• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Art / AMADO PEÑA – IN HIS OWN WORDS

AMADO PEÑA – IN HIS OWN WORDS

March 6, 2010 by

Artist Amado Pena

AMADO PEÑA – NEW MEXICO ARTIST

IN HIS OWN WORDS:

I grew up in Texas and growing up in a border town [Laredo] is very different than growing up in Dallas or Amarillo or Houston. We never thought of ourselves as poor but it was just that there was a difference. The kids that had money hung around with the kids that had money, and the ones that didn’t have money hung out with the kids from the barrio.

Crystal City, Texas 1969

By the 1970s the Chicano Movement finally hit Texas and there was an instructor [Mel Casas] in the art department who made us aware that we should be involved in this as artists. We didn’t have paintings or murals or lithos or drawings that documented our people and our daily lives and our celebrations–the whole spectrum of our characters, positive and negative. And the Chicano Movement did that.

Then all of a sudden I’m in the middle of this revolution. And what does it mean to me? I couldn’t avoid it. It was right there, it was being impacted on by my classmates, it was being impacted by my instructor, it was being impacted by society., by the news media. And I asked myself, “Wow! I’m right here. And this is part of me, and this where I need to be!” I never really thought that I had to defend what I did. What was important was that I get it done. That if I saw an image of a lettuce that was important that I was supposed to do that and I go in and do it. Nothing else mattered. I didn’t care if my work was shown in gallery or not or whether it was bought or not.

Untitled, 1979

I grew up with stories about my Yaqui great-grandfather and that part of my family that I never paid attention to. But the Chicano Movement made me understand that we had to go back to our history. Coming to New Mexico for the

La Huelga

first time, made me realize this other side of who I am. Native people don’t separate themselves from one another. They are part of the same thing. They go all the way back to the indigenous people of Mexico and South America.

I still paint who I am. It’s not so much that I left my Chicanismo and dropped out altogether. It has nothing to do with that. It has to do with the fact that where I choose to be now is more Native than Chicano.

Filed Under: Art, INTERVIEWS

EL PROFE QUEZADA NOS DICE 12.26.25 BUEÑUELOS!

December 26, 2025 By wpengine

The tradition of eating buñuelos on New Year’s Day is woven deeply into Mexican history, stretching back to the blending of Spanish and Indigenous cultures.  What began as a simple fried dough brought by the Spanish evolved into a beloved celebration food across Mexico, each region adding its own touch.  In Veracruz, where my mother […]

BURUNDANGA BORICUA DEL ZOCOTROCO 12.26.25 LA CULTURA GASTRONOMIA EN PUERTO RICO

December 26, 2025 By wpengine

Burundanga de Zocotroco José M. Umpierre La cultura Gastronomía en Puerto Rico La gastronomía puertorriqueña es un distintivo cultural sobresaliente de nuestra identidad, importante para los residentes como para los que nos visitan. Muchos llegan a la isla motivados por la experiencia culinaria que bendice a los que la habitamos. La naturaleza se nos brinda […]

RICARDO ROMO’S TEJANO REPORT 12.25.25 MASTER ARTIST LUIS GUERRERO

December 26, 2025 By wpengine

Latino Artist Luis Guerrero Masters the Art of Painting and Metal Sculpture Luis “Chispas” Guerrero is a metal artist, painter, and sculptor whose work centers on Mexican American and Chicano experiences, music, cars, and family.  His art journey has moved from the working-class streets of San Antonio to major gallery spaces, university campuses, and national […]

POLITICAL SALSA Y MÁS 12.18.25 MY HEART SOARS LIKE A HAWK

December 18, 2025 By wpengine

My heart soars like a hawk… You cannot oppress the people who are not afraid anymore.  César Chávez, Chicano labor and civil rights leader Those who would oppress us have grossly misjudged us. We are not afraid of them. Salomón R. Baldenegro, 1968 Recent events involving mostly young people confronting the ICE raids are inspiring. […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin