• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Art / AMALIA MESA-BAINS – IN HER OWN WORDS

AMALIA MESA-BAINS – IN HER OWN WORDS

March 6, 2010 by

 

Artist Amalia Mesa-Bains

AMALIA MESA-BAINS – CALIFORNIA ARTIST

 

IN HER OWN WORDS

An ofrenda is a temporary offering to the dead and is ephemeral and is time related. An altar is a permanent on-going record of a family’s culture and spiritual history within the home. What attracted me to the altar, because my grandmother kept one and my mother in a different way, was that women were in charge of them. The husbands might build them but the women tended to them.

The ofrenda appeals to me because I like the temporariness of it. That’s the greatness of it and the glory of it, is that you will throw everything into it. It is the deepest sign of your love for that person because you give it everything and you only have it for a few days.

Chicano Altar

So I took on myself to do [an ofrenda] to Dolores Del Rio because she was this bicultural phenomenon. Someone else would do Diego Rivera, or people who do Posada or later when Cesar Chavez died, all of this country people made ofrendas. I think the Day of the

Dolores Del Rio Altar

dead is our generation’s way to constitute a history in a spiritual and sacred way. Each person that you pick for an homage had some attributes and characteristics that inspired you and that affirmed you.

Day of the Dead Celebration

I see the Day of the dead or the Days of the dead as a chance to maintain our traditions, our poetry, the forms of our offerings and the ofrendas but also to cope with the stresses, the losses, the death, the suffering that we go through as a community. I always talk about memory as the bridge between the living and the dead, between the past and the present. It is memory that through the ofrenda, allows us to never lose someone.

Filed Under: Art, INTERVIEWS

TALES OF TORRES 05.15.26 LOS LOBOS AND CÉSAR CHÁVEZ ERASURE

May 15, 2026 By wpengine

  Cesar Chávez and the Question of Historical Erasure By Luis R. Torres Last Friday I was pleased to attend a screening of a just completed documentary film about the iconic musical group Los Lobos. Their eclectic recordings and performances draw on their mexicano cultural and historical roots as well as their distillation in the […]

RICARDO ROMO’S TEJANO REPORT 05.15.26 MISTURA A PERUVIAN DRAMA

May 15, 2026 By wpengine

Mistura is a 1960s Peruvian drama about Norma (Bárbara Mori), a privileged French-Peruvian woman whose life falls apart when her husband Roberto runs off with a woman half his age. What follows is the bitter realization that her ticket to elite society is tied to Roberto and that her friends at the County Club are […]

RICARDO ROMO’S TEJANO REPORT 05.11.26 DELILAH MONTOYA ACTIVATING CHICANA RESISTANCE

May 11, 2026 By wpengine

The Delilah Montoya: Activating Chicana Resistance exhibit at the Albuquerque Museum was a once-in-a-generation art masterpiece of photography, printmaking, and large-scale installation. This major retrospective showcases more than four decades of Montoya’s work, focusing on themes of ethnicity, race, religion, Chicano heritage, and activism. Montoya’s work is rooted in the experiences of the U.S. Chicano Borderland communities. […]

RICARDO ROMO’S TEJANO REPORT 4.30.26 A POSTMODERNIST SAYS ¿QUE?

April 30, 2026 By wpengine

The Centro de Artes, located in San Antonio’s Market Square, recently opened its new exhibition titled “A Postmodernist Says ¿Qué?” that brings together Latino artists exploring identity through humor across a range of mediums. Curator Vikky Jones told Texas Public Radio that the exhibit includes collages, sculptures, ceramics, and installations.” Jones added, “The show uses […]

More Posts from this Category

New On Latinopia

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin