• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Literature / LATINOPIA BOOK REVIEW / LATINOPIA BOOK REVIEW “BECOMING DR. Q”

LATINOPIA BOOK REVIEW “BECOMING DR. Q”

July 16, 2012 by

“Becoming Dr. Q: My Journey from Migrant Farm Worker to Brain Surgeon”

Written by Alfredo Quiñones-Hinojosa, MD with Mim Eichler Rivas

Published by University of California Press, 2011

Reviewed  By Luís Torres

_______________________________________________

The Remarkable Story of An Undocumented Mexican Farmworker

 Who Made it To Harvard Medical School and Became a Famous Neurosurgeon

_______________________________________________

The real-life story of Dr. Alfredo Quiñones-Hinojosa is so amazing and seemingly unbelievable that your first reaction is to think it’s a Hollywood movie script. It seems that improbable. But it’s true. As relayed in his book “Becoming Dr. Q: My Journey from Migrant Farm Worker to Brain Surgeon,” it’s the story of an undocumented immigrant from Mexico who comes to the United States to toil picking fruit in California, works diligently, quickly learns English, shows intellectual promise and goes on to graduate from UC Berkeley, then goes to Harvard Medical School and eventually becomes one of the world’s leading brain surgeons. Hard to believe, but again, it really happened.

Now, neurosurgeon Dr. Alfredo Quiñones-Hinojosa has set down his personal life story (with help from co-writer Mim Eichler Rivas) in a riveting and heart warming autobiography. Today “Dr. Q”, as he refers to himself because folks who don’t speak Spanish have a tough time pronouncing his tongue-twisting multi-syllabic surname, is a pioneer in brain surgery innovations at prestigious Johns Hopkins University in Baltimore.  He is tops in his field. But just 25 ago he was “just another migrant farmworker” working in the fields of California’s Central Valley. Quite a remarkable story.

How did he accomplish so much, coming from such humble beginnings? That’s the engaging story told in “Becoming Dr. Q.”  It is a story of perseverance, the power of imagination and a dedication to intellectual curiosity. It is the story of overcoming seemingly insurmountable obstacles with the help and guidance of family and educational mentors. It is a story about following your dreams and never giving up. Quite a story, and all the more captivating because it’s true. If the book were written as a novel, it would probably have been rejected by a publisher because the story seems just too improbable to be believed.

Quiñones-Hinojosa was born and raised in the tiny, dusty town of Polaco near Mexicali in Baja California. He was born into a family that constantly struggled to make financial ends meet. But the family was rich in one respect – the support and love that nourished everyone in the family. That was one key to his eventual success in the world. By the time he was nineteen he had completed coursework in Mexico to qualify for a certificate in education, something that prepared him to be a sort of entry-level school teacher. But things didn’t quite pan out and he decided to head to the United States to earn some money.

He tells the harrowing story of sneaking into the country, facing the prospects of jail – or worse. He had heard many stories of undocumented immigrants who died in the desert trying to make it to a new life. But he made it to California and found work in the fields and in a number of odd jobs, always showing that he was an exceedingly bright, resourceful young man. Eventually he took classes at a community college in Stockton and quickly excelled.  He writes, “My enrollment at night classes at San Joaquin Delta College inaugurated a period of great growth and learning for me.”

That led to the wild idea of applying for admission to the University of California. His grades were solid and his aptitude and keen intellect impressed the administrators and professors who interviewed him at Berkeley.

A few years later, with the help and guidance of academic mentors he was accepted at Harvard Medical School after graduating from UC Berkeley. And, again, with encouragement and assistance from mentors he excelled there as well. Because of those experiences, he is devoted to helping others along the way. And that’s one of the reasons he wrote the memoir. He writes, “My hope is that my unlikely story may light a spark in a boy or girl who currently faces bleak prospects to embrace the power of his or her imagination and special magic. Or spur an exhausted medical resident to know that there is a light at the end of the tunnel – in the best meaning of the phrase!”

He adds: “(My hope is) especially, to encourage any of us who allow ourselves to judge others by their ethnicity of socioeconomic background to open our eyes to all that we have in common.”

A remarkable tale, and one that is well told in “Becoming Dr. Q.”

____________________________________________

Luís Torres, a veteran journalist and frequent contributor to Latinopia, is the author of the forthcoming book “Doña Julia’s Children: The Life and Legacy of Vahac Mardirosian.”

Filed Under: LATINOPIA BOOK REVIEW

RICARDO ROMO’S TEJANO REPORT 10.29.26 LATINO ART FOR THE FALL IN SAN ANTONIO AND TEXAS

October 29, 2026 By wpengine

Latino art has come of age in the Southwest and beyond, and October is a banner month for Chicano and Mexican art exhibitions in Texas. In mid-October, San Antonio galleries opened three exhibits devoted to the Latino experience. This essay covers the Mercardo/Materials exhibit at the Centro de Artes in San Antonio’s downtown Market Square, […]

RICARDO ROMO’S TEJANO REPORT 10.23.26. LATINA ARTISTS EXPLORE THEMES OF MIGRATION, BORDERS AND CULTURAL PERSISTENCE

October 24, 2026 By wpengine

Latina artists are becoming especially active in painting and sculpture in Southwestern communities with large Latino populations, including Los Angeles, Houston, and San Antonio. In this essay, I highlight two Latina artists who held successful art shows in San Antonio, Texas, over the past year. I begin with the renowned textile weaver Consuelo Jimenez Underwood. […]

EL PROFE QUEZADA NOS DICE – THE SIGNIFICANCE OF RETURNING THE CODEX AZCATITLAN TO MEXICO

October 24, 2026 By wpengine

There are moments when history seems to awaken—when something long kept distant finds its way home, carrying with it the breath of ancestors and the weight of memory.  In Mexico City, such a moment has arrived with the return of the Codex Azcatitlan, a treasured Aztec manuscript that has spent nearly two centuries in France.  […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 10.15.26

October 15, 2026 By wpengine

Where’s the shame? Esos no tienen vergüenza (Those people have no shame). My saintly Nana Petra (she of blessed memory) My Nana would say that of people who were hypocrites, that is, whose actions contradicted their words. Or of people whose behavior was blatantly, knowingly wrong – e.g., starting or spreading hurtful rumors about someone, […]

More Posts from this Category

New On Latinopia

LATINOPIA ART GASPAR ENRÍQUEZ 1 “RETROSPECTIVE”

By Tia Tenopia on May 4, 2014

Gaspar Enríquez is a renowned Chicano artist whose airbrush portraits of barrio youth are haunting and memorable. Drawing from museums and collectors around the United States, in April 2014, the El Paso Museum of Art mounted a retrospective of Gaspar’s art titled Metaphors of the Barrio. Latinopia visited the exhibit and asked Gaspar what inspires […]

Category: Art, LATINOPIA ART

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin