• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / ZOMBIE MEX DIARIES 3.17.14 “LAZARO – AWAKENING”

ZOMBIE MEX DIARIES 3.17.14 “LAZARO – AWAKENING”

March 17, 2014 by JT

I slowly became aware that I was conscious. That it was dark and that I was screaming.

“Hold him down,” someone said.

The babble of voices in my head was deafening. It was as if a hundred people were talking all at the same time. I realized that my screaming was in response to this. The voices hurt my head, the pain was excruciating. I could feel hands holding me down on the hospital Gurney to which I was strapped. Around me I could sense Mr. Neza, Filomeno, La Señora Falcón and other zombies. I was aware of my surroundings, the emergency hospital room on the lower floor of the Mano Poderosa headquarters in the General Hospital. But I realized that my eyes were still tightly closed.

Suddenly I got control over my screaming. If I focused on the zombies directly near me, to what they were thinking, I could quiet the other voices in my head. I consciously focused on Mr. Neza and Filomino.
Mr. Neza mind was a jumble of confusion and concern. What is happening to Lazaro? Is this a legacy of the new zombie link he represents or have we been infiltrated by Oñate? Filomino was thinking that they’d have to try some sort of sedative, “to quiet this dann kid.” Sedative? I didn’t even know there were zombie sedatives.

“You don’t need to sedate me,” I said out loud.

I could sense the surprise in Mr.Neza and the shock in Filomino.

I opened my eyes slowly. What I saw was exactly what I had sensed. Mr. Neza, Filomino and La Señora Falcón were hovering around my Gurney. I could sense s whimper on the floor underneath the Gurney. Vida.

“Give me a moment,” I said.

It was all coming fast but my mind was registering what was going on with me. I closed my eyes again and slowly focused on the other voices. Suddenly my mind was filled with the loud chaotic babble again. I retreated.

I found I had control.

I realized. I could tune in and tune out of the voices of the hundred and more zombies in the General Hospital headquarters. It suddenly struck me. That’s what I was hearing. I could was reading the minds of every zombie in the building!

I could sense relief in Mr. Neza. He was thinking, “He‘s finally coming out of the coma.” Filomino was still suspicious. “How did he know what I was thinking?”

I opened my eyes again.

“You can unstrap me now. I’m okay.”

Filomino was not having any of this. Unstrap him? Are you crazy. I don’t know what’s going on here and until I do, I’m going to keep him under control.

“I am NOT your spy.” I said turning to face Filomino. “I’m really okay now. Just need a moment to absorb things. Things have changed in me.”

Filomino’s alarms were ringing. Did he just read my mind? Mr. Neza was right there with him. Is Lazaro reading our minds? What things have changed? What do we have here?

I looked from Mr. Neza to Filomino to La Señora Falcón. I could see the surprise and fear in their eyes. They were grappling with the same profound realization that I was trying to cope with myself. The fact that had become evident to me since I had awakened just moments before.

“Yes,” I said. “I can read your minds.”

There was a long silence as they looked at each other. Mr. Neza was suddenly thinking of floating gardens at his palace long ago in Tenochtitlán and Filomino was thinking of underwater snorkeling off the Channel Islands. La Señora Falcón was thinking of the first time she saw me– as a resurrected five-year-old zombie child. Of course, they were trying to block my reading their minds by thinking of something else, something other than their real thoughts.

“That’s not necessary,” I said. “I can tune you out and I will. I’ll respect the privacy of your thoughts.”

Neza and Filomino looked doubtfully at each other.

“Do you know what’s happened to you, Lazaro?”

“No,” I replied. “I passed out and the next thing I knew I was hearing voices. The minds of every zombie in this building.

“Everyone?”

“Yes, everyone,” I replied.  “Loud and painful,”

More silence as Mr. Nez and Filomino took in the information.

“Luckily ,” I continued,, “I found that I can block it, tune it out.”

Mrs Falcon came up to me and gave me a hug.

“Mijo,” I love you and always will.”

I hugged immediately her back. I really needed that love right now! I was so frightened.
I was terrified by all that had happened. I thought I had gone crazy and now realized that I wasn’t crazy, that it was worse. That I was now transformed.  But transformed into what?”

“We don’t know what’s happened to you, Lazaro.” Mr Neza said. “But clearly there has been some kind of fundamental change in who you are. The attack you had. It may be due to you unique genetic structure. We’ll have to monitor it all and see where it takes us.”

I suddenly felt enormously hungry. “I could sure do with some cat eyeballs and rat entrails.” I said.

“Sure we’ll get some you food right away.”

“Mr. Neza,” I said.” I don’t think we need to keep searching for that spy in our midst anymore.”

“Huh?” said Filomino, all ears,

“If I can read zombie minds,”I said, “ I’ll bet I’m not the only zombie that can do that. Oñate or someone in his group must be capable of reading our minds. That’s got to be how they fond out about our attack plans. They knew we were coming because they read our minds!”
____________________________________________
Copyright 2014 Lazaro De  La Tierra and Barrio Dog Productions Inc.

Filed Under: Blogs, Zombie Mex Diaries Tagged With: Chicano zombies, Latino zombies, Mexican zombies, Zombies

POLITICAL SALSA Y MÁS with SAL BALDENEGRO 11.05.26 WHERE IS THE LOVE?

November 5, 2026 By wpengine

Where is the love? And now abideth faith, hope, charity, these three; but the greatest of these is charity. Saul of Tarsus, aka Paul the Apostle (Chapter 13, First Letter to the Corinthians) The Apostle Paul’s epistles are a key feature of Christian teachings. Charity, as posited by Paul in Corinthians 13, is love. [“Caritas,” […]

RICARDO ROMO’S TEJANO REPORT 11.05.26 LATINO ARTISTS INSPIRED BY MEXICAN FOOD TRADITIONS

November 5, 2026 By wpengine

The 17th Annual Mole Feast: A Taste of Cuisine, Culture and Art opened last week on October 15, 2026 at the Centro Cultural Aztlan. Curated by Edna Lugo, the exhibit included 35 artists. I am most familiar with the following ten artists: Rolando Briseño, Carolina Flores, Maria Jessica Brown, Hector Garza, Jacinto Guevara, Frank Harris, […]

RICARDO ROMO’S TEJANO REPORT 10.29.26 LATINO ART FOR THE FALL IN SAN ANTONIO AND TEXAS

October 29, 2026 By wpengine

Latino art has come of age in the Southwest and beyond, and October is a banner month for Chicano and Mexican art exhibitions in Texas. In mid-October, San Antonio galleries opened three exhibits devoted to the Latino experience. This essay covers the Mercardo/Materials exhibit at the Centro de Artes in San Antonio’s downtown Market Square, […]

RICARDO ROMO’S TEJANO REPORT 10.23.26. LATINA ARTISTS EXPLORE THEMES OF MIGRATION, BORDERS AND CULTURAL PERSISTENCE

October 24, 2026 By wpengine

Latina artists are becoming especially active in painting and sculpture in Southwestern communities with large Latino populations, including Los Angeles, Houston, and San Antonio. In this essay, I highlight two Latina artists who held successful art shows in San Antonio, Texas, over the past year. I begin with the renowned textile weaver Consuelo Jimenez Underwood. […]

More Posts from this Category

New On Latinopia

LATINOPIA ART GASPAR ENRÍQUEZ 1 “RETROSPECTIVE”

By Tia Tenopia on May 4, 2014

Gaspar Enríquez is a renowned Chicano artist whose airbrush portraits of barrio youth are haunting and memorable. Drawing from museums and collectors around the United States, in April 2014, the El Paso Museum of Art mounted a retrospective of Gaspar’s art titled Metaphors of the Barrio. Latinopia visited the exhibit and asked Gaspar what inspires […]

Category: Art, LATINOPIA ART

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin