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You are here: Home / THIS WEEK ON LATINOPIA / THIS WEEK ON LATINOPIA 05.25.23

THIS WEEK ON LATINOPIA 05.25.23

May 26, 2023 by wpengine

THIS WEEK ON LATINOPIA: LUIS TORRES ON UVALDE ONE YEAR LATER, ANGELA VALENZUELA’S REFLECTIONS ON UVALDE, RICARDO ROMO ON CESAR MARTINEZ AT MOMA, HECTOR GALAN ON WRITING THE DOCUMENTARY AND HECTOR GALAN ON THE DOCUMENTARY INTERVIEW.

Sadly, this week marks the anniversary of the senseless murder of 19 children and two teachers at Robb Elementary school in Uvalde, Texas. One might expect that a year later the elected officials and other “authorities” in Texas politics would have banned the kind of arms that made the Uvalde massacre possible. But that hasn’t happened. What has happened, instead, is that we have seen more mass killings in Texas and nationwide. Luis Torres wonders why we are accepting “active shooter drills” as normal these days. When will we stop accepting that the future of America will be riddled with periodic mass killings? He asks us to consider not accepting as routine the “active shooter drills.”

Also on the anniversary of Uvalde, we report the insightful reflections of Dr. Angela Valenzuela. She wrote this piece back in 2022 but much of what she has to say still holds true today. It’s worth of rereading so we are reposting it here.

Also this week, acclaimed documentary filmmaker Hector Galan speaks to Latinopia about two steps in the process of making his award-winning documentaries. One is how one “writes” for a genre that often involves cinema verite filming. While words are important, Galan reminds us that the very act of putting together scenes is “writing.” We also post Galan’s unique approach to the documentary interview. Having covered a wide range of topics and interviewed many different individuals, he shares with us his secret to eliciting truthful answers from difficult or unresponsive interviewees.

And lastly, Ricardo Romo’s Tejano Report returns. This week Ricardo celebrates the purchase by the Museum of Modern Art of three pieces by San Antonio artist Cesar Martinez. This marks a high point in the career of this amazing, pioneering and prolific Chicano artist. Don’t miss the visuals but also Ricardo’s in-depth essay on Cesar’s career trajectory.

Enjoy your week on Latinopia!

Tia Tenopia

Filed Under: THIS WEEK ON LATINOPIA, Tia Tenopia Tagged With: This week on Latinopia, Tia Tenopia

RICARDO ROMO’S TEJANO REPORT 10.29.26 LATINO ART FOR THE FALL IN SAN ANTONIO AND TEXAS

October 29, 2026 By wpengine

Latino art has come of age in the Southwest and beyond, and October is a banner month for Chicano and Mexican art exhibitions in Texas. In mid-October, San Antonio galleries opened three exhibits devoted to the Latino experience. This essay covers the Mercardo/Materials exhibit at the Centro de Artes in San Antonio’s downtown Market Square, […]

RICARDO ROMO’S TEJANO REPORT 10.23.26. LATINA ARTISTS EXPLORE THEMES OF MIGRATION, BORDERS AND CULTURAL PERSISTENCE

October 24, 2026 By wpengine

Latina artists are becoming especially active in painting and sculpture in Southwestern communities with large Latino populations, including Los Angeles, Houston, and San Antonio. In this essay, I highlight two Latina artists who held successful art shows in San Antonio, Texas, over the past year. I begin with the renowned textile weaver Consuelo Jimenez Underwood. […]

EL PROFE QUEZADA NOS DICE – THE SIGNIFICANCE OF RETURNING THE CODEX AZCATITLAN TO MEXICO

October 24, 2026 By wpengine

There are moments when history seems to awaken—when something long kept distant finds its way home, carrying with it the breath of ancestors and the weight of memory.  In Mexico City, such a moment has arrived with the return of the Codex Azcatitlan, a treasured Aztec manuscript that has spent nearly two centuries in France.  […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 10.15.26

October 15, 2026 By wpengine

Where’s the shame? Esos no tienen vergüenza (Those people have no shame). My saintly Nana Petra (she of blessed memory) My Nana would say that of people who were hypocrites, that is, whose actions contradicted their words. Or of people whose behavior was blatantly, knowingly wrong – e.g., starting or spreading hurtful rumors about someone, […]

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LATINOPIA ART GASPAR ENRÍQUEZ 1 “RETROSPECTIVE”

By Tia Tenopia on May 4, 2014

Gaspar Enríquez is a renowned Chicano artist whose airbrush portraits of barrio youth are haunting and memorable. Drawing from museums and collectors around the United States, in April 2014, the El Paso Museum of Art mounted a retrospective of Gaspar’s art titled Metaphors of the Barrio. Latinopia visited the exhibit and asked Gaspar what inspires […]

Category: Art, LATINOPIA ART

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

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