• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Literature / LATINOPIA WORD / STATEMENT OF DOLORES HUERTA MARCH 18, 2026

STATEMENT OF DOLORES HUERTA MARCH 18, 2026

March 20, 2026 by wpengine

A statement from Dolores Huerta, March 18, 2026

Today, civil rights leader Dolores Huerta issued the following statement:

“I am nearly 96 years old, and for the last 60 years have kept a secret because I believed that exposing the truth would hurt the farmworker movement I have spent my entire life fighting for.

I have encouraged people to always use their voice. Following the New York Times’ multi-year investigation into sexual misconduct by Cesar Chavez, I can no longer stay silent and must share my own experiences.

As a young mother in the 1960s, I experienced two separate sexual encounters with Cesar. The first time I was manipulated and pressured into having sex with him, and I didn’t feel I could say no because he was someone that I admired, my boss and the leader of the movement I had already devoted years of my life to. The second time I was forced, against my will, and in an environment where I felt trapped.

I had experienced abuse and sexual violence before, and I convinced myself these were incidents that I had to endure alone and in secret. Both sexual encounters with Cesar led to pregnancies. I chose to keep my pregnancies secret and, after the children were born, I arranged for them to be raised by other families that could give them stable lives.

Over the years, I have been fortunate to develop a deep relationship with these children, who are now close to my other children, their siblings. But even then, no one knew the full truth about how they were conceived until just a few weeks ago.

I carried this secret for as long as I did because building the movement and securing farmworker rights was my life’s work. The formation of a union was the only vehicle to accomplish and secure those rights and I wasn’t going to let Cesar or anyone else get in the way. I channeled everything I had into advocating on behalf of millions of farmworkers and others who were suffering and deserved equal rights.

I have never identified myself as a victim, but I now understand that I am a survivor — of violence, of sexual abuse, of domineering men who saw me, and other women, as property, or things to control.

I am telling my story because the New York Times has indicated that I was not the only one — there were others. Women are coming forward, sharing that they were sexually abused and assaulted by Cesar when they were girls and teenagers.

The knowledge that he hurt young girls sickens me. My heart aches for everyone who suffered alone and in silence for years. There are no words strong enough to condemn those deplorable actions that he did. Cesar’s actions do not reflect the values of our community and our movement.

The farmworker movement has always been bigger and far more important than any one individual. Cesar’s actions do not diminish the permanent improvements achieved for farmworkers with the help of thousands of people. We must continue to engage and support our community, which needs advocacy and activism now more than ever.

I will continue my commitments to workers, as well as my commitment to women’s rights, to make sure we have a voice and that our communities are treated with dignity and given the equity that they have so long been denied.

I have kept this secret long enough. My silence ends here.”

______________________________________________________________________

This statement was written by Dolores Huerta and appears on the Dolores Huerta Foundation website and is reprinted on Latinopia.com under the “fair use” proviso of the copyright law.

From the Dolores Huerta Foundation:

If you are a survivor or if you have been impacted by any type of sexual violence, please visit the Dolores Huerta Foundation website, where you will find a list of resources for support. https://doloreshuerta.org/sexual_assault_resources/

MEDIA CONTACT

Fenton Chief of Issue Advocacy & Crisis Management Lead Erik Olvera | eolvera@fenton.com | 415–994–3242

Lara Bergthold | larabergthold@gmail.com

_________________________________________________________________

Filed Under: LATINOPIA WORD Tagged With: Dolores Huerta Statement on Cesar Chavez abuse

RICARDO ROMO’S TEJANO REPORT 8.28.26 EL OTRO CAMINO: AN INTIMATE PORTRAIT OF CÉSAR MARTÍNEZ

August 28, 2026 By wpengine

A new exhibition, “El Otro Camino: An Intimate Portrait of César A. Martínez,” opened in El Paso, Texas, on Saturday, August 22, 2026. It is the first large-scale comprehensive exhibition by the acclaimed San Antonio Chicano artist in the El Paso Southwest region. Guest-curated by Diana Molina and organized by the El Paso Mexican American […]

RICARDO ROMO’S TEJANO REPORT 8.20.26

August 19, 2026 By wpengine

The Shadow of the Sun is a film about two brothers who believed in one another and are chasing a dream. The brothers are close, but their lives are filled with financial struggles, boredom, interpersonal conflicts, and confrontations with local bullies. They eventually look to music as a path to financial stability and a possible […]

BURUNDANGA BORICUA DEL ZOCOTROCO 8.14.26 WATER (ENGLISH VERSION)

August 14, 2026 By wpengine

José M. Umpierre Journalistic reports are usually composed of events, data and the way in which the event is reflected or affects people. In that case, the event is the water situation in Puerto Rico, since I am part of the affected human contingent, the affective content is yours truly. The Data The water situation […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 8.14.26 FEMINISTS BEFORE THEIR TIME PART TWO

August 14, 2026 By wpengine

Part II of Feminists before their times… “A woman with a voice is by definition a strong woman.”    Melinda French Gates, American philanthropist In Part I of this series, I noted that back in the day, before the term “feminist” was popular, there were many strong, assertive women within our community. I refer to them […]

More Posts from this Category

New On Latinopia

LATINOPIA ART GASPAR ENRÍQUEZ 1 “RETROSPECTIVE”

By Tia Tenopia on May 4, 2014

Gaspar Enríquez is a renowned Chicano artist whose airbrush portraits of barrio youth are haunting and memorable. Drawing from museums and collectors around the United States, in April 2014, the El Paso Museum of Art mounted a retrospective of Gaspar’s art titled Metaphors of the Barrio. Latinopia visited the exhibit and asked Gaspar what inspires […]

Category: Art, LATINOPIA ART

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin