• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Tia Tenopia / ASK TIA TENOPIA 8.28.11

ASK TIA TENOPIA 8.28.11

August 28, 2011 by Tia Tenopia

Hola Latinopians!

August 29th marks the 41st Anniversary of the 1970 August 29th Moratorium march in East Los Angeles–an event that still has powerful significance for many Chicanos and Latinos today. Although I was just a toddler at the time, I know from my Tio Braulio that the Moratorium was a really important event in Latino history. The United States had been fighting a war in Vietnam for years and many Latinos had lost their lives–some scholars conclude as many as 20% of the casualties were Latinos. Latinopia is showcasing the August 29th Moratorium protest as an Event Profile– for those of you who don’t’ know what went down, pues aqui esta! And we are also reprising two of our Latinopia Event videos “Moratorium in the Rain” and “Moratorium 40th Anniversary.” Okay, so my Tio Braulio goes on and on about the good old days–the moviemiento marches and protests and how important it was that we stood up for our rights in the 1960s and 1970s.Yes, I get all of that. But your Tia must confess to being a little perplexed.

With all of the issues facing La Raza today–the large numbers of Latinos and Latinas fighting in Iraq and Afghanistan, the struggle for the Dream Act so that young Latinos can get an education and contribute to our American society, the fight against silly but dangerous laws like Arizona’s SB 1070 and the efforts in Arizona to deny young Mexican Americans, African Americans, Native Americans and Asian Americans knowledge of their history in the Tucson high schools–with all of these important issues at hand, shouldn’t we be addressing them instead of continually reliving the past? Hay! Sorry Tio Braulio!

As I understand it, we won that August 29, 1970 battle–our protests ultimately put an end to the Vietnam War and our men and women came home. So let’s celebrate that victory but move forward to the issues at hand today. And here I must do a shout out to my own generation of chavos and chavalas. Hey dudes, look at the problems facing our Latino communities today and let’s work for a better future for all of us! Ask not what your Raza can do for you, but what you can do for your Raza.. Hey, that has a nice ring to it, did I invent that? 😉

Okay–Your Tia is now stepping down from her soapbox. But hey, I wouldn’t be your Tia Tenopia if I didn’t speak out on what’s on my mind. Que no? What do you think?

Also on Latinopia this week we have an exciting video–the first of a three-part series on the birth of El Teatro Campesino, the theater company that was on the picket lines helping farm workers gain decent working conditions in California’s fields and orchards. We go back to 1965 with Luis Valdez and Agustín Lira and learn how their collaboration led the creation of a theater company within the United Farm Workers Union that would become legendary.

We also visit with San Antonio-based music group Conjunto Aztlán and an original anti-war ballad “Desafinada” by song writer José Flores Peregrino.  Pay attention to the lyrics of this song from a group that has been performing since those early protests of the 1970s. Bueno, enjoy this week’s videos! Looking forward y Adelante! Tia Tenopia

Filed Under: Tia Tenopia

POLITICAL SALSA Y MÁS with SAL BALDENEGRO 03.15.26 THE IRISH-CHICANO NEXUS

March 15, 2024 By wpengine

Irish-Chicano Nexus “I’m gonna wear the green sneakers I wore last year to a St.Pat’s party.” Mexican American young man, overheard in a grocery store checkout line. Waiting in line at the grocery store recently, I overheard two young (mid-, late-20s) Mexican Americans talking about their plans for St. Patrick’s Day. She said she was […]

RICARDO ROMO’S TEJANO REPORT 3.15.26 MUJERES DE FUERZA WOMEN OF STRENGTH EXHIBIT AT CENTRO CULTURAL AZTLAN

March 15, 2026 By wpengine

  This year’s Centro Cultural Aztlan’s Women Exhibit, Las Mujeres de Aztlan: Mujeres de Fuerza–Women of Strength, celebrated International Women’s Month. Curated by artist Terry Ybanez, the March 6, 2026 opening at the Centro in San Antonio, Texas drew a large crowd of Latina/o art lovers. The art show, which included 38 local artists, was beautiful, […]

BURUNDANGA BORICUA DEL ZOCOTROCO 3.15.26 (ENGLISH) A PRETEXT

March 15, 2026 By wpengine

Pretext Dreams have an important role in people’s lives. Sometimes as premonitions, sometimes cryptic and mysterious, capricious and occasionally the odd nightmare. I’m busy with those dreams which serve as inspiration, those which mark the way and feed motivation. Part of their charm is that they are at times remote, difficult, sometimes impossible. Those Quixotesque […]

RICARDO ROMO’S TEJANO REPORT 03.06.26 CRUZ ORTIZ A LATINO ENTREPENEUR

March 6, 2026 By wpengine

Cruz Ortiz is a prominent San Antonio-based contemporary artist known for his Chicano-Pop style and his social activism through art. He blends personal South Texas experiences with pop culture, consumer imagery, and political themes. Ortiz’s work features bold screen prints, abstract portraits, dream-like landscapes, murals, videos, sculptures, and public installations using murals and puppet shows […]

More Posts from this Category

New On Latinopia

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin