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You are here: Home / Art / BARBARA CARRASCO – IN HER OWN WORDS

BARBARA CARRASCO – IN HER OWN WORDS

March 6, 2010 by

BARBARA CARRASCO – CALIFORNIA ARTIST

IN HER OWN WORDS:

Artist Barbara Carrasco

I decided to do politically conscious artwork when I was at UCLA. I became the first female editor of the Chicano newspaper on campus. There were a lot of issues that were brought to my attention and I was also illustrating the covers of the newspaper. The image of the Pregnant Woman and the Ball of Yarn was inspired by my reading of the forced sterilization in Puerto Rico of young women who had no knowledge that they were being sterilized. They were getting married and settling down to have children and then finding out that they were unable to have children because they had been sterilized. I was outraged by this injustice and so I did this image.

I heard Cesar Chavez speak on campus. And after I asked him if I could help him in any way. And his reaction was so positive. “Yes, of course. We need you. We need artists all the time.” So I didn’t

Barbara Carrasco paints UFW mural

know it but I was going to start working with him right away and for fifteen years! And during those fifteen years I became very close with Dolores Huerta, co-founder of the United Farm Workers Union, and both of them were very inspirational. I created large mural banners for their conventions, for their political events, for community protests.

I think the celebration of Día de los Muertos is important to Chicanos because it goes back to our early ancestry in Mexico, it goes back to Pre-Columbian times. I wanted to take the whole traditional approach to Day of the Dead and switch it around to be personal, real personal. I had a solo show in Santa Monica and I called it Here Lies, Here

Here Lies, Here Lies exhibit

Lies. It was ten small coffins that were done on clay board and I asked ten individuals , some were artists, some were attorneys, some where teachers, to fill out a questionnaire about death. It was sort of a more contemporary look at Day of the Dead, asking people

Dolores silkscreen

to really look at death, the idea of how you are going to die, and how are you going to be remembered, what are some of the things that you want to take with you? What is your greatest fear about death? Then I actually did a portrait of them, with all of those items, and put the portrait next to their questionnaire

Filed Under: Art, INTERVIEWS

FIERCE POLITICS WITH ALVARO HUERTA 03.26.26 AN ODE TO A CHICANO LEGEND

March 25, 2026 By wpengine

March 25, 2026 (revised from Nov. 9, 2021, version) By Dr. Álvaro Huerta  “Rudy (RIP): An Ode to a Chicano Legend, Dr. Rodolfo F. Acuña” I first met the late, great Dr. Rodolfo F. “Rudy” Acuña (1932–2026) in Fall of 1986, as a UCLA undergraduate student from East Los Angeles. It wasn’t in person, however. I met […]

RICARDO ROMO’S TEJANO REPORT 03.26.26 MARK MENJIVAR’S MURMURATIONS

March 25, 2026 By wpengine

Mark Menjívar’s Murmurations, a new, expansive, mid-career survey exhibition highlighting 16 multifaceted projects from his past 20 years, is currently open at the Contemporary at Blue Star in San Antonio. His work includes socially engaged art, photography, sound studies, capital punishment, migration, and ornithology. His creative artistry also integrates social practice and participatory collaborative projects to […]

RICARDO ROMO’S TEJANO REPORT 03.20.26 MAJOR EXHIBITION OF CUBAN MODERNIST WILFREDO LAM

March 20, 2026 By wpengine

“Wifredo Lam: When I Don’t Sleep, I Dream,” the first major U.S. retrospective of the famed Cuban artist, opened in November 2025 and runs through April 11, 2026 at the Museum of Modern Art (MoMA) in New York City. Known for his large-scale paintings, which reference modernistaesthetics and Afro-Cuban imagery, Lam explored themes of social injustice […]

EL PROFE QUEZADA NOS DICE 03.20.26 THE COVERING OF MIRRORS

March 20, 2026 By wpengine

During a recent thunderstorm, I was reminiscing about my days growing up in my beloved Barrio El Azteca in Laredo, Texas when my beloved Mamá had the habit of covering all the mirrors.  Her custom shows up in Mexican, Indigenous, and broader folk beliefs.  Mirrors were believed to attract lightning and during times of fear […]

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