• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Literature / LATINOPIA GUEST BLOG / JUAN GARZA REMEMBERS YOLANDA LOPEZ

JUAN GARZA REMEMBERS YOLANDA LOPEZ

September 18, 2021 by Tia Tenopia

Yolanda Lopez will long be remembered for her pioneering work as a Chicana artist.

Yolanda Lopez will long be remembered for her bold, important and pioneering work as a Chicana artist. Scholars and Art Historians can and will discuss the relevance and merits of Yolanda’s work and its importance to feminism and Chicana/o representation. For my part I’d like to share a few personal thoughts on my good friend Yolanda Lopez.

I met Yolanda more than forty years ago.  Over the years we had a good many conversations and got to know each other fairly well.  But it was in these last three years that our friendship grew more in depth.

In 2019 I was in the Bay Area for an extended period and was able to meet with Yolanda several times.  What surprised me the most about our getting together was how genuinely happy this made her. In recent years her health had not been good and she needed a cane or walker to get around. Without help, the simple act of walking less than a block to a local Chinese restaurant was extremely difficult for her. Yolanda enjoyed our shared meals and conversations. This personal interaction brought her a certain amount of joy.  Because of health issues she was mostly confined to staying at home in her apartment.  Her loving son Rio was as attentive as he could possibly be, as were her core group of friends, but I came to understand that many of her days were spent by herself in her apartment.  In a way her health had imposed a certain amount of solitude into her life.

That summer I began calling her about once a month. We would talk about any number of things but mostly we just exchanged life stories.  Looking ahead, she had a couple of photography and art projects in mind but understood that her delicate health made these projects difficult if not impossible to pursue.

That summer I began calling her about once a month.

There was one project she was very excited about and felt could be within reach. She hoped to organize a series of dinner parties. Her intent was to invite several women to each gathering. “Sorry Juanito, I’m only going to invite women”. She wanted to bring together women that intrigued her and/or that she perhaps wanted to know better.  Artists, writers, community organizers and activists. Individuals that could benefit from getting to know each other. Yolanda would prepare the dinner herself and have the invited guests come to her apartment in the Mission. Each meal would be a springboard for an evening of thought provoking, in depth conversation. The gatherings would be about sharing, networking and mentoring.  Yolanda looked forward to having challenging conversations that she would be able to mediate. I believe she intended to conceptually curate the evenings by carefully selecting the mix of guests for each particular dinner. This would insure that a good balance of interests and perspectives would be “brought to the table” in both a symbolic and literal sense. Anyone who knows her body of work understands that Yolanda was never one to shy away from issues of religion, politics, cultural and sexual identity. These dinners would clearly address all these things and much more. She was gleeful just imagining how these evenings would come together. 

During one of our calls that summer she told me she had been diagnosed with lung and liver cancer. Her doctor’s said there was treatment available for her condition but no cure.  The chemo treatments and cancers began to further ware down her already fragile body. She remained lucid and insightful throughout her treatment but as time went on her mobility became even more limited.  She made the most of her home bound situation but the arrival of the co-vid year added to her sense of isolation. The dinner parties along with all the other projects went on permanent hold.

My wife and I were able to visit with Yolanda one last time in June.  She fully understood her situation and was accepting of it as much as anyone can be. And being the self-less mom that she was, Yolanda was much more concerned with Rio’s health and well-being than her own.

We took her out to North Beach for lunch, drove around the city a while and later went to see the mural that had been done of her. Her energy was good that day, she was happy.  It was a wonderful visit.  Before saying good bye, I promised her that I would be supportive of Rio in whatever way I could be and yes we would be there for the big party that would happen in her honor after she was gone.

As we all know, the cancer won out and she is with us now only in spirit and through her art.  I like many of her other friends will miss her immensely.  Once we live in safer non-covid times I will plan my own version of the Yolanda Lopez Dinner Party.  We will bring together friends who will both support and challenge us. We will share a meal, good conversation and each other’s friendship.  And we will be sure to leave a place at the table for Yolanda.

_____________________________________________________________

Copyright by Juan Garza.  Photo of Juan Garza and Yolanda Lopez courtesy of the author.

Filed Under: LATINOPIA GUEST BLOG Tagged With: Juan Garza, Yolanda Lopez

RICARDO ROMO’S TEJANO REPORT 05.01.25 TONY ORTEGA’S ARTISTIC JOURNEY

May 1, 2025 By wpengine

Denver Latino Artist Tony Ortega’s Artistic Journey Tony Ortega, an eminent Denver artist, has been painting for over forty years and teaching art for two decades. His creative work has been in hundreds of exhibits and permanently collected by prominent museums including the Denver Art Museum, Los Angeles County Museum of Art, and the University […]

BURUNDANGA BORICUA DEL ZOCOTROCO 04.26.25

April 26, 2025 By wpengine

La Jungla de Pamela y Josué En la altura de la Cordillera Central de Puerto Rico por las crestas de Orocovis, en el barrio Pellejas Está la finca la Jungla que regentan Pamela y Josue.   Una pareja de agricultores empecinados en la más difícil de las tareas: hacer producir cinco cuerdas del terreno más […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 04.17.25 FAKE VS. TRUE RIGHTEOUSNESS

April 17, 2025 By wpengine

Fake vs. true righteousness… Let us preach righteousness, and practice it.  Brigham Young, American religious leader and politician. Last month, in this space, I commented on the hypocrisy of Donald Trump and his cultists and apologists, including, to its everlasting shame, the Republican Party. Trump says he plans to establish a White House Faith Office, […]

RICARDO ROMO’S TEJANO REPORT 04.26.25

April 26, 2025 By wpengine

Latino Art Enhances the Beauty of Botanical Gardens. With the arrival of Spring, Latinos are drawn to parks as well as botanical spaces that include art. A recent visit to San Antonio Botanical Gardens demonstrated to me that art can make these visits a more engaging experience. The Botanical Garden is a stunning gem of […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin