• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Literature / LATINOPIA GUEST BLOG / LATINOPIA GUEST BLOG ANGELA VALENZUELA 5.16.25

LATINOPIA GUEST BLOG ANGELA VALENZUELA 5.16.25

May 15, 2025 by wpengine

“Let Their Works Be Seen—At the City Gate and the Political Sphere”

by Angela Valenzuela

Please read my tribute for Mother’s Day, based on a nuanced re-reading of Proverbs 31 and the writings of Episcopal priest, attorney, and theologian, and graduate of Union Theological Seminary in New York, the Reverend Dr. Patrick Cheng, author of Radical love: Introduction to queer theology.

 
Wishing all a Happy Mother’s Day! -AV
AI Generated by A. Valenzuela
Let Their Works Be Seen—At the City Gate and the Political Sphere
 

By Angela Valenzuela, Ph.D.

King Lemuel’s Mother giving advice to the King.

Proverbs 31 has too often been interpreted—and even weaponized—to confine women to narrow roles, uphold rigid gender norms, and sanctify domestic labor while ignoring the text’s deeper call to justice. 

But when I revisited it last night, I didn’t just re-read it with a progressive lens—I reimagined it through the lens of queer theology, as Patrick Cheng invites us to do. What emerged was not a checklist for gendered virtue, but a bold and expansive vision of radical love in action.

The text begins with a mother’s warning to her son, a king: don’t waste your strength. Don’t lose yourself in privilege while the poor are denied justice. True leadership is rooted in moral clarity. It speaks up for those who cannot speak for themselves. It defends the vulnerable. It remembers the humanity of those our systems forget.

Then we are given a portrait—not of submissive womanhood—but of embodied wisdom: a person who leads with strength, builds economic independence, feeds others, uplifts workers, makes decisions, and extends hands to the poor. Their dignity is not performative. Their power is not inherited. It is created daily, through work, courage, and love.

Father Patrick Cheng writes that queer theology resists binaries-It belongs to anyone who labors in love and justice.

Patrick Cheng writes that queer theology resists binaries—it makes visible the divine in flesh and community, especially in the lives of those who defy the boxes they’ve been forced into. In that spirit, the “noble character” of Proverbs 31 is not confined to straight cisgender womanhood. It belongs to anyone who labors in love and justice—queer parents, nonbinary caregivers, trans organizers, radical kin-builders.

Let their works be praised at the city gate—and the Texas State Capitol, for our purposes, I might add.

Let us honor those who refuse invisibility. Who resist erasure. Who carry the weight of communities and still rise with wisdom on their tongues and fire in their hearts.

This is the vision we need now: Not one of narrow gender norms, but of liberatory embodiment. Not a gatekeeping morality, but a gospel of radical presence.

Because when we let the excluded lead, when we see divinity in every form of dignity—then, and only then, will justice roll down like waters (Amos 5:24).

Reference


Cheng, P. S. (2011). Radical love: Introduction to queer theology. Church Publishing, Inc.

_______________________________________________________________
Copyright 2025 by Dr. Angela Valenzuela. AI generated image courtesy of Dr. Valenzuela. Image of Father Patrick Cheng from his website used under fair use proviso of the copyright law.

 

Filed Under: LATINOPIA GUEST BLOG, Literature Tagged With: Dr. Angela Valenzuela, Latinopia Guest Blog

RICARDO ROMO’S TEJANO REPORT 06.27.25 SANTA BARRRAZA AND KATHY VARGAS AWARDED FELLOWSHIPS

June 26, 2025 By wpengine

Latina Artists Santa Barraza and Kathy Vargas Honored with Prestigious Latinx Artist Fellowships. The Latinx Artist Fellowship announced this week an award of $50,000 each to a multi-generational cohort of 15 Latinx visual artists. Administered by the US Latinx Art Forum in collaboration with the New York Foundation for the Arts and supported by the […]

RICARDO ROMO’S TEJANO REPORT 6.20.25 REMEMBERING JESUS MOROLES

June 20, 2025 By wpengine

Latino Sculptor Jesús Moroles Remembered Born in Corpus Christi, Texas in 1950, Jesús Bautista Moroles, the renowned Mexican American artist and sculptor, created a name for himself through his brilliant monumental abstract granite works. At the time of his sudden and tragic death in 2014, Moroles had completed more than 2,000 granite sculptures worldwide which […]

RICARDO ROMO’S TEJANO REPORT 06.13.24

June 13, 2025 By wpengine

Latina Artists Take Texas Culture to New York City The Ruiz-Healy Art Gallery in New York City presents Vast and Varied: Texan Women Painters, a group exhibition that includes works by Marta Sánchez , Eva Marengo Sánchez , and Ethel Shipton. The exhibit will be on view at the gallery from June 12 to August […]

MIS PENSAMIENTOS with ALFREDO SANTOS 06.13.25

June 13, 2025 By wpengine

Bienvenidos a La Voz Newspaper. As you know, there are so many things going on all around us today. The Trump administration is moving quickly to remake America into a vision that he believes will take us into the future, but the real question is who is “us”? The Make America Great Again movement doesn’t […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin