• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Art / SANTA BARRAZA – IN HER OWN WORDS

SANTA BARRAZA – IN HER OWN WORDS

March 6, 2010 by

Artist Santa Barraza

SANTA BARRAZA – TEXAS ARTIST

IN HER OWN WORDS:

I think that my encounter with the civil rights movement and the struggles of Mexican Americans, I first became aware of it when I was at the University. At the time José Rivera was there, Carmen Lomas Garza, Amado Peña, José Angel Gutiérrez as a graduate student, Carlos Guerra who had just put together MAYO and César Martinez would occasionally come back–he had already graduated.

At the time I wanted to be an artist, I wanted to make a difference. When I was at the University of Texas I did not see myself reflected in any of the books, in any of the textbooks, any of the paintings, and so I felt I needed to do something about that. The female image, the iconography, the Chicana imagery–I was particularly very interested in that because I was trying to figure out what direction of painting, what direction of artwork, I should take.

I started doing research on the Virgin de Guadalupe. According to the ancient legend, the way that she is interpreted originally was no the way we see her today. Originally she was 16 years old maiden. She spoke in her indigenous language, she was Nahuatl. She was dark-skinned.

The Mexican colonial painters actually redid her image, made her look more European so that the dominant culture would accept her. I felt we needed to look beyond that and see the hidden meaning in that image. So I started doing research on that and I started to use those in my works. I started playing with the image to take back the ancient interpretation of the image of the earth.

So, for example, when you see the Virgin de Guadalupe instead of having stars, I have indigenous fertility symbols on it. I think it is important because traditionally we are a matriarchal society, but now we are not. Our original culture was matriarchal, so I felt it was important to empower the younger generations of women to realize that this. So I started to make this correction through my art. I am actually appropriating our ancient past, reinterpreting it in a very contemporary way. Now it becomes American art, a contemporary American art expression.

Filed Under: Art, INTERVIEWS

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 02.14.26 HISTORICAL ROLE REVERSAL

February 14, 2026 By wpengine

  “Children do learn what they live. Then they grow up to live what they’ve learned.” Dorothy Nolte (1924 – 2005), American poet, writer, and family counselor. Historic role reversal… In my last blog I wrote that my heart soars like a hawk with pride to see young folks confront Donald Trump’s racist ICE thugs. […]

RICARDO ROMO’S TEJANO REPORT 2.14.26 FRIDA: THE MAKING OF AN ICON

February 14, 2026 By wpengine

The impressive exhibit Frida: The Making of an Icon at the Museum of Fine Arts in Houston traces Frida Kahlo’s posthumous evolution from a relatively unknown Mexican painter to a multifaceted global icon and brand. Mari Carmen Ramirez, the main curator of the exhibit, organized the show into seven sections. Each selection addresses the reception and projection […]

RICARDO ROMO’S TEJANO REPORT 2.06.26 LATINOS OVERCAME A WAR AND A BROKEN TREATY

February 7, 2026 By wpengine

February 2, 1848 marks the date of the end of the war between Mexico and the United States and the signing of the Treaty of Guadalupe Hidalgo, which resulted in the U.S. annexation of fifty percent of Mexico’s territory. Latinos were the first Europeans to settle North America, founding St. Augustine, Florida, in 1565. Before […]

RICARDO ROMO’S TEJANO REPORT 1.30.26 ALEJANDRO DÍAZ AT RUIZ-HEALY ART GALLERY

January 29, 2026 By wpengine

Alejandro Díaz, A Latino Texan-New Yorker Exhibits at Ruiz-Healy Art Gallery. Texas native Alejandro Díaz developed an artistic practice over thirty-five years grounded in the bicultural and visual mix of South Texas and Mexico, with formative ties to Mexico City in the early 1990s. He is known for multi-media work: cardboard signs, neon, sculpture, furniture, […]

More Posts from this Category

New On Latinopia

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin