• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Tia Tenopia / ASK TIA TENOPIA 2.06.12

ASK TIA TENOPIA 2.06.12

February 6, 2012 by Tia Tenopia

Hola Mis Queridos! This week your Tia Tenopia brings you videos in Latino theater and Latino history. In Teatro we have an original production out of Laredo, Texas. Playwright Roberto Gutíerrez has written a probing play about life and death, good and evil, and moral conscience. Check out “Las Mascara del Chivo” (The Mask of the Kid). As most of you know (and as I constantly hear from my Tio Braulio), many of the gains and benefits we experience as Latinos in the United States today, are the result of the hard-fought battles for our civil rights waged in the 1960s and 1970s. In 2009, activists who were a part of what is known as el movimiento, (including my Tio Braulio), reunited in Dallas, Texas to celebrate 40 years of struggle and social advancement. Our Latinopia cameras were there to document the event. Today we post the first of our reports on the 2009 Activists Reunion.

Y hablando de…With laws recently passed in Tucson, Arizona that ban our children from reading classics of Latino Literature like Bless me Ultima, we need to be on guard and defend the advances we’ve made over the past few decades. There’s always some menso out there who will try to take away our rights if we let them! Ojo, por favor!

And your Tia hopes you profes out there have had a chance to check out the Latinopia Teacher’s Guide The Latino Voice in American Society. What’d you think? Give us feedback and if you are using Latinopia to augment your teaching, let us know what your doing.

Bueno, your Tia has to run off and confer with our Latinopia webmasters. We are planning new improvements to our site and homepage in the next few weeks! Watch for the new Latinopia look!

Abrazos, Tia Tenopia

Filed Under: Tia Tenopia

BURUNDANGA BORICUA DEL ZOCOTROCO (ENGLISH) 11.07.25 PANORAMA OF THE REPREHENSIBLE

November 7, 2025 By wpengine

  The present panorama in a nutshell It is not difficult to adopt a vision of life in which we move from crisis to crisis, one of constant problems and challenges that require adjustment and adaptation. The sirring of the federal government by virtue of partisan lock down in the US Congress is in line […]

RICARDO ROMO’S TEJANO REPORT 11.07.25 MARMOLEJO AND RAQUEL AT CENTRO DE ARTES

November 7, 2025 By wpengine

Aztec Myths, Mexican Legends, and Chicano Folktales Thrive in Borderland Urban Communities The exhibition “Madre_Land: South Texas Memory & the Art of Making Home”  at the Centro de Artes in San Antonio’s Market Square features art, artifacts, and altar installations by 27 South Texas emerging and established borderland artists and scholars. The first floor of […]

BURUNDANGA BORICUA DEL ZOCOTROCO 11.07.25 PANORAMA DE LO REPRENSIBLE

November 7, 2025 By wpengine

Burundanga de Zocotroco José M. Umpierre El panorama presente en pocas palabras No es difícil adoptar una visión de vida en que nos movemos de crisis en crisis, de problemas y desafíos contantes que requieren ajuste y adaptación. El cierrre del gobierno federal en virtud de tranque partidista en el Congreso Norteamericano se ajusta a […]

EL PROFE QUEZADA NOS DICE 11.07.25 A HISTORY OF TATUAJES

November 7, 2025 By wpengine

One morning when Jo Emma and I went on our regular walking around the walking track that is right across the street from our house, we started comparing notes when we first heard the term, “tatuaje,” which is the Spanish translation of tattoo.  For me, it was many years ago, when Jo Emma’s uncle and […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin