• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Literature / LATINOPIA WORD / STATEMENT OF DOLORES HUERTA MARCH 18, 2026

STATEMENT OF DOLORES HUERTA MARCH 18, 2026

March 20, 2026 by wpengine

A statement from Dolores Huerta, March 18, 2026

Today, civil rights leader Dolores Huerta issued the following statement:

“I am nearly 96 years old, and for the last 60 years have kept a secret because I believed that exposing the truth would hurt the farmworker movement I have spent my entire life fighting for.

I have encouraged people to always use their voice. Following the New York Times’ multi-year investigation into sexual misconduct by Cesar Chavez, I can no longer stay silent and must share my own experiences.

As a young mother in the 1960s, I experienced two separate sexual encounters with Cesar. The first time I was manipulated and pressured into having sex with him, and I didn’t feel I could say no because he was someone that I admired, my boss and the leader of the movement I had already devoted years of my life to. The second time I was forced, against my will, and in an environment where I felt trapped.

I had experienced abuse and sexual violence before, and I convinced myself these were incidents that I had to endure alone and in secret. Both sexual encounters with Cesar led to pregnancies. I chose to keep my pregnancies secret and, after the children were born, I arranged for them to be raised by other families that could give them stable lives.

Over the years, I have been fortunate to develop a deep relationship with these children, who are now close to my other children, their siblings. But even then, no one knew the full truth about how they were conceived until just a few weeks ago.

I carried this secret for as long as I did because building the movement and securing farmworker rights was my life’s work. The formation of a union was the only vehicle to accomplish and secure those rights and I wasn’t going to let Cesar or anyone else get in the way. I channeled everything I had into advocating on behalf of millions of farmworkers and others who were suffering and deserved equal rights.

I have never identified myself as a victim, but I now understand that I am a survivor — of violence, of sexual abuse, of domineering men who saw me, and other women, as property, or things to control.

I am telling my story because the New York Times has indicated that I was not the only one — there were others. Women are coming forward, sharing that they were sexually abused and assaulted by Cesar when they were girls and teenagers.

The knowledge that he hurt young girls sickens me. My heart aches for everyone who suffered alone and in silence for years. There are no words strong enough to condemn those deplorable actions that he did. Cesar’s actions do not reflect the values of our community and our movement.

The farmworker movement has always been bigger and far more important than any one individual. Cesar’s actions do not diminish the permanent improvements achieved for farmworkers with the help of thousands of people. We must continue to engage and support our community, which needs advocacy and activism now more than ever.

I will continue my commitments to workers, as well as my commitment to women’s rights, to make sure we have a voice and that our communities are treated with dignity and given the equity that they have so long been denied.

I have kept this secret long enough. My silence ends here.”

______________________________________________________________________

This statement was written by Dolores Huerta and appears on the Dolores Huerta Foundation website and is reprinted on Latinopia.com under the “fair use” proviso of the copyright law.

From the Dolores Huerta Foundation:

If you are a survivor or if you have been impacted by any type of sexual violence, please visit the Dolores Huerta Foundation website, where you will find a list of resources for support. https://doloreshuerta.org/sexual_assault_resources/

MEDIA CONTACT

Fenton Chief of Issue Advocacy & Crisis Management Lead Erik Olvera | eolvera@fenton.com | 415–994–3242

Lara Bergthold | larabergthold@gmail.com

_________________________________________________________________

Filed Under: LATINOPIA WORD Tagged With: Dolores Huerta Statement on Cesar Chavez abuse

RICARDO ROMO’S TEJANO REPORT 04.17.26 MAGO GÁNDARA’S MUJER MODERNA EXHIBIT

April 17, 2026 By wpengine

El Paso’s new Mexican American Cultural Center’s (MACC) exhibit, Mujer Moderna: The Life and Artwork of Mago Gándara, opened in the fall of 2025. Curated by Ramon Cardenas, the exhibition honors Margarita “Mago” Orona Gándara (1929–2018), celebrated as the first Chicana Modernist artist and the first female muralist and sculptor of the U.S.–Mexico Borderlands. On view […]

BURUNDANGA BORICUA DEL ZOCOTROCO (ENGLISH) 4.10.26 OLIGARCHY AND KAKOCRACY: MONEY TAKS

April 10, 2026 By wpengine

Oligarchy and Kakocracy Boricua: money talks… Two events currently dominate public attention in Puerto Rico: the legislative views to attend the lobbying firm founded by the current secretary of the governorship and the Esencia megaproject, a residential development in the southwest of the island. They grab attention for the large sums of money they handle, […]

BURUNDANGA BORICUA DEL ZOCOTROCO 04.10.16 OLIGARQUIA Y KAKOCRACIA BORICUA MONEY TALKS…

April 10, 2026 By wpengine

Burundanga de Zocotroco José M. Umpierre Oligarquía y Kakocracia Boricua: money talks… Dos sucesos dominan actualmente la atención pública en Puerto Rico: las vistas legislativas para atender la firma de cabildeo que fundó el hoy secretario de la gobernación y el megaproyecto Esencia, un desarrollo residencial en el suroeste de la Isla. Acaparan la atención […]

TALES OF TORRES 04.03. 26 RAZA AND OTHERS DEMONSTRATE AT NO KINGS RALLIES

April 3, 2026 By wpengine

NO KINGS PROTEST RAZA AND OTHERS DEMONSTRATE AT THE NO KINGS RALLIES.           My favorite sign – a very succinct and telling placard—at this past weekend’s protest in Pasadena, California read simply: “Arrogant, Depraved Racist.” The protest sign appeared above photos of Donald Trump and Stephan Miller, the diabolical architect of Trump’s immigration […]

More Posts from this Category

New On Latinopia

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin