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You are here: Home / THIS WEEK ON LATINOPIA / THIS WEEK ON LATINOPIA 05.25.23

THIS WEEK ON LATINOPIA 05.25.23

May 26, 2023 by wpengine

THIS WEEK ON LATINOPIA: LUIS TORRES ON UVALDE ONE YEAR LATER, ANGELA VALENZUELA’S REFLECTIONS ON UVALDE, RICARDO ROMO ON CESAR MARTINEZ AT MOMA, HECTOR GALAN ON WRITING THE DOCUMENTARY AND HECTOR GALAN ON THE DOCUMENTARY INTERVIEW.

Sadly, this week marks the anniversary of the senseless murder of 19 children and two teachers at Robb Elementary school in Uvalde, Texas. One might expect that a year later the elected officials and other “authorities” in Texas politics would have banned the kind of arms that made the Uvalde massacre possible. But that hasn’t happened. What has happened, instead, is that we have seen more mass killings in Texas and nationwide. Luis Torres wonders why we are accepting “active shooter drills” as normal these days. When will we stop accepting that the future of America will be riddled with periodic mass killings? He asks us to consider not accepting as routine the “active shooter drills.”

Also on the anniversary of Uvalde, we report the insightful reflections of Dr. Angela Valenzuela. She wrote this piece back in 2022 but much of what she has to say still holds true today. It’s worth of rereading so we are reposting it here.

Also this week, acclaimed documentary filmmaker Hector Galan speaks to Latinopia about two steps in the process of making his award-winning documentaries. One is how one “writes” for a genre that often involves cinema verite filming. While words are important, Galan reminds us that the very act of putting together scenes is “writing.” We also post Galan’s unique approach to the documentary interview. Having covered a wide range of topics and interviewed many different individuals, he shares with us his secret to eliciting truthful answers from difficult or unresponsive interviewees.

And lastly, Ricardo Romo’s Tejano Report returns. This week Ricardo celebrates the purchase by the Museum of Modern Art of three pieces by San Antonio artist Cesar Martinez. This marks a high point in the career of this amazing, pioneering and prolific Chicano artist. Don’t miss the visuals but also Ricardo’s in-depth essay on Cesar’s career trajectory.

Enjoy your week on Latinopia!

Tia Tenopia

Filed Under: THIS WEEK ON LATINOPIA, Tia Tenopia Tagged With: This week on Latinopia, Tia Tenopia

TALES OF TORRES 04.03. 26 RAZA AND OTHERS DEMONSTRATE AT NO KINGS RALLIES

April 3, 2026 By wpengine

NO KINGS PROTEST RAZA AND OTHERS DEMONSTRATE AT THE NO KINGS RALLIES.           My favorite sign – a very succinct and telling placard—at this past weekend’s protest in Pasadena, California read simply: “Arrogant, Depraved Racist.” The protest sign appeared above photos of Donald Trump and Stephan Miller, the diabolical architect of Trump’s immigration […]

RICARDO ROMO’S TEJANO REPORT 04.03.26 MARTA SANCHEZ RIELES Y RAÍCES

April 3, 2026 By wpengine

Marta Sánchez’s train artwork is presently included in an exhibition organized by the National Museum of Mexican Art in Chicago’s Pilsen neighborhood. The exhibit documents how Mexican and Mexican American railroad workers helped build Chicago’s rail system and is titled Rieles y Raíces, which translates to Rails and Roots. The show features multiple artists and […]

EL PROFE QUEZADA 04.03.26 REPISA – THE HOME ALTAR

April 3, 2026 By wpengine

The story of Mamá’s repisa, or home altar, is a deeply personal and spiritual journey that spans decades, homes, and generations.  In the 1940s and early 1950s, nestled in the heart of Barrio El Azteca at 402 San Pablo Avenue in Laredo, Texas, Mamá’s humble one-shelf repisa stood on the wall as a quiet but […]

FIERCE POLITICS WITH ALVARO HUERTA 03.26.26 AN ODE TO A CHICANO LEGEND

March 25, 2026 By wpengine

March 25, 2026 (revised from Nov. 9, 2021, version) By Dr. Álvaro Huerta  “Rudy (RIP): An Ode to a Chicano Legend, Dr. Rodolfo F. Acuña” I first met the late, great Dr. Rodolfo F. “Rudy” Acuña (1932–2026) in Fall of 1986, as a UCLA undergraduate student from East Los Angeles. It wasn’t in person, however. I met […]

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José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

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