• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Literature / LATINOPIA BOOK REVIEW / LATINOPIA BOOK REVIEW “TATTOOS ON THE HEART”

LATINOPIA BOOK REVIEW “TATTOOS ON THE HEART”

October 24, 2011 by Tia Tenopia

“Tattoos on the Heart: The Power of Boundless Compassion”

By Gregory Boyle

Published by Free Press, an imprint of Simon and Schuster, Inc.

212 pages

Reviewed by Luis R. Torres

luis.r.torres@charter.net

________

A warning: it will be difficult for you to read this book and keep a dry eye.

In this remarkable book Gregory Boyle, the “barrio priest of East L.A.,” relates the story of a young “homie” who has died on the emergency room operating table. He was caught in the crossfire of perennial street gang warfare. His name was Manny. His body was a virtual mural of gang tattoos. At his bedside, the family has agreed to have the young man’s organs donated.

“As the two nurses wheel Manny to surgery for the harvesting of his organs, one nurse turns to the other and shakes her head in disgust, no doubt eyeing Manny’s tattoos,” Boyle writes. As it happens, days before he was shot, Manny had taken a big step toward a better life. He had enrolled in community college. He was cut down before he ever attended his first class.

Boyle had rushed to his side at the hospital, embracing family members as they wept. He recalls what was said by the nurses. One nurse, evidently disgusted by the tattooed corpse of what she perceived to be a worthless gangbanger, tells the other: “I mean, who would want this monster’s heart?” The other nurse reacts to that angrily. “How dare you call this kid a monster? Didn’t you see his family, his friends? He was 19 years old for God’s sakes. He belonged to somebody. Shame on you.’” He belonged to somebody.

Boyle, a Catholic priest who has been working with street gang members in Los Angeles for more than 20 years, makes it clear that all of the homies he encounters belong to somebody. Indeed, he argues that we all belong to each other. It is, he suggests, how Jesus would view it. Boyle is, after all, a priest.

Early in this narrative Boyle, who established Homeboy Industries and related nonprofit businesses with the motto “Nothing Stops a Bullet Like a Job,” explains what this missal-sized book is NOT. It is not a detailed chronicle of the work he and supporters have done to help gang members turn their lives around and find positive alternatives to drugs and violence. This little book is about Boyle’s personal experiences in becoming one with the gang members, the outcasts of society, those young men and women who are feared and, most of all, misunderstood, by the general community.

It’s not too big a stretch to characterize Greg Boyle among the “vatos” as the equivalent of Mother Teresa among the outcasts of Kolkata (formerly known as Calcutta).

This book is an intimate memoir. It is a collection of stories — homilies, really — about using empathy, compassion and — yes, love — to confront the issue of street gangs and the lives that are affected by the phenomenon. It is a little gem of a book, both heartwarming and heartbreaking.

The title of the book comes from something a homie once said to Boyle after the priest talked to him about honor and bravery . “Damn, I’m gonna tattoo that on my heart,” the young man told him.

For more than 20 years he has lived and worked shoulder-to-shoulder with street gang members. He began his work as a rookie priest at Dolores Mission in “the projects” just east of downtown L.A. He describes it as “the poorest parish in the Los Angeles archdiocese.” Eventually he founded Homeboy Industries. With its bakery, job placement agency and tattoo removal arm, Homeboy tries to help gang members with a job and a chance appreciate their inherent worth as human beings. Boyle suggests a little self esteem goes a long way.

Boyle writes with stark frankness and honesty about his mistakes in initially trying to “serve” the poor. Muddled and ultimately fruitless gestures to negotiate “peace treaties” between rival gangs were ill-conceived and doomed to failure. He learned that you don’t “serve” the down-and-out. You become one with them. This is done, he says, in the spirit of the genuine teachings, and example, of Jesus Christ. He has learned, he writes, about the essential ingredients of compassion, empathy and a transcendent dimension of kinship.

Regarding such kinship, he writes: “We stand there with those whose dignity has been denied. We locate ourselves with the poor and the powerless and the voiceless. At the edges, we join the easily despised and the readily left out. We stand with the demonized so that the demonizing will stop.” Some might say that’s nice and pretty in theory, but not practical in the “real world.” Boyle would disagree.

Boyle’s book is treasure trove of anecdotes and reminiscences about his life among the homies of the Aliso Village and Pico Gardens housing projects of Boyle Heights. We are introduced to a number of memorable characters.

There is the malopropping homie who tells Boyle, “Hey, I hear your cancer is in intermission.” There is Chico who confesses he’s fed up with gang violence and the dead end path he’s on. Chico wants to learn about computers. Boyle gets him a job at a company that patiently teaches Chico about computers and the Internet. He seems on his way, when he is cut down by a driveby bullet. And there’s the story of Speedy.

After years of dodging bullets, Speedy musters the strength and wherewithal to turn his back on the gangs, move away from the projects, get a solid job and get married. He has two kids now and plans for them to go to college. His biggest kick is taking them to Barnes and Noble on Sundays. The word “future” now has genuine meaning.

When he stops in to see Father Boyle, the priest tells him, “You’ve got a good life.” He answers, “Yeah, I do.” And for the two of them, Boyle writes, “The tears arrive now in their fullness, unencumbered and welcome, even.”

Those who have followed Father Greg Boyle’s work over the years won’t be surprised by the warmth, humor and essential humanity of his stories. But readers might be surprised by how artfully written this book happens to be.

He is often asked if he is “successful” in the work he does. Boyle writes: “Naturally, I find myself heartened by Mother Teresa’s take: ‘We are not called to be successful, but faithful.’ This distinction is helpful for me as I barricade myself against the daily dread of setback.”

He has buried nearly 200 homies

A warning. It will be difficult to read this book with dry eyes.

_______________________________________________________________

Luis Torres is a journalist and writer who lives in Pasadena, California. He is the author of a forthcoming book on Chicano educational reformers.

Filed Under: LATINOPIA BOOK REVIEW, Literature

RICARDO ROMO’S TEJANO REPORT 05.01.25 TONY ORTEGA’S ARTISTIC JOURNEY

May 1, 2025 By wpengine

Denver Latino Artist Tony Ortega’s Artistic Journey Tony Ortega, an eminent Denver artist, has been painting for over forty years and teaching art for two decades. His creative work has been in hundreds of exhibits and permanently collected by prominent museums including the Denver Art Museum, Los Angeles County Museum of Art, and the University […]

BURUNDANGA BORICUA DEL ZOCOTROCO 04.26.25

April 26, 2025 By wpengine

La Jungla de Pamela y Josué En la altura de la Cordillera Central de Puerto Rico por las crestas de Orocovis, en el barrio Pellejas Está la finca la Jungla que regentan Pamela y Josue.   Una pareja de agricultores empecinados en la más difícil de las tareas: hacer producir cinco cuerdas del terreno más […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 04.17.25 FAKE VS. TRUE RIGHTEOUSNESS

April 17, 2025 By wpengine

Fake vs. true righteousness… Let us preach righteousness, and practice it.  Brigham Young, American religious leader and politician. Last month, in this space, I commented on the hypocrisy of Donald Trump and his cultists and apologists, including, to its everlasting shame, the Republican Party. Trump says he plans to establish a White House Faith Office, […]

RICARDO ROMO’S TEJANO REPORT 04.26.25

April 26, 2025 By wpengine

Latino Art Enhances the Beauty of Botanical Gardens. With the arrival of Spring, Latinos are drawn to parks as well as botanical spaces that include art. A recent visit to San Antonio Botanical Gardens demonstrated to me that art can make these visits a more engaging experience. The Botanical Garden is a stunning gem of […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin