• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Literature / LATINOPIA GUEST BLOG / LATINOPIA GUEST BLOG 7.25.25 GILBERTO QUEZADA ON LA CANÍCULA

LATINOPIA GUEST BLOG 7.25.25 GILBERTO QUEZADA ON LA CANÍCULA

July 25, 2025 by JT

La Canícula is more than just a weather phenomenon.

While growing up in my beloved Barrio El Azteca in Laredo, Texas, during the 1940s and 1950s, I would often hear my paternal grandparents mention the term, “La Canícula,” during the hot summer months.  I had no idea what they were talking about, but the term got stuck in the back of my mind.  And I would hear this term also mentioned from the older citizens of the barrio when the heat became almost unbearable.  My paternal grandparents and the older citizens were originally from Mexico.

The phrase lingered in my mind like the relentless summer sun.  It was more than just a seasonal reference—it was a cultural weather marker of endurance, resilience, and tradition, shaping the way we understood and coped with the sweltering days that stretched ahead.  In places like Mexico, South Texas, and San Antonio, La Canícula is more than just a weather phenomenon—it is a cultural weather marker, a time when the scorching sun dominates the sky, and people adjust their routines to cope with the relentless heat.

La Canícula occurs for about forty days from the middle of July and ends towards the end of August.  This phenomenon is characterized by high temperatures exceeding 100°F, reduced rainfall, and stagnant air conditions that make the heat feel even more oppressive.  The lack of cloud cover during this time allows the sun to beat down relentlessly, creating an environment that can be dangerous for those who are unprepared for the intense heat.

So, growing up in the Barrio El Azteca, hearing the older generations speak of La Canícula, was a reminder of the deep-rooted traditions and wisdom passed down through the years.  It was a season that shaped daily life, influencing everything from outdoor activities to agricultural practices.

The combination of high heat and low rainfall can also contribute to wildfires.

The areas affected experience a humid subtropical climate, meaning summers are typically hot and humid.  However, during La Canícula, the humidity can sometimes drop, making the heat feel even more intense.  The region sees a significant decrease in precipitation, as the atmospheric conditions prevent the formation of rain clouds.  This dry spell can lead to drought conditions, affecting agriculture and water supplies.

One of the defining characteristics of La Canícula is the persistent high-pressure system that settles over the region, preventing cooler air from moving in.  This system traps heat and leads to prolonged periods of extreme temperatures.  The combination of high heat and low rainfall can also contribute to wildfires, as dry vegetation becomes highly flammable.

Residents of San Antonio and South Texas must take precautions during La Canícula to avoid heat-related illnesses.  Hydration is crucial, as excessive sweating can lead to dehydration.  Wearing light-colored, loose-fitting clothing and avoiding outdoor activities during peak heat hours can help mitigate the effects of the extreme temperatures.  Additionally, staying indoors in air-conditioned spaces is recommended whenever possible.

The impact of La Canícula extends beyond personal discomfort—it affects infrastructure, agriculture, and energy consumption.  Roads and buildings can suffer damage due to prolonged exposure to high temperatures, while crops may struggle to survive without adequate rainfall.  The demand for electricity spikes as residents rely heavily on air conditioning, sometimes leading to power grid strain.

Residents of San Antonio and South Texas must take precautions during La Canícula.

Despite its challenges, La Canícula is a predictable seasonal event, allowing residents and officials to prepare in advance.  Awareness campaigns and heat advisories help ensure that people take necessary precautions.  While the heat can be relentless, understanding the patterns and effects of La Canícula enables communities to adapt and stay safe during this scorching period.

____________________________________________________________________

Copyright 2025  by Gilberto Quezada. Photo of the sun copyrighted by barrio Dog Productions Inc. All other photos in the public domain.

 

 

Filed Under: LATINOPIA GUEST BLOG Tagged With: Gilberto Quezada, Latinopia Guest Blog

RICARDO ROMO’S TEJANO REPORT 11.04.25 REGINA MOYA’S LA CATRINA SCULPTURES

November 14, 2025 By wpengine

The Mexican/U.S. Latino holiday known as Día de los Muertos, or Day of the Dead [November 1 & 2], was celebrated in many cities across the U.S. In San Antonio, Texas, the Pearl District commissioned local artist Regina Moya this year to create La Catrina sculptures and a Tzompantli art installation. The Pearl is a bustling cultural and culinary destination […]

EL PROFE QUEZADA NOS DICE 11.14.25 LA SEMITA – A DELICIOUS MEXICAN CULTURAL HERITAGE

November 14, 2025 By JT

The cold winds sweeping through the streets today in San Antonio stir up cherished memories of my childhood in my beloved Barrio El Azteca during the 1940s and 1950s, where the comforting aroma of freshly baked Semitas was a winter staple.  On brisk mornings, Mamá would send me out from our home at 210 Iturbide Street to […]

BURUNDANGA BORICUA DEL ZOCOTROCO (ENGLISH) 11.07.25 PANORAMA OF THE REPREHENSIBLE

November 7, 2025 By wpengine

  The present panorama in a nutshell It is not difficult to adopt a vision of life in which we move from crisis to crisis, one of constant problems and challenges that require adjustment and adaptation. The sirring of the federal government by virtue of partisan lock down in the US Congress is in line […]

RICARDO ROMO’S TEJANO REPORT 11.07.25 MARMOLEJO AND RAQUEL AT CENTRO DE ARTES

November 7, 2025 By wpengine

Aztec Myths, Mexican Legends, and Chicano Folktales Thrive in Borderland Urban Communities The exhibition “Madre_Land: South Texas Memory & the Art of Making Home”  at the Centro de Artes in San Antonio’s Market Square features art, artifacts, and altar installations by 27 South Texas emerging and established borderland artists and scholars. The first floor of […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin