• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Literature / LATINOPIA GUEST BLOG / LATINOPIA GUEST BLOG ANGELA VALENZUELA 5.16.25

LATINOPIA GUEST BLOG ANGELA VALENZUELA 5.16.25

May 15, 2025 by wpengine

“Let Their Works Be Seen—At the City Gate and the Political Sphere”

by Angela Valenzuela

Please read my tribute for Mother’s Day, based on a nuanced re-reading of Proverbs 31 and the writings of Episcopal priest, attorney, and theologian, and graduate of Union Theological Seminary in New York, the Reverend Dr. Patrick Cheng, author of Radical love: Introduction to queer theology.

 
Wishing all a Happy Mother’s Day! -AV
AI Generated by A. Valenzuela
Let Their Works Be Seen—At the City Gate and the Political Sphere
 

By Angela Valenzuela, Ph.D.

King Lemuel’s Mother giving advice to the King.

Proverbs 31 has too often been interpreted—and even weaponized—to confine women to narrow roles, uphold rigid gender norms, and sanctify domestic labor while ignoring the text’s deeper call to justice. 

But when I revisited it last night, I didn’t just re-read it with a progressive lens—I reimagined it through the lens of queer theology, as Patrick Cheng invites us to do. What emerged was not a checklist for gendered virtue, but a bold and expansive vision of radical love in action.

The text begins with a mother’s warning to her son, a king: don’t waste your strength. Don’t lose yourself in privilege while the poor are denied justice. True leadership is rooted in moral clarity. It speaks up for those who cannot speak for themselves. It defends the vulnerable. It remembers the humanity of those our systems forget.

Then we are given a portrait—not of submissive womanhood—but of embodied wisdom: a person who leads with strength, builds economic independence, feeds others, uplifts workers, makes decisions, and extends hands to the poor. Their dignity is not performative. Their power is not inherited. It is created daily, through work, courage, and love.

Father Patrick Cheng writes that queer theology resists binaries-It belongs to anyone who labors in love and justice.

Patrick Cheng writes that queer theology resists binaries—it makes visible the divine in flesh and community, especially in the lives of those who defy the boxes they’ve been forced into. In that spirit, the “noble character” of Proverbs 31 is not confined to straight cisgender womanhood. It belongs to anyone who labors in love and justice—queer parents, nonbinary caregivers, trans organizers, radical kin-builders.

Let their works be praised at the city gate—and the Texas State Capitol, for our purposes, I might add.

Let us honor those who refuse invisibility. Who resist erasure. Who carry the weight of communities and still rise with wisdom on their tongues and fire in their hearts.

This is the vision we need now: Not one of narrow gender norms, but of liberatory embodiment. Not a gatekeeping morality, but a gospel of radical presence.

Because when we let the excluded lead, when we see divinity in every form of dignity—then, and only then, will justice roll down like waters (Amos 5:24).

Reference


Cheng, P. S. (2011). Radical love: Introduction to queer theology. Church Publishing, Inc.

_______________________________________________________________
Copyright 2025 by Dr. Angela Valenzuela. AI generated image courtesy of Dr. Valenzuela. Image of Father Patrick Cheng from his website used under fair use proviso of the copyright law.

 

Filed Under: LATINOPIA GUEST BLOG, Literature Tagged With: Dr. Angela Valenzuela, Latinopia Guest Blog

RICARDO ROMO’S TEJANO REPORT 8.29.25 Salomón Huerta: A Visionary Interpreter of Latino Art

August 29, 2025 By wpengine

Salomón Huerta: A Visionary Interpreter of Latino Art Ricardo Romo, Ph.D Salomón Huerta, a Los Angeles-based painter and printmaker, is known for his enigmatic portraits and compelling depictions of domestic and suburban architecture reflecting his Mexican American heritage and upbringing in Boyle Heights. Over the past quarter-century, Huerta’s works have been acquired by the Museum […]

BURUNDANGA DEL ZOCOTROCO 8.29.25 CONFESSIONS OF AN AGED ANTI-IMPERIALIST

August 29, 2025 By wpengine

José M. Umpierre Confessions of an Aged Anti-imperialist. The recent meeting between Trump and Putin in Alaska has been seen as the management of two powerful nations that flirt with the notion of empire. The term fuels a torrent of memories, it takes me back to 1976 when I defended my doctoral thesis: Imperialism and […]

BURUNDANGA BORICUA DEL ZOCOTROCO 8.29.25 CONFESIONES DE UN VIEJO ANTIIMPERIALISTA

August 29, 2025 By wpengine

Burundanga de Zocotroco José M. Umpierre Confesiones de un Viejo Antiimperialista Realengo                                        . La reunión recién celebrada entre Trump y Putin en Alaska se ha visto como la gestión de dos poderosas naciones que coquetean con la noción de imperio. El término aviva un torrente de recuerdos, me regresa al 1976 cuando defendí la tesis: […]

RICARDO ROMO’S TEJANO REPORT 8.22.25 JUDY BACA’S GREAT WALL MURAL

August 22, 2025 By wpengine

The Great Wall of Los Angeles: The Art and History of Latino Muralism The Great Wall of Los Angeles is one of the prodigious “Eighth Wonders” of Chicano art. The public art mural stretches 2,754 feet—over half a mile—along the Tujunga Wash in the San Fernando Valley, Los Angeles. The painted wall is recognized as […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin