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You are here: Home / Literature / LATINOPIA GUEST BLOG / LATINOPIA GUEST BLOG GILBERTO QUEZADA 7.17.25 BASEBALL CARDS MORE THAN COLLECTIBLES

LATINOPIA GUEST BLOG GILBERTO QUEZADA 7.17.25 BASEBALL CARDS MORE THAN COLLECTIBLES

July 17, 2025 by wpengine

Ted Williams was half Mexican.

In the 1950s, growing up in Laredo’s Barrio del Azteca, I lived for baseball.  My grandfather, a former umpire in the Mexican League, took me to see the Laredo Apaches play at Washington Park.  The team was entirely Latino—players from Laredo, Mexico, and Cuba.  One of them, Ismael “El Oso” Montalvo, stood out.  Years later, he hired me as a bartender at the American Legion Post 59.  I had no idea then that he’d once pitched for top teams in Mexico and would be honored in a book about border baseball history.

But as a boy, I wanted to see Latinos in the major leagues.  That is why I started collecting baseball cards in 1952.  For a penny, I would get a slab of gum and a pack of dreams.  My collection included legends like Mantle, Mays, and Robinson —but it was the 29 Latino players who made my heart race: Roberto Clemente, Minnie Miñoso, Luis Aparicio, and others whose names sounded like mine.  They weren’t just athletes—they were proof that we belonged.

One of my favorite players was Ted Williams.  I admired his swing, his stats, his swagger.  But it wasn’t until decades later, reading The Kid by Ben Bradlee Jr., that I learned something that would have changed everything: Ted Williams was half Mexican.  His mother, May Venzor, emigrated from Chihuahua in 1907.  If I had known that as a boy, he would have been my ultimate hero.

Those cards weren’t just collectibles.  They were mirrors.  And in them, I found pride, identity, and the quiet power of representation.

__________________________________________________________________________________

Copyright 2025 by Gilberto  Quezada. Ted Williams image used under “fair use” proviso of he copyright law.

Filed Under: LATINOPIA GUEST BLOG, Literature Tagged With: Americna baseball, Gilberto Quezada, Latino baseball heroes, Ted Williams

RICARDO ROMO’S TEJANO REPORT 1.30.26 ALEJANDRO DÍAZ AT RUIZ-HEALY ART GALLERY

January 29, 2026 By wpengine

Alejandro Díaz, A Latino Texan-New Yorker Exhibits at Ruiz-Healy Art Gallery. Texas native Alejandro Díaz developed an artistic practice over thirty-five years grounded in the bicultural and visual mix of South Texas and Mexico, with formative ties to Mexico City in the early 1990s. He is known for multi-media work: cardboard signs, neon, sculpture, furniture, […]

EL PROFE QUEZADA NOS DICE 1.30.26 NO PORK ON FRIDAYS – A DUAL CULTURAL LEGACY

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The Rio Grande has long been more than a river dividing nations; it has been a meeting place of cultures, faiths, and hidden legacies.  Along its banks, towns in northern Mexico and South Texas became home to families who carried with them traditions that were not always spoken aloud.  Among these were crypto-Jews—descendants of Sephardic […]

EL PROFE QUEZADA NOS DICE 1.24.26 TWO MEXICAN FILM GREATS

January 24, 2026 By wpengine

During the 1940s and 1950s, two of the well-known Mexican actors of the Golden Age of Mexican cinema that I would see on the big screen at the Cine Azteca in the Barrio El Azteca were Arturo de Córdova and René Cardona.  The Cine Azteca was located at 311 Lincoln Street and was situated in the […]

RICARDO ROMO’S TEJANO REPORT 1.24.26 CHICANO AND MEXICAN ART AT MCNAY MUSEUM

January 24, 2026 By wpengine

The McNay Art Museum, founded in 1954 as Texas’s first modern art museum, occupies Marion Koogler McNay’s Spanish Colonial Revival mansion in San Antonio. The museum is situated on 24 landscaped acres, featuring courtyards, a fish pond, and a beautiful nature garden. The museum’s collection of over 20,000 artworks showcases 19th- and 20th-century European and […]

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