• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Literature / LATINOPIA BOOK REVIEW / LATINOPIA BOOK REVIEW “THE CHINESE IN MEXICO”

LATINOPIA BOOK REVIEW “THE CHINESE IN MEXICO”

November 13, 2011 by Tia Tenopia

“The Chinese in Mexico 1882-1940″
University of Arizona Press
(www.uapress.arizona.edu)
Roberto Chao Romero

Reviewed by Luis Torres
luis.r.torres@charter.net

___________________________________________________________________________

The first “illegal immigrants” to cross into the United States from Mexico weren’t Mexicans. They were Chinese. A new book by a professor of Chicano studies at UCLA reveals that and other salient and startling anecdotes about borderland history.

In “The Chinese in Mexico 1882-1940” Robert Chao Romero examines a little known realm of United States-Mexico social history. It’s a safe bet that very few Americans know about the rich, intriguing (and sometimes unsettling) story of Mexican Chinese.

It is a social history that is joined at the hip with the story of Chinese Americans. There was a substantial wave of immigration from China to Mexico in the late nineteenth century. The social and cultural consequences of that wave of immigration still reverberate in Mexico and the United States today. As a minor, benign example of that, ever wonder why the best Chinese restaurants in North America are arguably not in San Francisco but in Mexicali? It’s one remnant of a long legacy of a borderland phenomenon of Chinese immigration and transplanted culture.

There are parallels between the way Chinese immigrants were treated in the United States and the way they were treated in Mexico. And there are historical parallels between the way Chinese — as newcomers — were treated and the way in which many Mexican newcomers to the United States were treated. Often, it is an unpleasant story. But it is part of our collective experience. And the Chinese in the U.S. and in Mexico have endured, owing to their perseverance, resourcefulness and strong sense of community.

The Chinese in the United States, of course, provided valuable service in building the transcontinental railroad. The Chinese were encouraged to come here for their cheap labor. There were organized commercial recruitment campaigns, championed by the governments of both the United States and China. But anti-Chinese resentment soon built to a crescendo in the late 1880s. Finally the U.S. sought to ban all Chinese immigration when it passed the nefarious Chinese Exclusion Act of 1882. It made it illegal for Chinese to come to the United States.

But the turmoil and landlessness in such regions as Guangdong (Canton) still forced Chinese immigrants to seek new opportunities outside China. So, many shifted their target from California to Mexico. Streams of immigrants poured into Mexico, beginning in 1882.

Some immigrants intended to seek their fortunes in Mexico, but many used the passage to Mexico as a stop on their clandestine way into the United States. Romero argues that those Chinese, who paid smugglers to get them into the United States and used a variety of sophisticated ruses to enter the U.S., became the first “illegal immigrants” making their way into this country.

Romero writes, “Unknown to most people, the Chinese were the first ‘undocumented immigrants’ from Mexico, and they created the first organized system of human smuggling from Mexico to the United States. As part of their efforts to circumvent the U.S. Chinese Exclusion Laws, Chinese immigrants created a vast transnational smuggling business that involved agents and collaborators in China, Mexico, Cuba and various cities throughout the United States.”

History repeats itself as today we see Mexican undocumented immigrants determined to make their way across the border, often at great risk to their lives.

And history repeats itself in the manner in which anti-Chinese sentiment lead to violent persecution of Chinese — in both Mexico and the United States.

Throughout their history in the Americas, Chinese immigrants were victims of virulent racism and violent attacks. It is a shameful part of Los Angeles history that saw lynchings and wanton murders of Chinese. The most egregious example of that is the infamous Los Angeles massacre of October 24, 1871.

As quoted in Jean Pfaelzer’s seminal book “Driven Out,” the “Alta California” newspaper of the period printed this account: “Twelve hours ago…fifteen staring corpses hung ghastly in the moonlight, while seven or eight others, mutilated, torn and crushed, lay in our streets, all of them Chinamen.”

Actually, when the tally was complete, it was revealed that seventeen Chinese were lynched and two others were knifed to death on the night of October 24, 1871. Pfaelzer writes: “Their mangled bodies were found hanging from a wooden awning over a carriage shop, from the sides of two prairie schooners parked around the corner, from a gutter spout, and from a beam across the wide gate of a lumberyard. One of the victims wore no trousers and a finger had been severed from his left hand.”

A hostile lynch mob attacked the residents of L.A.’s Chinatown, which was then located where Union Station stands today. It was the culmination of growing anti-Chinese hysteria. The Chinese were accused of spreading crime and disease. They were accused of “taking our jobs” and of unfair competition in business.

Familiar accusations aimed at Mexicans by Anglos in the years to come.

But anti-Chinese bigotry reared its ugly head not only in the United States, but in Mexico as well. Romero documents the pernicious case of the Torreon Massacre of 1911 in the northern Mexican state of Coahuila. As in the United States, racist hatred of the Chinese was growing. Romero writes, “The most horrendous incident of Mexican subaltern violence perpetrated against Chinese immigrants during the early revolutionary years took place in the city of Torreon, Coahuila, on May 14 and 15, 1911.”

More than 300 Chinese were summarily and brutally murdered by soldiers of the Mexican revolution. Their only “crime” was that they were Chinese. With meticulous research, Romero unearths documents and contemporaneous accounts that name names and provide gruesome details. Romero writes, “The massacre of Torreon was the worst act of violence committed against any Chinese diasporic community of the Americas during the twentieth century.”

All part of a legacy of xenophobia and intolerance.

Not a pretty picture, of course. But it is part of our collective history. And it is something we should know about and bear in mind to help us keep contemporary issues of immigration and “otherness” in perspective.

One significant difference between the Chinese experience in Mexico and in the United States involves intermarriage. Eventually in Mexico many Chinese men married Mexican women. Families of “chino/mexicanos” thrive in Mexico today. By contrast, because of strictly enforced anti-miscegenation laws, mixed race marriages were almost non-existent in the U.S.

Robert Chao Romero ably provides the documented evidence of the treatment of Chinese immigrants. His prose doesn’t have the flair of others who have written memorable social histories, such as Jean Pfaelzer and the unparalleled storyteller Simon Winchester, who makes social history come alive with his finely tuned narrative touches. Yet,“The Chinese in Mexico” provides us with a valuable look into relatively unknown, and significant, chapters of our borderland history.

It is an important milestone in the field, and could serve as a catalyst for further study and illumination about the Chinese in the Americas.

__________________________________________________________________________________________

Luis Torres, a journalist and writer from Pasadena, California, is at work on a book that examines the 1968 East Los Angeles high school student walkouts.

Filed Under: LATINOPIA BOOK REVIEW, Literature

RICARDO ROMO’S TEJANO REPORT 05.01.25 TONY ORTEGA’S ARTISTIC JOURNEY

May 1, 2025 By wpengine

Denver Latino Artist Tony Ortega’s Artistic Journey Tony Ortega, an eminent Denver artist, has been painting for over forty years and teaching art for two decades. His creative work has been in hundreds of exhibits and permanently collected by prominent museums including the Denver Art Museum, Los Angeles County Museum of Art, and the University […]

BURUNDANGA BORICUA DEL ZOCOTROCO 04.26.25

April 26, 2025 By wpengine

La Jungla de Pamela y Josué En la altura de la Cordillera Central de Puerto Rico por las crestas de Orocovis, en el barrio Pellejas Está la finca la Jungla que regentan Pamela y Josue.   Una pareja de agricultores empecinados en la más difícil de las tareas: hacer producir cinco cuerdas del terreno más […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 04.17.25 FAKE VS. TRUE RIGHTEOUSNESS

April 17, 2025 By wpengine

Fake vs. true righteousness… Let us preach righteousness, and practice it.  Brigham Young, American religious leader and politician. Last month, in this space, I commented on the hypocrisy of Donald Trump and his cultists and apologists, including, to its everlasting shame, the Republican Party. Trump says he plans to establish a White House Faith Office, […]

RICARDO ROMO’S TEJANO REPORT 04.26.25

April 26, 2025 By wpengine

Latino Art Enhances the Beauty of Botanical Gardens. With the arrival of Spring, Latinos are drawn to parks as well as botanical spaces that include art. A recent visit to San Antonio Botanical Gardens demonstrated to me that art can make these visits a more engaging experience. The Botanical Garden is a stunning gem of […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin