by the lights of the intersection streetlights. As I looked at her I realized how much I really loved her and how dangerous this raid was going to be. At that instant she turned and caught me looking at her. She smiled that Pearl smile, leaned over and kissed me.

As if reading my minds, she said, “Don’t worry Lazo, we’ll both get though this safe and sound.”

We arrived at the road that led to the secret Oñate zombie compound at 4AM. The wooden sign, with a cartoonish finger pointing in the direction of the turnoff read,“Church of Zion Summer Camp.”  A perfect cover for the Oñate ghouls. As we turned onto the dirt road we turned off our van lights and activated the night vision on our cranial-protective helmets.

We stopped a quarter of a mile from the guard gate at a juncture where the East and West roads from the camp joined up with the main entrance road.

“Betty and Sal,” Filomino said over our specially designed walkie-talkies, “you take the East and West roads. Signal when you are in position and remember we move into action at exactly 4:55AM. You know our contingency plans if things get hairy before that.”

“Copy that.” Betty and Sal echoed in unison. The two vans with their raiders drove off.

Filomino turned to those of us in the lead van. “Alright, we’re on foot from here on.”

We bailed out of the van and checked our gear. Filomeno raised his right index finger to his lips. “From here on, its all about the hand signals I taught you,” he said. “No talking.” As if to underscore his point he stopped talking, raised his right hand and pointed up the road. We all set out as quietly as we could.

It only took us fifteen minutes to get within eyesight of the gate. It was a simple structure as we had seen from the arial photos. It was illuminated by a lone china lamp and appeared to be quite empty. Behind it we could make out low intensity night lights illuminating the barracks. Filomino motioned us to take cover. He made a hand gesture to Pearl and Jenny. They nodded in reply and pulled some scarfs and half empty bottles of vodka from their bags. They took a moment to mess up their hair and smear mascara and lipstick over their faces.

It was now four fifty. Only five minutes left, but we were in position and ready to go.

The five minutes seemed like an eternity. Finally Filomeno read the time on his wristwatch: 5:55AM. He raised his arm and pointed for Perl and Jenny to advance toward the guard gate.
With a smile and a hand motion to all of us, they set out, bellowing at the top of their lungs.

“Ninety-nine bottles of beer on the wall, ninety-nine bottles of beer, if one should slip and happen to fall, ninety-eight bottles of beer on the wall.”

It only took them a few minutes to reach the guard gate. Their version of two drunken sorority girls lost in the woods was quite impressive. We waited for the cue that would mean they had compromised the guards–perhaps thinking this was their lucky night–and that we could now approach and surprise them

But nothing happened.

We could see Pearl and Jenny acting up a storm, but there appeared to be no one in the guard gate and no lights when on the nearest building which for sure would have heard the girls bellowing.

We all looked to Filomeno.

“Could be a trap,” he said. “Let’s approach with caution.”

We quickly traversed the three hundred yards to the guard gate and found that Pearl and Jenny had stopped their singing.

“What’s going on, Filomino” Pearl asked, “Are we really look that bad? I thought our singing was good!””

“Sure about your singing, not sure what happened here,” Filomino replied. “Our latest recon drones taken yesterday afternoon showed guards at this gate. Let proceed according to the plan but with double caution. We’ll move to the barracks where we know the kids are housed. Let’s head out.”

Within moments we were on our way to the moonlit shadows of the long barrack building that, our recon had shown, housed the young zombie kids. These were the poor zombi kids that had been bred for a war the knew nothing about through the rape of human females by Oñate and his ghouls.

Filomino motioned for Gus Dominguez and I to approach the barracks. Without a word we left the group and slowly worked our way to one of the low hanging barracks windows. I pulled out my flashlight and slowly lifted my head over the window sill and peered into the darkness of the barracks. I could not see much, everything was in darkness. The far window allowed a little  moonlight to enter, but not enough to make sense of anything inside. I left my flashlight to the window and adjusted the dial to low intensity. Then I turned it on and splayed it over the scene before me.

I wasn’t sure what’d I d see but what my eyes beheld was certainly something I had not expected. What I saw was a room full of beds, army cots, neatly arranged symmetrically, twelve to each side of the building, with a corridor pathway through the middle. And each bed was empty.

The room, and the adjacent rooms I could see through the connecting doors, were all empty!

I turned to Filomino and shook my head. I mouthed the word, “Empty! I turned and saw that Gus was also shaking his head, mouthing “Nada!”

Suddenly music started blaring from speakers located throughout the compound. It took only a moment for me to recognize the familiar music; it was Philip Sousa’s Stars and Stipes Forever, the orchestral arrangement reverberated throughout the empty grounds of the Oñate camp.

Then, out of nowhere, fireworks starting streaming into the sky. Palms,  Round Shells, Willows, Chrysanthemums and Serpentines–all the fireworks patterns I associated with the fireworks my ‘ama and I had watched exploding over Dodger Stadium years ago–were suddenly going off in the night sky above. The grounds and all of the buildings of the compound were suddenly illuminated with the multicolored flare of the fireworks exploding overhead..

Amid the cacophony of the fireworks and the Sousa soundtrack, I heard Sal break radio silence. “Filomeno, Sal here . There’s no one at the Palatial Suite–the building is completely empty. Please advise.”

Then Betty Hernandez was squawking on the walkie talkie, “Betty here, the central zombie barracks, where the adult zombies are supposed to be sleeping, are all  empty. Completely empty! There’s no one here! What do we do?”

I could see Filomeno’s sweaty face illuminated by the fireworks as he took in all the new information. He was trying to figure it all out. Finally he yelled, as much  to Betty and Sal on the walkie talkies as to those of us standing around him.

“Regroup at the Palatial Suite. Everyone meet up at the Palatial Suite on the double!”

It only took a few minutes for all of us to rush to the Palatial Suite and join up with the other members of our raiding party. Within moments we were all standing in a semicircle as the last of the fireworks abruptly ended.

I could read the faces of my fellow zombies and knew the questions we were all asking ourselves. What had gone wrong? How could Oñate and his minions know of our attack plans? How long had they known? When had they spirited away all the zombie kids? What were we going to do now?

We looked at one another in the pale moonlight. But mostly we were looking at Filomeno. He looked really pissed. As the Sousa recording crackled to a stop on the loudspeakers, a silence enveloped all of us. We remained looking at FIlomeno.

“They found out about the raid,” he finally said, looking at each of us in turn.

“They knew we were going to hit them tonight and they cleared out and set up this welcoming fiesta for us.”

Then he walked to the nearest raider, Sal Duron. He looked at him square in the eye. Then he shouted at the top of his lungs.

“Do you know what this means?”

Sal fidgeted nervously, He shook his head.

Then he walked to the next raider, Jenny Mendez, and shouted into her face. “Do you know what this means?

She, too, was wordless. Looking at once alarmed, dismayed and bewildered.

Within a few minutes Filomino had walked up to each of us and shouted into each of our faces his emphatic and accusatory phrase.”Do you know what this means?”

I was the last one that he addressed. He stood in front of me and for the first time I realized that there as suspicion in his eyes. Gone was the supportive smile I associated with him during our training. Now he looked downright hostile.

“What this means,” he shouted in my face. “is that one of you is a spy, and informant, a traitor to our cause.” He let that sink in, no longer looking at the others, his eyes drilling mine. “And before this week is out, we’re going to find out who that traitor is!”

_____________________________________________

Copyright 2013 by Lazaro De La  Tierra and Barrio Dog Productions, Inc.

Filed Under: Blogs, Zombie Mex Diaries Tagged With: Chicano zombies, Latino Science Fiction, Latino zombies, Mexican zombies, What's New, zombie mex diaries, Zombies

BURUNDANGA BORICUA DEL ZOCOTROCO 5.23.25 – EMINENT DANGER

May 23, 2025 By wpengine

In 2012, in Puerto Rico there were 13,000 farms; in the recent agricultural census, between 8 and 10,000 farms are recorded; a substantial decrease in the figure reported for 2012. At present, the agricultural sector of the Puerto Rican economy reports approximately 0.62% of the gross domestic product, which produces 15% of the food consumed […]

BURUNDANGA BORICUA DEL ZOCOTROCO 5.23.25 MORE ON THE NEED TO GROW

May 23, 2025 By wpengine

The title of the documentary, The Need to Grow by Rob Herring and Ryan Wirick,  is suggestive. Its abstract character is enough to apply in a general and also in a particular way. The Need to Grow applies to both the personal and to so many individuals. At the moment, the need for growth in […]

BURUNDANGA DEL ZOCOTROCO 5.16.25 PELIGRO INMINENTE

May 15, 2025 By wpengine

Peligro Inminente En 2012, en Puerto Rico habían 13 mil granjas; en el censo agrícola reciénte se registran entre 8 y 10 mil granjas; una disminución sustantiva de la cifra reportada para 2012. Al presente, el sector agrícola de la economía puertorriqueña reporta aproximadamente 0.62% del producto bruto interno, que produce el 15% de la […]

RICARDO ROMO’S TEJANO REPORT 5.23.25 MAYA BLUE EXHIBIT

May 23, 2025 By wpengine

Maya Blue Exhibit Incorporates the Artwork of Latino/a Artists A new exhibit, Maya Blue: Ancient Color, New Visions, at the San Antonio Museum of Art [SAMA], brings together for the first time pre-Columbian crafted clay figures, the art of Mexican modernist Carlos Mérida, and works by contemporary Latino/a artists Rolando Briseño, Clarissa Tossin, and Sandy […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin