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You are here: Home / THIS WEEK ON LATINOPIA / THIS WEEK ON LATINOPIA 3.27.16

THIS WEEK ON LATINOPIA 3.27.16

March 23, 2016 by Tia Tenopia

THIS WEEK ON LATINOPIA: JOSÉ UMPIERRE ON HOW THE PUERTORICAN DEBT GOT TO BE WHAT IT IS, LUIS TORRES ON THE LEGENDARY EYDIE GORME, AND LATINOPIA CELEBRATES THE BIRTH OF CÉSAR CHÁVEZ WITH: CÉSAR CHÁVEZ’S HUNGER STRIKE, CÉSAR CHAVEZ’S LAST SPEECH, REY VILLALOBOS ON FILMING CÉSAR CHAVEZ’S FUNERAL AND CÉSAR CHÁVEZ IN HIS OWN WORDS. AND WHAT WEEK WOULD BE COMPLETE WITHOUT SERGIO HERNÁNDEZ WEIGHING IN ON TRUMP?

My gosh, the line up tells you all! We are posting early this week because we want Latinopians to rush out to your nearest César Chávez commemorative event this week-end ( and there will be many) and celebrate the birth of one of the greatest American leaders. And we say “American” consciously. Though he came from Mexican American roots, like all great leaders he rose to lead on a national scale. Chávez is as American as Abraham Lincoln, Martin Luther King, Rosa Parks and Dolores Huerta, all great leaders whose work for justice and equality inspired people across the United States.

This week’s bloggers are José Umpierre, el Zocotroco, who brings us an insightful and considered look at recent Puerto Rican history and how the enormous ($72 billion) debt came to be. What is shocking is that this kind of analysis is missing form mainstream media. Wake up America, this is not “their” problem, it is “ours!” Luis Torres’s brings us a page from his “reporter’s notebook,” his quest to interview the elusive, legendary Eydie Gorme. And Sergio Hernández seems to have put Arnie and Porfi on the back burner because of the urgency of stopping the hate-spewing demagoguery of Presidential candidate Donald Trump.

Enjoy your week on Latinopia and don’t forget to scroll down the homepage and see what else you’ve missed!

Tia Tenopia

Filed Under: THIS WEEK ON LATINOPIA, Tia Tenopia Tagged With: This week on Latinopia.com, Tia Tenopia

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Alejandro Díaz, A Latino Texan-New Yorker Exhibits at Ruiz-Healy Art Gallery. Texas native Alejandro Díaz developed an artistic practice over thirty-five years grounded in the bicultural and visual mix of South Texas and Mexico, with formative ties to Mexico City in the early 1990s. He is known for multi-media work: cardboard signs, neon, sculpture, furniture, […]

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The Rio Grande has long been more than a river dividing nations; it has been a meeting place of cultures, faiths, and hidden legacies.  Along its banks, towns in northern Mexico and South Texas became home to families who carried with them traditions that were not always spoken aloud.  Among these were crypto-Jews—descendants of Sephardic […]

EL PROFE QUEZADA NOS DICE 1.24.26 TWO MEXICAN FILM GREATS

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During the 1940s and 1950s, two of the well-known Mexican actors of the Golden Age of Mexican cinema that I would see on the big screen at the Cine Azteca in the Barrio El Azteca were Arturo de Córdova and René Cardona.  The Cine Azteca was located at 311 Lincoln Street and was situated in the […]

RICARDO ROMO’S TEJANO REPORT 1.24.26 CHICANO AND MEXICAN ART AT MCNAY MUSEUM

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The McNay Art Museum, founded in 1954 as Texas’s first modern art museum, occupies Marion Koogler McNay’s Spanish Colonial Revival mansion in San Antonio. The museum is situated on 24 landscaped acres, featuring courtyards, a fish pond, and a beautiful nature garden. The museum’s collection of over 20,000 artworks showcases 19th- and 20th-century European and […]

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