• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Literature / LATINOPIA GUEST BLOG / LATINOPIA GUEST BLOG ANGELA VALENZUELA 03.20.26 CENTERING ON SURVIVORS NOT SYMBOLS

LATINOPIA GUEST BLOG ANGELA VALENZUELA 03.20.26 CENTERING ON SURVIVORS NOT SYMBOLS

March 20, 2026 by wpengine

Centering Survivors, Not Symbols: Dolores Huerta and the Meaning of This Moment

by Angela Valenzuela, Ph.D.

March 18, 2026

“Cesar’s actions do not reflect the values of our community and our movement.”

There are moments when the stories we inherit ask something difficult of us. This is one of them. Dolores Huerta, at nearly 96 years old, has broken a silence she carried for more than half a century. In her own words, she was “manipulated and pressured,” and later “forced, against [her] will,” into sexual encounters with Cesar Chavez at a time when he was her boss, someone she admired, and the central figure in a movement she had already given her life to. 

She tells us she stayed silent because the movement mattered—that the fight for farmworker justice could not be derailed. And now, she tells us that her silence has ended (Fernandez & Hurtes, 2026). In her words, per an NBC Los Angeles report (posted below) by Jonathan Lloyd,

“The knowledge that he hurt young girls sickens me. My heart aches for everyone who suffered alone and in silence for years. There are no words strong enough to condemn those deplorable actions that he did. Cesar’s actions do not reflect the values of our community and our movement.”

I sit with this with a heavy heart. Like so many, I have long held deep respect for the farmworker movement and what it made possible for our communities. That does not go away. But neither can we look away from what Huerta has entrusted us with. When she names herself as a survivor—of sexual violence, of power, of men who saw women as objects to control—she is not only telling her story. She is opening a space for others, including those who, as she notes, were harmed as young girls and carried that pain alone. 

So I find myself asking: what would it mean to honor this moment with integrity? Perhaps it means that Cesar Chavez Day goes away—or alternatively, becomes something more honest, more expansive—a day where we hold the complexity of our histories and center those who have been pushed to the margins. A day to stand with survivors of sexual abuse, with children who have been violated, with those living under the weight of gendered and state violence.

If we take Huerta seriously—and I believe we must—then this is not about tearing down a movement, but about refusing to root it in silence. It is about bringing our commemorations into right relationship with the values we name: dignity, truth, and justice. And it is about honoring her courage by listening—to the voices of other survivors who have carried these truths quietly, often alone, for far too long.

And listening must move us to act. Support organizations that provide care and advocacy for survivors. Create spaces in our communities where people can speak without fear and be met with belief, not doubt. Teach our students and our children about consent, power, and accountability. Demand that our institutions—whether movements, universities, or the state itself—take seriously their responsibility to protect the vulnerable and to confront harm, even when it is inconvenient or painful.

Let this be one of commitment to survivors, to truth, and to a future where justice is not selective, and where no one is asked to carry such burdens alone.

References

Fernandez, M. & Hurtes, S. (2026, March 18). Cesar Chavez, a civil rights icon, is accused of abusing girls for years, New York Times. https://www.nytimes.com/2026/03/18/us/cesar-chavez-sexual-abuse-allegations-ufw.html

Lloyd, J. (2026, March 18). Civil rights leader Dolores Huerta issues statement accusing Cesar Chavez of sexual abuse, NBC Los Angeles, https://www.nbclosangeles.com/news/california-news/dolores-huerta-cesar-chavez-abuse-accusations/3863019/
_________________________________________________________________
Copyright 2026 by Dr. Angela Valenzuela.  Photo of Dolores Huerta copyrighted by Barrio Dog Productions Inc.

Filed Under: LATINOPIA GUEST BLOG Tagged With: César Chávez, Dolores Huerta, Dr. Angela Valenzuela, Latinopia Guest Blog

RICARDO ROMO’S TEJANO REPORT 03.20.26 MAJOR EXHIBITION OF CUBAN MODERNIST WILFREDO LAM

March 20, 2026 By wpengine

“Wifredo Lam: When I Don’t Sleep, I Dream,” the first major U.S. retrospective of the famed Cuban artist, opened in November 2025 and runs through April 11, 2026 at the Museum of Modern Art (MoMA) in New York City. Known for his large-scale paintings, which reference modernistaesthetics and Afro-Cuban imagery, Lam explored themes of social injustice […]

EL PROFE QUEZADA NOS DICE 03.20.26 THE COVERING OF MIRRORS

March 20, 2026 By wpengine

During a recent thunderstorm, I was reminiscing about my days growing up in my beloved Barrio El Azteca in Laredo, Texas when my beloved Mamá had the habit of covering all the mirrors.  Her custom shows up in Mexican, Indigenous, and broader folk beliefs.  Mirrors were believed to attract lightning and during times of fear […]

POLITICAL SALSA Y MÁS with SAL BALDENEGRO 03.15.26 THE IRISH-CHICANO NEXUS

March 15, 2024 By wpengine

Irish-Chicano Nexus “I’m gonna wear the green sneakers I wore last year to a St.Pat’s party.” Mexican American young man, overheard in a grocery store checkout line. Waiting in line at the grocery store recently, I overheard two young (mid-, late-20s) Mexican Americans talking about their plans for St. Patrick’s Day. She said she was […]

RICARDO ROMO’S TEJANO REPORT 3.15.26 MUJERES DE FUERZA WOMEN OF STRENGTH EXHIBIT AT CENTRO CULTURAL AZTLAN

March 15, 2026 By wpengine

  This year’s Centro Cultural Aztlan’s Women Exhibit, Las Mujeres de Aztlan: Mujeres de Fuerza–Women of Strength, celebrated International Women’s Month. Curated by artist Terry Ybanez, the March 6, 2026 opening at the Centro in San Antonio, Texas drew a large crowd of Latina/o art lovers. The art show, which included 38 local artists, was beautiful, […]

More Posts from this Category

New On Latinopia

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin