• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Art / SANTA BARRAZA – IN HER OWN WORDS

SANTA BARRAZA – IN HER OWN WORDS

March 6, 2010 by

Artist Santa Barraza

SANTA BARRAZA – TEXAS ARTIST

IN HER OWN WORDS:

I think that my encounter with the civil rights movement and the struggles of Mexican Americans, I first became aware of it when I was at the University. At the time José Rivera was there, Carmen Lomas Garza, Amado Peña, José Angel Gutiérrez as a graduate student, Carlos Guerra who had just put together MAYO and César Martinez would occasionally come back–he had already graduated.

At the time I wanted to be an artist, I wanted to make a difference. When I was at the University of Texas I did not see myself reflected in any of the books, in any of the textbooks, any of the paintings, and so I felt I needed to do something about that. The female image, the iconography, the Chicana imagery–I was particularly very interested in that because I was trying to figure out what direction of painting, what direction of artwork, I should take.

I started doing research on the Virgin de Guadalupe. According to the ancient legend, the way that she is interpreted originally was no the way we see her today. Originally she was 16 years old maiden. She spoke in her indigenous language, she was Nahuatl. She was dark-skinned.

The Mexican colonial painters actually redid her image, made her look more European so that the dominant culture would accept her. I felt we needed to look beyond that and see the hidden meaning in that image. So I started doing research on that and I started to use those in my works. I started playing with the image to take back the ancient interpretation of the image of the earth.

So, for example, when you see the Virgin de Guadalupe instead of having stars, I have indigenous fertility symbols on it. I think it is important because traditionally we are a matriarchal society, but now we are not. Our original culture was matriarchal, so I felt it was important to empower the younger generations of women to realize that this. So I started to make this correction through my art. I am actually appropriating our ancient past, reinterpreting it in a very contemporary way. Now it becomes American art, a contemporary American art expression.

Filed Under: Art, INTERVIEWS

POLITICAL SALSA Y MÁS with SAL BALDENEGRO 11.05.26 WHERE IS THE LOVE?

November 5, 2026 By wpengine

Where is the love? And now abideth faith, hope, charity, these three; but the greatest of these is charity. Saul of Tarsus, aka Paul the Apostle (Chapter 13, First Letter to the Corinthians) The Apostle Paul’s epistles are a key feature of Christian teachings. Charity, as posited by Paul in Corinthians 13, is love. [“Caritas,” […]

RICARDO ROMO’S TEJANO REPORT 11.05.26 LATINO ARTISTS INSPIRED BY MEXICAN FOOD TRADITIONS

November 5, 2026 By wpengine

The 17th Annual Mole Feast: A Taste of Cuisine, Culture and Art opened last week on October 15, 2026 at the Centro Cultural Aztlan. Curated by Edna Lugo, the exhibit included 35 artists. I am most familiar with the following ten artists: Rolando Briseño, Carolina Flores, Maria Jessica Brown, Hector Garza, Jacinto Guevara, Frank Harris, […]

RICARDO ROMO’S TEJANO REPORT 10.29.26 LATINO ART FOR THE FALL IN SAN ANTONIO AND TEXAS

October 29, 2026 By wpengine

Latino art has come of age in the Southwest and beyond, and October is a banner month for Chicano and Mexican art exhibitions in Texas. In mid-October, San Antonio galleries opened three exhibits devoted to the Latino experience. This essay covers the Mercardo/Materials exhibit at the Centro de Artes in San Antonio’s downtown Market Square, […]

RICARDO ROMO’S TEJANO REPORT 10.23.26. LATINA ARTISTS EXPLORE THEMES OF MIGRATION, BORDERS AND CULTURAL PERSISTENCE

October 24, 2026 By wpengine

Latina artists are becoming especially active in painting and sculpture in Southwestern communities with large Latino populations, including Los Angeles, Houston, and San Antonio. In this essay, I highlight two Latina artists who held successful art shows in San Antonio, Texas, over the past year. I begin with the renowned textile weaver Consuelo Jimenez Underwood. […]

More Posts from this Category

New On Latinopia

LATINOPIA ART GASPAR ENRÍQUEZ 1 “RETROSPECTIVE”

By Tia Tenopia on May 4, 2014

Gaspar Enríquez is a renowned Chicano artist whose airbrush portraits of barrio youth are haunting and memorable. Drawing from museums and collectors around the United States, in April 2014, the El Paso Museum of Art mounted a retrospective of Gaspar’s art titled Metaphors of the Barrio. Latinopia visited the exhibit and asked Gaspar what inspires […]

Category: Art, LATINOPIA ART

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin