• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • Sara Ines Calderon
    • Ricky Luv Video
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / EL PROFE QUESADA NOS DICE 4.23.26 – ON CALÓ AND BARRIO SLANG

EL PROFE QUESADA NOS DICE 4.23.26 – ON CALÓ AND BARRIO SLANG

April 23, 2026 by wpengine

An original painting of pachucos by legendary artist José Montoya.

I would like to share with you some of the slang Spanish words that I heard while growing up in the Barrio El Azteca in Laredo, Texas during the 1940s thru the 1960s.  When I was growing up in the Barrio El Azteca, the second oldest working-class neighborhood in Laredo, batos was slang for boys.  I first heard the word, “pocho” from family friends who were from Nuevo Laredo, Tamaulipas, Mexico, referring to us Mexican Americans who spoke Tex-Mex and not proper Spanish.  The terms gringos and bolillos were used interchangeably to refer to Anglos.  Pelados were considered to be from the lower class mainly because of their behavior and language, which was not considered proper among middle class Mexican Americans.  A pachuco was a barrio boy who spoke Spanish using slang words.

There was a girl I saw many times walking all over the barrio and whose nickname was “La Pachuca.”  She was a little older and I think a school dropout.  We never exchanged words; I would only nod when approaching her as a sign of “Hello.”  She wore tight jeans, with cuffs, the sleeves on her blouse were rolled up and held a pack of cigarettes.  She was always smoking.  I never knew her name.  The slang term “Ruco” was applied to older men and “Ruca” to older women.

Bato — a guy, a boy, a dude

Pocho/Pocha — a gringoized Mexican, a Mexican American, Chicano(a)

Bolillo/Bolilla — an Anglo-Saxon

Pelado/Pelada — a lower class person, a ruffian, a bully

Ruco/Ruca — an old man, an old woman, a girlfriend

Chivato — a mischievous youngster

Tostón — a half dollar coin

Pelusa — low class people

Piste — an alcoholic beverage

Chuco — short for pachuco

Abriles — how many years old

Bachicha — a cigarette butt

Cantón — a home

Fila — a knife

Mayate — a Black person

Frajo — a cigarette

Gabacho/ Gabacha — an Anglo man or woman

Gandayas — uneaten left over food

Guachar — to watch for, to be on the lookout

Migra — the Border Patrol

Birrea — beer

Bironga — beer

Refinar — to eat

Guerinche — a blonde person

Carnal/Carnala — a male/female relative

Changarro — a small shop, a small house or dwelling

Camarada — a close friend, a coworker, a colleague, a buddy, a close companion

From the older boys in the barrio who called themselves “pachucos,” I heard all these terms for the first time.  They used these words as part of their identity and their lexicon.  I used them in front of my mother and father, and they admonished me and let me know not to use them again, at least not in their presence.  Mamá was from Apizaco, Tlaxcala, and Papá was from San Luis Potosí and their views were very conservative.  So, I never used them in the house.  My sibling and I were led to believe that these words were used only by the “pachucos,” and those from the lower class, but not by the educated class. 

El Profe Quezada

_____________________________________________________________

Copyright 2026 by Gilberto Quezada.  Editor Note: For more on Chicano caló and Chicano Spanish words check out: The Dictionary of Chicano Spanish by Roberto A. Galvan and Richard V. Teschner, Barrio Language Dictionary by Dagoberto Fuentes and José A. López and Eh Bato, Que Onda? by Adelaido Guzmán, Bruce A . Bagano and Hector Alcantar. The first two books are available at Amazon but are pricey. The Que Onda book is self-published but may still be available. Painting of pachucos by José Montoya from the documentary Visions by Aztlan copyrighted by Barrio Dog Productions Inc.

 

 

 

 

 

Filed Under: Blogs, El Profe Quezada Tagged With: caló, El Profe Quezada, El Profe Quezada Nos Dice

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 9.04.26 WOMEN AND LABOR

September 4, 2026 By wpengine

  Women and Labor… Labor Day is nigh upon us, and there’ll be a plethora of postings exalting workers, unions, etc. I thought I’d get a leg up and comment on a topic that deserves our attention and respect – women in the labor movement, historically and contemporaneously. [Note: in different contexts, I’ve written about […]

RICARDO ROMO’S TEJANO REPORT 9.04.26 MY FOTO SEPTIEMBRE

September 4, 2026 By wpengine

The Centro Cultural Aztlán’s upcoming photographic exhibition, which opens on Thursday evening, September 3, 2026, in conjunction with San Antonio’s FotoSeptiembre, offers a powerful celebration of Mexican American life as lived, remembered, and continually reimagined. Curated by historian and documentary photographer Ricardo Romo, this year’s FotoSeptiembre at the Centro features the works of thirteen photographers, […]

EL PROFE QUEZADA NOS DICE 9.04.26 ” 9/11 LEST WE FORGET”

September 4, 2026 By wpengine

Lest we Forget.  On the solemnity of this special day–September 11, 2001, twenty-five years ago, this coming September 11, 2026, we cried, America cried, a day that will never be forgotten as we pause to remember those innocent victims, with sorrow in our hearts and a pain that will never be erased, who were incinerated […]

RICARDO ROMO’S TEJANO REPORT 8.28.26 EL OTRO CAMINO: AN INTIMATE PORTRAIT OF CÉSAR MARTÍNEZ

August 28, 2026 By wpengine

A new exhibition, “El Otro Camino: An Intimate Portrait of César A. Martínez,” opened in El Paso, Texas, on Saturday, August 22, 2026. It is the first large-scale comprehensive exhibition by the acclaimed San Antonio Chicano artist in the El Paso Southwest region. Guest-curated by Diana Molina and organized by the El Paso Mexican American […]

More Posts from this Category

New On Latinopia

LATINOPIA ART GASPAR ENRÍQUEZ 1 “RETROSPECTIVE”

By Tia Tenopia on May 4, 2014

Gaspar Enríquez is a renowned Chicano artist whose airbrush portraits of barrio youth are haunting and memorable. Drawing from museums and collectors around the United States, in April 2014, the El Paso Museum of Art mounted a retrospective of Gaspar’s art titled Metaphors of the Barrio. Latinopia visited the exhibit and asked Gaspar what inspires […]

Category: Art, LATINOPIA ART

LATINOPIA FOOD “JALAPEÑO SODA BREAD” RECIPE

By Tia Tenopia on March 14, 2011

Jalapeño Irish Soda Bread The sweetness of traditional Irish soda bread ingredients—raisins, buttermilk, some sugar—are richly complimented by jalapeño heat. Here’s a soda bread recipe from Ireland brought to the USA from Galway by Mary Patricia Reilly Murray and later transformed  with her blessing by her daughter, Bobbi Murray, who added jalapeño chile.  A real […]

Category: Cooking, Food, LATINOPIA FOOD

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin