• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Literature / LATINOPIA GUEST BLOG / LATINOPIA GUEST BLOG 7.10.25 ANGELA VALENZUELA – ALLIGATOR ALCATRAZ: A MONUMENT TO CRUELTY

LATINOPIA GUEST BLOG 7.10.25 ANGELA VALENZUELA – ALLIGATOR ALCATRAZ: A MONUMENT TO CRUELTY

July 10, 2025 by wpengine

Alligator Alcatraz: A Monument to Cruelty in the Heart of the Everglades

by Angela Valenzuela, Ph.D.

In the Florida Everglades, Donald Trump has unveiled a new migrant detention center nicknamed “Alligator Alcatraz” (Louallen, 2025).

It’s time to resurrect the term necropolitics, meaning the politics of death wielded by the state to determine who lives and who dies, who is allowed dignity, and who is cast into suffering or oblivion.

The last time I used this term was in reference to Texas Governor Greg Abbott’s inhumane river buoys near Eagle Pass, a lethal barrier meant to deter migrants from crossing the Rio Grande. I wrote then, in a blog titled “First responders in a Texas town are struggling to cope with the trauma of recovering bodies from the Rio Grande“—based on a published piece by that same title (Chesky & Lozano, 2024)—where I ask how we can be proud of our country and allow this to happen?

Today, necropolitics rears its head once more—this time in the Florida Everglades, where Donald Trump has unveiled a new migrant detention center nicknamed “Alligator Alcatraz” (Louallen, 2025). Surrounded by swampland and wildlife, the site is a literal and symbolic enclosure, built to house around 5,000 migrants in trailers and tents, in isolation and obscurity.

During a recent visit to the site, Trump joked:

“Don’t run in a straight line. Run like this,” he said, gesturing in a zigzag motion.
“And you know what? Your chances go up about 1%.” (Gomez Licon, 2025)

When a former president laughs about migrants being hunted by alligators, he is not merely mocking human suffering—he is sending a message: that cruelty is permissible.

This is not humor. This is the normalization of dehumanization, delivered with a smirk. When a former president laughs about migrants being hunted by alligators, he is not merely mocking human suffering—he is sending a message: that cruelty is permissible, and even entertaining.

To joke about people—many of them children—fleeing war, violence, and poverty, and to reduce their desperate bid for safety to a punchline, is not just disturbing. It is authoritarian pageantry. It is a theater of the macabre. It is racist. It is white supremacy on steroids.

We’ve seen where this logic leads in history. First, the jokes. Then the walls. Then the cages. What comes next—camps? Ovens?

We cannot become numb.

There is nothing funny about people risking their lives to survive. There is nothing lighthearted about building prison compounds in ecologically sensitive swamps. And there is nothing acceptable about a political leader mocking the very people whose rights and humanity he systematically undermines.

This isn’t immigration policy.

This is punishment by design.

Miccosukee Business Council Chairman Talbert Cypress warns of the grave environmental and cultural impacts of the facility near where tribal families have lived for generations (Louallen, 2025).

The location—less than 1,000 feet from Miccosukee tribal villages—is not incidental. It is another instance of Indigenous sovereignty being trampled, as tribal leaders have made clear. Miccosukee Business Council Chairman Talbert Cypress warned of the grave environmental and cultural impacts: no meaningful environmental study has been conducted, and the facility sits in the heart of the Big Cypress National Preserve, where tribal families have lived for generations (Louallen, 2025).

To make matters worse, Trump has announced plans to replicate this model in Louisiana and Alabama (Louallen, 2025), expanding a blueprint of cruelty while bypassing legal due process and basic humanitarian norms.

Let this be the moment we refuse complicity through silence.

Let this be the moment we stand—unapologetically—with migrants, with Indigenous nations, with environmental defenders, and with all who resist this dystopian vision of America.

_____________________________________________________________

Copyright 2025 by Dr. Angela Valenzuela.  Photo of Talbert Cypress used under “fair use” proviso of the copyright law. All other photos in the public domain.

 

References

Chesky, M., & Lozano, A. V. (2024, Feb. 25). First responders in a Texas town are struggling to cope with the trauma of recovering bodies from the Rio Grande,

Gomez Licon, A. (2025, July 2). Trump jokes about immigrants being attacked by alligators during ‘Florida Alcatraz’ tour: “Don’t run in a straight line. Run like this’ Mr Trump said, as he moved his hand in a zigzag motion, The Independent.

Louallen, D. (2025, July 1). Florida tribe fights new ‘Alligator Alcatraz’ migrant facility near Everglades homes: Tribal chairman says the facility threatens tribal camps and local ecosystem. ABC News

Filed Under: LATINOPIA GUEST BLOG Tagged With: Alligator Alcatraz, Angela Valenzuela, Latinopia Guest Blog

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 10.15.26

October 15, 2026 By wpengine

Where’s the shame? Esos no tienen vergüenza (Those people have no shame). My saintly Nana Petra (she of blessed memory) My Nana would say that of people who were hypocrites, that is, whose actions contradicted their words. Or of people whose behavior was blatantly, knowingly wrong – e.g., starting or spreading hurtful rumors about someone, […]

RICARDO ROMO’S TEJANO REPORT 10.15.26

October 15, 2026 By wpengine

Vincent Valdez, a Mexican-American visual artist living and working in San Antonio, recently received the MacArthur Foundation Fellowship in the 2-D Visual Art category. The John D. and Catherine C. MacArthur Foundation recognized Valdez along with nineteen others as recipients of the annual “genius grants” across the arts, sciences, and humanities. The award provides $800,000 […]

EL PROFE QUEZADA NO DICE REVIEW OF VIÁZTLÁN REDUX BY RAFAEL C. CASTILLO

October 15, 2026 By wpengine

Rafael C. Castillo’s Viáztlán Redux is a luminous and deeply personal chronicle of a literary dream brought to life through passion, struggle, and unwavering cultural commitment.  As a professor of English Literature and former Editor‑in‑Chief of the international journal Viáztlán, Castillo brings an intimate authority to this narrative, guiding the reader through the journal’s origins […]

BURUNDANGA BORICUA DEL ZOCOTROCO 10.01.26 (ENGLISH)

October 1, 2026 By wpengine

Burundanga from Zocotroco José M. Umpierre At this point, it would be absurd to deny the irrefutable. Despite the many evidences and experiences to the contrary, I have not lost the fascination with falling in love. Reading the findings of the Psychology Research Center – Human Area of Spain on the subject is nothing less […]

More Posts from this Category

New On Latinopia

LATINOPIA ART GASPAR ENRÍQUEZ 1 “RETROSPECTIVE”

By Tia Tenopia on May 4, 2014

Gaspar Enríquez is a renowned Chicano artist whose airbrush portraits of barrio youth are haunting and memorable. Drawing from museums and collectors around the United States, in April 2014, the El Paso Museum of Art mounted a retrospective of Gaspar’s art titled Metaphors of the Barrio. Latinopia visited the exhibit and asked Gaspar what inspires […]

Category: Art, LATINOPIA ART

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin