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You are here: Home / Art / AMADO PEÑA – IN HIS OWN WORDS

AMADO PEÑA – IN HIS OWN WORDS

March 6, 2010 by

Artist Amado Pena

AMADO PEÑA – NEW MEXICO ARTIST

IN HIS OWN WORDS:

I grew up in Texas and growing up in a border town [Laredo] is very different than growing up in Dallas or Amarillo or Houston. We never thought of ourselves as poor but it was just that there was a difference. The kids that had money hung around with the kids that had money, and the ones that didn’t have money hung out with the kids from the barrio.

Crystal City, Texas 1969

By the 1970s the Chicano Movement finally hit Texas and there was an instructor [Mel Casas] in the art department who made us aware that we should be involved in this as artists. We didn’t have paintings or murals or lithos or drawings that documented our people and our daily lives and our celebrations–the whole spectrum of our characters, positive and negative. And the Chicano Movement did that.

Then all of a sudden I’m in the middle of this revolution. And what does it mean to me? I couldn’t avoid it. It was right there, it was being impacted on by my classmates, it was being impacted by my instructor, it was being impacted by society., by the news media. And I asked myself, “Wow! I’m right here. And this is part of me, and this where I need to be!” I never really thought that I had to defend what I did. What was important was that I get it done. That if I saw an image of a lettuce that was important that I was supposed to do that and I go in and do it. Nothing else mattered. I didn’t care if my work was shown in gallery or not or whether it was bought or not.

Untitled, 1979

I grew up with stories about my Yaqui great-grandfather and that part of my family that I never paid attention to. But the Chicano Movement made me understand that we had to go back to our history. Coming to New Mexico for the

La Huelga

first time, made me realize this other side of who I am. Native people don’t separate themselves from one another. They are part of the same thing. They go all the way back to the indigenous people of Mexico and South America.

I still paint who I am. It’s not so much that I left my Chicanismo and dropped out altogether. It has nothing to do with that. It has to do with the fact that where I choose to be now is more Native than Chicano.

Filed Under: Art, INTERVIEWS

BURUNDANGA BORICUA DEL ZOCOTROCO (ENGLISH) 9.18.26

September 17, 2026 By JT

At the risk of self-promotion criticism, I submit to what is usually my space, the text presented by my friend Jorge Escudero Franceschini in the premiere of the documentary La Tierra de Borikén. The reaction of a farmer in good faith. The reasons why I give up space are best explained in his writing: Seeing […]

RICARDO ROMO’S TEJANO REPORT 9.18.26 THE ART OF TEJAS: FROM CASTAS TO CHICANOS

September 17, 2026 By wpengine

In 1776, when the Declaration of Independence was signed in Philadelphia, Latinos in San Antonio had celebrated 58 years since its settlement. Mexicans from colonial New Spain who settled the region in the 1680s adopted the name Tejas used by the Indigenous tribes. As a Spanish province, Tejas was settled before some of the original […]

BURUNDANGA BORICUA DEL ZOCOTROCO 9.18.26

September 17, 2026 By wpengine

Burundanga de Zocotroco José M. Umpierre A riesgo de crítica de auto promoción, someto a lo que suele ser mi espacio, el texto que presentó mi amigo Jorge Escudero Franceschini en el estreno del documental La Tierra de Borikén. La reacción de  un agricultor de buena fe. Las razones de porque cedo el espacio mejor […]

RICARDO ROMO’S TEJANO REPORT 9.11.26 DOCK SPACE GALLERY HOSTS FOTOSEPTIEMBRE EXHIBITION

September 12, 2026 By wpengine

In its 32nd year, FotoSeptiembre is part of the Dock Space Gallery exhibitions in San Antonio’s Lone Star District. The opening reception for “Close to Home,” an exhibit of the work of thirteen San Antonio photographers, is Saturday, September 12, from 4- 9 p.m. Curated by Ricardo Romo, the photographers in the exhibit include Lead Artist Monica […]

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