• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Art / JOHN VALADEZ – IN HIS OWN WORDS

JOHN VALADEZ – IN HIS OWN WORDS

March 6, 2010 by

Artist John Valadez

JOHN VALADEZ – CALIFORNIA ARTIST

IN HIS OWN WORDS:

When I was getting out of high school and into college, a friend of mine and I went to Olvera Street because we had heard about the Siquieros mural in Olvera Street. We went to see it. We were so inspired that I wanted to repaint it. The Siquieros mural was history that was being ignored in this city. It was something that really showed me that the path we were taking politically, our social concerns about schooling and health care–all of that became part of our identity. I was a Mexican American kid embracing and trying to become a Chicano, trying to consciously make Chicano Art.

"Car Show" by John Valadez

I switched from drawing to photographic because I proved to myself when I was in school that I could draw. I could do it from just looking at something and drawing it. But it took too damn long. I had a lot of things I wanted to say

"Out of the car-detail" by John Valadez

and by the time I finished doing a drawing the old-fashioned way, I would get bored to death. I wanted to move on. I was driven by what I had to do and, for me, the camera was a tool. It was just another tool, like a pencil or a paint brush.

They call it photorealism, but I appreciate people who could recognize that I wasn’t trying to redo a photo. I was trying to get beyond that. I was trying to draw people that I saw on the street that I

"Broadway Mural - Detail" by John Valadez

related to. It wasn’t about feeling sorry for people. It’s showing our strength who we are. You want to do something that has multiple meanings because the worst thing for me is to be boring.

"Out of the car" by John Valdez

I have always been interested in social dynamics. That’s why the Broadway Mural. When you are a figurative artist, you are trying to portray us at this time. I’m doing portraits of marginalized people. I try to use symbolism in my realistic portrayals. Its allegory, its expressive symbolism.

Filed Under: Art, INTERVIEWS

POLITICAL SALSA Y MÁS 12.18.25 MY HEART SOARS LIKE A HAWK

December 18, 2025 By wpengine

My heart soars like a hawk… You cannot oppress the people who are not afraid anymore.  César Chávez, Chicano labor and civil rights leader Those who would oppress us have grossly misjudged us. We are not afraid of them. Salomón R. Baldenegro, 1968 Recent events involving mostly young people confronting the ICE raids are inspiring. […]

BURUNDANGA BORICUA DEL ZOCOTROCO (ENGLISH) 12.19.25 PUERTO RICO AND THE MONROE DOCTRINE

December 18, 2025 By wpengine

And then there is the urgent geopolitical issue “After years of abandonment, the United States will reaffirm and enforce the Monroe Doctrine to restore American preeminence in the Western Hemisphere and protect our homeland and our access to key geographies throughout the region.” Donald J. Trump June 2024 The doctrine of the then President of […]

RICARDO ROMO’S TEJANO REPORT 12.18. 25 THE VIRGEN DE GUADALUPE AND MATACHINES

December 18, 2025 By wpengine

The Virgin Guadalupe, Matachines, and Chicano Art Tradition On Friday, December 12, Our Lady of Guadalupe Church on San Antonio’s Westside hosted three distinct Matachines dance groups in honor of the feast day of the Virgen de Guadalupe. The dance is a blend of medieval and early modern Spanish and pre-conquest Aztec dance traditions. Matachines […]

BURUNDANGA BORICUA DEL ZOCOTROCO 12.19.25 EL INAPLAZABLE ASUNTO GEOPOLITICO

December 18, 2025 By wpengine

Burundanga de Zocotroco José M. Umpierre Y entonces está el inaplazable asunto Geopolítico “Tras años de abandono, Estados Unidos reafirmará y hará cumplir la Doctrina Monroe para restaurar la preeminencia estadounidense en el hemisferio occidental y proteger nuestra patria y nuestro acceso a geografías clave en toda la región”.     Donald J. Trump  Junio de […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin