• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / History / LATINOPIA HERO / LATINOPIA HERO SILVESTRE RAYMOND MIRELES

LATINOPIA HERO SILVESTRE RAYMOND MIRELES

June 11, 2026 by wpengine

In 1962, Sylvester Raymond Mireles, became the first Latino faculty member at East Los Angeles College (ELAC). Ray (as he chose to be called,) was a pioneer in the Chicano movement for proudly wearing his ethnic identity as he began his work as a teacher and role model to the Mexican-Americans who came to dominate the neighborhoods of East LA in the post war.

After receiving tenure, he worked with the President of East Los Angeles College, to bring in grant money to help the Mexican-American students who enrolled in the school – but who then quickly struggled academically. With 70% of the Latino students on academic probation, something needed to be done. In response, my father, along with educator Jerry Sharon, received a number of grants that led to the foundation of the USTED program. This revolutionary program used a series of steps to increase students’ self-esteem and their ability to learn the class material. To this day, USTED stands as a unique, bold experiment in improving educational outcomes.

In 1963, Ralph Guzman organized a conference for high school students at Camp Hess Kramer outside of Los Angeles. This event served as an incubator for many of the ideals of the Chicano empowerment movement. Mireles not only attended this event, but spoke to the students as a motivational role model.

In 1969, Ray Mireles pushed for a Chicano Studies program to be founded within ELAC. The non-Latino faculty wanted an “Ethnic Studies” program that could be diluted over time. Even as the students marched outside, the college President vacillated. A decision had to be made. Ray told him, “You can be the President responsible for bringing the first Chicano Studies program to any community college in the country.” With that, Wells agreed to sign the paperwork to fund the program. He offered Mireles the opportunity to be the dean of the program.

True to form, he turned down the position. He preferred to lead from the sidelines to create the change that others could benefit from. Recognition and power were never his goals.

In 1973, he continued on with his push to empower Chicanos by working to bring on Armando Rodriguez as the first Latino President of ELAC. Only ten years earlier, Mireles was the first Latino on staff. With his influence and street-born smarts, he saw to it that his vision of Chicano empowerment made it all the way to the top.

During this time, he also studied nights to receive his doctorate in education. At home, he supported a family of four kids and his wife. For 60 years, until her death, he remained married to Brigida Mireles. Though born in rural New Mexico, he loved his home in Whittier – where he remained until his passing. Unlike more notable leaders of the civil rights movement, no scandal ever clouded his name.

Though he returned to teaching in 1979 and retired in the mid-90’s, his legacy continues to this day. In 2026. the current president of ELAC, Monte Perez, visited with Ray at his house. Looking at a pamphlet saved from the early 70’s, Perez saw his own name on the list of his scholarship recipients. Who knows how many others were helped by his efforts and what impacts it had on their lives?

“He never desired public office nor even photos of him in the limelight. He just quietly worked to create more opportunities and less bigotry for those born with brown skin like his,” recalls his son, John Mireles.

In his last years, Dr. Mireles was working on a book about his long time friend, the late Los Angeles Times journalist Ruben Salazar.

Dr. Sylvester Raymond Mireles passed away on June 1, 2026 at the age of 96 years.  A true Hero of La Raza and a Latinopia Hero.
__________________________________________________
This remembrance was written by Ray Mireles’s son, John Raymond Mireles who also provided the photos in this remembrance.

Filed Under: LATINOPIA HERO Tagged With: Dr. Silvestre Raymond Mireles, Latinopia Hero Ray Mireles

POLITICAL SALSA Y MÁS with SAL BALDENEGRO 11.05.26 WHERE IS THE LOVE?

November 5, 2026 By wpengine

Where is the love? And now abideth faith, hope, charity, these three; but the greatest of these is charity. Saul of Tarsus, aka Paul the Apostle (Chapter 13, First Letter to the Corinthians) The Apostle Paul’s epistles are a key feature of Christian teachings. Charity, as posited by Paul in Corinthians 13, is love. [“Caritas,” […]

RICARDO ROMO’S TEJANO REPORT 11.05.26 LATINO ARTISTS INSPIRED BY MEXICAN FOOD TRADITIONS

November 5, 2026 By wpengine

The 17th Annual Mole Feast: A Taste of Cuisine, Culture and Art opened last week on October 15, 2026 at the Centro Cultural Aztlan. Curated by Edna Lugo, the exhibit included 35 artists. I am most familiar with the following ten artists: Rolando Briseño, Carolina Flores, Maria Jessica Brown, Hector Garza, Jacinto Guevara, Frank Harris, […]

RICARDO ROMO’S TEJANO REPORT 10.29.26 LATINO ART FOR THE FALL IN SAN ANTONIO AND TEXAS

October 29, 2026 By wpengine

Latino art has come of age in the Southwest and beyond, and October is a banner month for Chicano and Mexican art exhibitions in Texas. In mid-October, San Antonio galleries opened three exhibits devoted to the Latino experience. This essay covers the Mercardo/Materials exhibit at the Centro de Artes in San Antonio’s downtown Market Square, […]

RICARDO ROMO’S TEJANO REPORT 10.23.26. LATINA ARTISTS EXPLORE THEMES OF MIGRATION, BORDERS AND CULTURAL PERSISTENCE

October 24, 2026 By wpengine

Latina artists are becoming especially active in painting and sculpture in Southwestern communities with large Latino populations, including Los Angeles, Houston, and San Antonio. In this essay, I highlight two Latina artists who held successful art shows in San Antonio, Texas, over the past year. I begin with the renowned textile weaver Consuelo Jimenez Underwood. […]

More Posts from this Category

New On Latinopia

LATINOPIA ART GASPAR ENRÍQUEZ 1 “RETROSPECTIVE”

By Tia Tenopia on May 4, 2014

Gaspar Enríquez is a renowned Chicano artist whose airbrush portraits of barrio youth are haunting and memorable. Drawing from museums and collectors around the United States, in April 2014, the El Paso Museum of Art mounted a retrospective of Gaspar’s art titled Metaphors of the Barrio. Latinopia visited the exhibit and asked Gaspar what inspires […]

Category: Art, LATINOPIA ART

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin