• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / BURUNDANGA BORICUA DEL ZOCOTROCO 5.23.25 MORE ON THE NEED TO GROW

BURUNDANGA BORICUA DEL ZOCOTROCO 5.23.25 MORE ON THE NEED TO GROW

May 23, 2025 by wpengine

The title of the documentary, The Need to Grow by Rob Herring and Ryan Wirick,  is suggestive. Its abstract character is enough to apply in a general and also in a particular way. The Need to Grow applies to both the personal and to so many individuals. At the moment, the need for growth in food production is imperative because, for some time, we have been in decline in terms of global management, and in our case (Puerto Rico) national in scope. This has serious consequences on a personal development.

The documentary is specific in terms of the urgency needed to attend to the health of the planet. It is estimated that there are 60 years of yield possible to arable soil; it is pointed out that the planet has lost a third of the arable land in the last forty years, mainly due to non-sustainable agriculture based on the extractive, non-renewable mentality and the industrial scale of mono cultures with pesticides. This, as opposed to organic agriculture that proposes a renewable and regenerative character, oriented to the biodiversity of crops. A modality that has proven to have better performance, with less energy use and less emission of pollution to the environment.

Global measures are needed to redefine agricultural policies everywhere to counteract the deterioration of the planet.

Faced with the urgency of the crisis, as a few pragmatists understand it, a series of visionaries have come out who not only point out the seriousness of the issue, but move to actions that can help solve it. They range from large-scale projects such as the Green Power House (a project in Montana that generates energy with the sun and recycling garbage, combined with the activation of algae and coal in extraordinary fertilizers), such as the activism of Alicia and Monica Cerrator collecting signatures so that the cookies of the Niñas Eschuas program do not have genetically modified content. We also see exemplary farms like La Alegría and we’re aware of inspiring testimonies from Michel Smith, Erik Cutter, Vandama Shiva and David King that give us a clear idea of the state of affairs.

The project is explicit it’s proposal of solutions. Of course, global measures are needed to redefine agricultural policies everywhere to counteract the deterioration of the planet. Protests against Monsanto are everywhere. But it is also up to us as citizens, to call on government to get out of its slump and recognize the disaster it has caused by the abandonment of agriculture. That there is a need for investments to be multiplied, for  farmers to be compensated with justice for their efforts, that the sector be equipped with advanced technology, that the land be safeguarded and its prodigious function is carried out. All complex and collective measures that involve the difficulty of reaching agreements and executing with consequence.

It is also important to explore community gardens, particularly the gardens in schools in order to sow the passion for the land early.

At the most immediate level is the personal. The home garden that you don’t have to ask anyone for permission to grow. It is urgent to recognize the virtues and benefits of local consumption, the value of freshness, flavor and quality of nutrients and support for farmers in the yard and agricultural markets. The production of compost only requires a little discipline and obtaining the packaging that enables it. It is also important to explore community gardens, particularly the gardens in schools in order to sow the passion for the land early.

The situation is critical, threatening, but it’s never too late. Resonate in the documentary are some slogans that are relevant: Everything comes from the Earth, You can’t fight against Nature, Diversity in Safety, We can do it Better, Local is Better, Many speak, Few do, I am part of the Solution.

_______________________________________________________

Copyright 2025 by Jose M. Umpierre. Need to Grow graphic used under the fair use proviso of the copyright law. All other mages in this blog are in the public domain.

Filed Under: Blogs, Burundanga Boricua Tagged With: Burundanga Boricua del Zocotroco, More Need to Grow

RICARDO ROMO’S TEJANO REPORT 04.23.26 – TREVIÑO, GONZALEZ AND LUNA AT THE BLANTON

April 23, 2026 By wpengine

Latino Artists Treviño, Gonzalez, and Luna, Featured at UT Austin’s Blanton Museum Latino Artists Treviño, Gonzalez, and Luna, Featured at UT Austin’s Blanton Museum The UT Austin’s Blanton Museum of Art is currently featuring ten Chicano art prints from the Gilberto Cardenas-Dolores Garcia collection. Among the works on exhibit are prints by José Francisco Treviño, […]

EL PROFE QUESADA NOS DICE 4.23.26 – ON CALÓ AND BARRIO SLANG

April 23, 2026 By wpengine

I would like to share with you some of the slang Spanish words that I heard while growing up in the Barrio El Azteca in Laredo, Texas during the 1940s thru the 1960s.  When I was growing up in the Barrio El Azteca, the second oldest working-class neighborhood in Laredo, batos was slang for boys.  I […]

RICARDO ROMO’S TEJANO REPORT 04.17.26 MAGO GÁNDARA’S MUJER MODERNA EXHIBIT

April 17, 2026 By wpengine

El Paso’s new Mexican American Cultural Center’s (MACC) exhibit, Mujer Moderna: The Life and Artwork of Mago Gándara, opened in the fall of 2025. Curated by Ramon Cardenas, the exhibition honors Margarita “Mago” Orona Gándara (1929–2018), celebrated as the first Chicana Modernist artist and the first female muralist and sculptor of the U.S.–Mexico Borderlands. On view […]

BURUNDANGA BORICUA DEL ZOCOTROCO (ENGLISH) 4.10.26 OLIGARCHY AND KAKOCRACY: MONEY TAKS

April 10, 2026 By wpengine

Oligarchy and Kakocracy Boricua: money talks… Two events currently dominate public attention in Puerto Rico: the legislative views to attend the lobbying firm founded by the current secretary of the governorship and the Esencia megaproject, a residential development in the southwest of the island. They grab attention for the large sums of money they handle, […]

More Posts from this Category

New On Latinopia

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin