• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Literature / LATINOPIA GUEST BLOG / BETITA MARTINEZ PRESENTE! A LATINOPIA HERO

BETITA MARTINEZ PRESENTE! A LATINOPIA HERO

July 3, 2021 by Tia Tenopia

Elizabeth “Betita” Martinez (1925-2021)

Elizabeth “Betita” Martinez, author and lifelong champion for the rights of Latinos in the United States and oppressed people worldwide passed away on Tuesday, June 29, 2021 in San Francisco, California at the age of 95.

I first met Elizabeth “Betita” Martinez in March of 1969 at the First Denver Youth Conference, convened in Denver, Colorado. Amid the flurry of conference plenary sessions and sidebar discussions, she was there, tape recorder and notepad in hand to record each days proceedings. The conference was historic in that it brought together young Mexican Americans from throughout the United States to fashion an ideological raison d’etre for the incipient Chicano civil rights movement. More than 1500 Chicanos attended the conference from the major Southwest states and also included Puerto Ricans from Chicago and New York. Betita was there to cover the event for the newspaper she edited and published, El Grito del Norte, a monthly newspaper which she published in Espanola , New Mexico. When Betita saw that I was there with a film crew, we struck up a conversation and, as we got to know each other, she extended an open invitation to visit her in Espanola, New Mexico if I ever got the chance.

One of my memories of Betita at that historic conference was her attending the Women’s Caucus. At a time when the role of Chicanas in the movement was undergoing considerable debate (some argued that women needed have roles equal to men, other women felt this was a misguided copying of the women’s liberation movement). At the conclusion of a heated debate, a majority of the women at the conference voted that they didn’t want to be liberated. They felt their role was to be at the side of and subservient to the male leaders of the Chicano Movement. I remember Betita, who had gotten her start in civil rights as a worker in the offices of the student Non-violent Coordinating Committee (SNCC) and who was thoroughly politicized, was aghast at the outcome. “I can’ believe this,” she told me.

This was the beginning of a life long friendship with Betita.

We descended on the offices of El Grito Del Norte, a monthly community newspaper which Betita edited and published.

Two years later, in 1971, I was able to take her up on her offer when my documentary about the Chicano experience, Yo Soy Chicano, got funded through television station KCET. My crew, consisting of cinematographer Barry Nye, soundman Martin Quiroz, and myself as writer/producer, descended on the offices of El Grito Del Norte, a monthly community newspaper which Betita edited and published in Espanola, New Mexico. Betita welcomed us with a buoyant smile and made us feel right at home.

We filmed an interview with her and got shots of her and her staff working to get an issue of the newspaper out. Afterwards, when she learned that we were going to sleep in the van that night before heading out the next morning to interview land grant activist Reies Lopez Tijerina, she insisted that we spend the night there at her office. She hastily put together some bedding for us and the next morning, as we were loading up our equipment and preparing to leave, she and her daughter Tess showed up with coffee and homemade breakfast burritos for us. “I don’t want to send you off without breakfast!”

That was Betita. Always welcoming and always supportive.

I next ran into Betita in September of 1972 at the National Convention of the La Raza Unida political party Again, she was there to cover the event for her newspaper and I was wearing two hats, I was national media coordinator for the convention but also there to cover the event as a filmmaker in what would become the documentary film, La Raza Unida, for KCET. It was great to see her again and this time we wound up collaborating in a way that neither of us could have foreseen or expected.

The convention had been widely publicized and news media from throughout the nation were present, including national news crews from ABC, NBC, CBS and PBS. Toward the close of the convention, tensions were high as to who would be voted the national party chairman. As the debates ran into the late hours of the final night, it became clear that no matter the outcome, one side would be sorely disappointed. Elements from both sides were armed and a possible shootout was not out of the question.

I solicited Betita’s help to circulate among the news crews and tell them that the vote was about to happen.

As media coordinator for the event I knew that as long as the news cameras were present no one would try anything stupid. And yet, as it got later and later in the evening, I saw that several of the news crews were beginning to pack up and prepare to leave. With all the media gone, who knows what would happen? It was then that I solicited Betita’s help, and that of a few other key journalists, to circulate among the news crews and tell them that the vote was about to happen. The crews unpacked their equipment and set up their cameras again and waited. Sure enough, within a short time, the vote was finally taken shortly thereafter and the outcome announced with no disturbance.

That collaboration further cemented our friendship.

In later years, we kept in touch. I was delighted when she published her 500 Years of Chicano History (1994) and later 500 Years of Chicana History (2008). And we talked extensively when her book De Colores Means All of Us (1998) came out. The book took on not just the invisibility of Latinos in a world where media and politics sees race only in terms of Black and White, but also her coverage of the struggle of immigrants. All issues that continue to this day. In that sense, her book was ahead of its time.

Throughout her life Betita worked to bring about social justice and equality for all.

Her life included working for the United Nations where she was a whistle blower for abusive treatment by some colonial powers, a stint in the office of the Student Non-Violent Coordinating Committee (SNCC) working for the empowerment of African Americans, founding and publishing El Grito del Norte for many years, the publication of numerous articles and several books, crowned with a run for Governor of California as a Peace and Freedom Party candidate. Throughout her life Betita tirelessly worked to bring about social justice and equality for all.

I last spent time with Betita in 2013 when I drove to San Francisco with filmmaker Sylvia Morales who was profiling Betita for her film A Crushing Love (2009). I used the opportunity to interview Betita for my website Latinopia As always he was supportive and eager to speak about her life and career as an activist and writer.

Betita Martinez, a pioneering social activist, author and humanitarian. A true Hero for all time.

_____________________________________________________
Copyright 2021 by Jesús Salvador Treviño. Photo of Betita and book cover courtesy of Betita Martinez. All other photos copyright by Barrio Dog Productions Inc.

 

Filed Under: LATINOPIA GUEST BLOG, LATINOPIA HERO, Literature Tagged With: 1969 Women's Caucus, 500 Years of Chicano History, Betita Martinez

RICARDO ROMO’S TEJANO REPORT 05.01.25 TONY ORTEGA’S ARTISTIC JOURNEY

May 1, 2025 By wpengine

Denver Latino Artist Tony Ortega’s Artistic Journey Tony Ortega, an eminent Denver artist, has been painting for over forty years and teaching art for two decades. His creative work has been in hundreds of exhibits and permanently collected by prominent museums including the Denver Art Museum, Los Angeles County Museum of Art, and the University […]

BURUNDANGA BORICUA DEL ZOCOTROCO 04.26.25

April 26, 2025 By wpengine

La Jungla de Pamela y Josué En la altura de la Cordillera Central de Puerto Rico por las crestas de Orocovis, en el barrio Pellejas Está la finca la Jungla que regentan Pamela y Josue.   Una pareja de agricultores empecinados en la más difícil de las tareas: hacer producir cinco cuerdas del terreno más […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 04.17.25 FAKE VS. TRUE RIGHTEOUSNESS

April 17, 2025 By wpengine

Fake vs. true righteousness… Let us preach righteousness, and practice it.  Brigham Young, American religious leader and politician. Last month, in this space, I commented on the hypocrisy of Donald Trump and his cultists and apologists, including, to its everlasting shame, the Republican Party. Trump says he plans to establish a White House Faith Office, […]

RICARDO ROMO’S TEJANO REPORT 04.26.25

April 26, 2025 By wpengine

Latino Art Enhances the Beauty of Botanical Gardens. With the arrival of Spring, Latinos are drawn to parks as well as botanical spaces that include art. A recent visit to San Antonio Botanical Gardens demonstrated to me that art can make these visits a more engaging experience. The Botanical Garden is a stunning gem of […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin