• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / LATINOPIA GUEST BLOG THELMA REYNA “FAILURE WITH PUERTO RICO”

LATINOPIA GUEST BLOG THELMA REYNA “FAILURE WITH PUERTO RICO”

November 4, 2017 by Tia Tenopia

FAILURE WITH PUERTO RICO By Thelma Reyna

With Poem from New Book by Pasadena CA Indie Publisher

Hurricane hitting the island.

In the wake of historic consecutive hurricanes slamming our nation’s Gulf Coast and the Caribbean—Irma, Jose, Maria—and their unprecedented destruction, our collective anguish has turned to rebuilding and rescue efforts that are expected to last for years. Much has hinged on the U.S. president’s responses to the disasters: his mobilization of federal resources and oversight of FEMA, as well as commiserating with the suffering of the people.

Sadly, the current office holder’s report card on handling disasters falls short. His own rave self-reviews aside, the man’s tardy outreach to console the stricken people and his lack of authentic compassion in his demeaning tweets and visits to the storm areas have reinforced the public image of him as self-congratulatory and out of touch with real people’s suffering. Nowhere can this be seen more starkly than in his response to the nation receiving the least of his attention and the brunt of his disparagement: Puerto Rico.

Today, 41 days after PR was struck by Irma, conditions on the island are only slightly less dire as on day one: the death toll has risen; potable water is still unavailable for all; people struggle with insufficient food, power, and communications; patients in hospitals continue to die. Carmen Yulín Cruz, the mayor of Puerto Rico’s largest town, San Juan, appeared regularly on TV for weeks, weeping in frustration, begging aid from anyone in the world, criticizing our federal response to their life-and-death struggle, and generally sounding like a broken record: We need drinking water, food, and medicine! People are dying.

But as the world now knows, Mayor Cruz’s reward for caring about Puerto Ricans’ survival was surrealistic: The American president publicly called Cruz a bad leader, depicting the disaster victims as lazy and wanting to “have everything done for them,” which was far from factual. He did not visit P.R. as readily as he did Texas and Florida, both large red states with huge electoral votes. Instead, P.R. had to wait 13 days before their nation’s president went to “the island in the big ocean very far away,” as he referred to it while he golfed and relaxed on his resort, tweeted slanders at Cruz, and Puerto Ricans perished.

Hurricane damage.

My new book about life in the United States of America since the election of this president includes the poem below about Puerto Rico’s fate thus far in the hands of the man who—when he finally, reluctantly made it to P.R.—scolded island officials for putting the federal budget “out of whack” because of funds channeled to assist them; implied that the deaths of 16 Puerto Ricans (the death toll at that time) was insignificant, unlike the “thousands” who died in Katrina, “a real catastrophe”; and all but ghosted Mayor Cruz while he praised himself endlessly and praised his FEMA team hyperbolically. He topped off that disastrous visit by throwing paper towel rolls at anxious recipients of aid, instead of taking that opportunity to meet them face-to-face, shake their hands, embrace them, or console them. He “toured” the island for less than half an hour, then departed quickly. He failed in attempting to be human.

Yet, in his callous charade, he continuously gave himself an “A+” for his work and required, as has become typical of him with large groups, that officials in the room praise him lavishly in round-robin fashion, much like “Dear Leader,” Kim Jong Un. In the days since this fiasco, “45,” as some refer to him, threatened to pull all FEMA assistance and complained that the U.S. cannot continue providing aid and military assistance to the island for much longer. So, while Texas is favored with thousands more boots on the ground providing relief, though their situation is not as dire as is Puerto Rico’s, 45 continues his inhumane marginalization and cruelty toward our fellow Americans in P.R.

Here is a look at the heroic P.R. mayor, from my new book of sociopolitical commentary in poetry and prose about the era of the man who would be king. The book is due for release later this year or early next.

MAYOR CARMEN
By Thelma Reyna

“When it bothers someone that you’re asking for drinking water,
medicine for the sick and food for the hungry, that person has much
deeper problems than what can be discussed in an interview.”
–Carmen Yulín Cruz

He called her “nasty woman,” so she wore “NASTY” like a medal on her T-shirt on TV.
He called her a bad leader, so she focuses like hell’s laser on saving her people’s lives despite him.

He thinks he can tweet her into silence, degrade her into turnabout.
She’s a Latina after all, poor, homeless, with a heart that feels every cut the broken branches make on her people’s hands when they clear roads.
She feels every parched breath pushed like knives into old people’s throats in a nursing home when generators sighed and died.
She feels brittle bones of people she helps pull from waters toxic and putrid.
She feels men’s pain when they cart sisters and mothers and fathers from splintered homes sodden and deadly.
She feels the abyss of grief when she sees toddlers and children muddied and still.
She feels the rumbles and stabbings of hunger and thirst of people stranded alone.

Mayor Carmen wears glasses, rubber waders thick and heavy to her hips, wears her outrage and pleas on her face and lips like Melania wears de la Renta with heels.

Mayor Carmen knows no vanity, like him and her.
Mayor Carmen knows no rest, like him and her in their resort when he lambasted her.

Mayor Carmen knows death and fear, desperation and tribulation, isolation and abandonment every day that breaks.
We don’t have time for her political noise, Trump’s team says.*
Mayor Carmen knows he doesn’t care.

It’s not politics, she said to him.
We need water, she said on TV for the thousandth time with the death toll 39.

But for him it always is,
and they’ll have water when he gets around to it.

*Three weeks into the natural disaster, Mayor Cruz asked again on TV for water for her nation. 
The Director of FEMA, Brock Long, replied: “We filtered out the mayor a long time ago. 
We don’t have time for the political noise.” 
_____________________________________________
Copyright by Thelma T. Reyna. Photos by Michael Sedano.

THELMA T. REYNA, Ph.D. Thelma’s books have won 8 national literary awards. She has written 4 books and, as Poet Laureate in Altadena, CA, has edited 2 anthologies showcasing the poems of about 100 local and regional poets. The title of Dr. Reyna’s new book is:

READING TEA LEAVES AFTER TRUMP. Pasadena, CA: Golden Foothills Press. ISBN 978-0-9969632-3-7 Thelma’s fiction, poetry, and nonfiction have appeared in literary journals, anthologies, textbooks, blogs, and regional media for over 25 years.
Thelma Reyna is an editor with her writing consultancy, The Writing Pros; and Chief Editor at her indie publishing venture in Pasadena, CA, Golden Foothills Press. Dr. Reyna holds a Ph.D. from UCLA.Visit her website at www.GoldenFoothillsPress.com  

Filed Under: Blogs, LATINOPIA GUEST BLOG Tagged With: Failure with Puerto Rico, Mayor Carmen Yulín Cruz, Thelma Reyna

BURUNDANGA BORICUA DEL ZOCOTROCO 5.23.25 – EMINENT DANGER

May 23, 2025 By wpengine

In 2012, in Puerto Rico there were 13,000 farms; in the recent agricultural census, between 8 and 10,000 farms are recorded; a substantial decrease in the figure reported for 2012. At present, the agricultural sector of the Puerto Rican economy reports approximately 0.62% of the gross domestic product, which produces 15% of the food consumed […]

BURUNDANGA BORICUA DEL ZOCOTROCO 5.23.25 MORE ON THE NEED TO GROW

May 23, 2025 By wpengine

The title of the documentary, The Need to Grow by Rob Herring and Ryan Wirick,  is suggestive. Its abstract character is enough to apply in a general and also in a particular way. The Need to Grow applies to both the personal and to so many individuals. At the moment, the need for growth in […]

BURUNDANGA DEL ZOCOTROCO 5.16.25 PELIGRO INMINENTE

May 15, 2025 By wpengine

Peligro Inminente En 2012, en Puerto Rico habían 13 mil granjas; en el censo agrícola reciénte se registran entre 8 y 10 mil granjas; una disminución sustantiva de la cifra reportada para 2012. Al presente, el sector agrícola de la economía puertorriqueña reporta aproximadamente 0.62% del producto bruto interno, que produce el 15% de la […]

RICARDO ROMO’S TEJANO REPORT 5.23.25 MAYA BLUE EXHIBIT

May 23, 2025 By wpengine

Maya Blue Exhibit Incorporates the Artwork of Latino/a Artists A new exhibit, Maya Blue: Ancient Color, New Visions, at the San Antonio Museum of Art [SAMA], brings together for the first time pre-Columbian crafted clay figures, the art of Mexican modernist Carlos Mérida, and works by contemporary Latino/a artists Rolando Briseño, Clarissa Tossin, and Sandy […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin