• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / POLITICAL SALSA Y MAS with SAL BALDENEGRO 10.22.17 “ANYTHING BUT MEXICAN …STILL!”

POLITICAL SALSA Y MAS with SAL BALDENEGRO 10.22.17 “ANYTHING BUT MEXICAN …STILL!”

October 22, 2017 by Tia Tenopia

Anything but Mexican—still!

Hispanic, a catch all for anything south of the border.

It’s October, and we again find ourselves in the midst of “Hispanic Heritage Month.” I find the foundation of “Hispanic Heritage Month” objectionable on many levels, especially the artificial, manufactured construct of “Hispanic.”

Hispanics: invented by Richard Nixon, promoted by Coors beer…

“Hispanics” don’t exist in the real world. They were invented in the 1970s by the Richard Nixon administration to, I believe, try to stop the momentum of the Chicano Movement and minimize the political influence of the Chicano-Mexican American community and to maximize the visibility and influence of the Cuban-American community in Florida.

When our movement first emerged, in the late 1960s, the white political establishment, as well as the Mexican American professional/middle class, dismissed us as a ragtag bunch of malcontents. But our critics soon realized that we enjoyed broad support in our barrios and among the working-class and that we were doers.

Indeed, we were fundamentally changing the educational, political, cultural and social landscape of our communities. Some of us quit college to become full-time organizers. We marched. We picketed. We rallied. We confronted politicians and bureaucrats. We stood up for workers and organized unions. Many of us were arrested doing these things. We were some folks’ worst nightmare: assertive Mexicans not only refusing to believe they were inferior but openly expressing pride in their heritage and being pushy about their rights.

Activists marched, rallied and picketed to bring about social change.

By the mid-1970s many members of the Mexican American professional/middle class openly supported our movement. That we were being successful and were expanding our support base scared the political establishment of both parties, including then-President Richard M. Nixon.

Nixon had generated some goodwill among Mexican Americans by appointing Mexican Americans to Cabinet and other positions. But this dissipated when he attempted to break the 1969 grape boycott led by Mexican American/Chicano icon César Chávez by ordering the Defense Department to increase six-fold the purchase of table grapes for the military.

Nixon was popular among the conservative and Republican Cuban Americans. But compared to Mexican Americans, Cuban Americans are a tiny and localized constituency. Mexican Americans (64% of the U.S. Latino population) outnumber Cuban Americans (3.7% of the U.S. Latino population) by a ratio of 17 to 1, and Mexican Americans have settled in the Midwest and other localities beyond the southwestern U.S., whereas the overwhelming majority (65-70%) of Cuban Americans are in Dade County/Miami, Florida.

So, Nixon created the “Hispanic” census category, which lumped together Cuban Americans and other groups (Salvadorans, etc.) with Mexican Americans. This allowed Nixon to be able to say that he supported “Hispanics” even as he favored Cuban Americans and disdained and worked against Mexican Americans.

The Nixon administration initiated the term “Hispanic” and it was soon adopted by the Coors Beer company.

 

My recollection is that the term “Hispanic” began to be bandied about publicly in the early 1980s, as part of a Coors Brewing Co. advertising campaign. In huge billboards in Chicano communities, Coors declared the 1980s “the Decade of the Hispanic.” The Coors campaign was frankly a cynical attempt to neutralize the impact of the boycott of Coors beer called by the Chicano Movement due to the company’s racist hiring practices and its anti-union policies.

Call me old-school, call me stubborn, or whatever, but I refuse to be defined by Richard Nixon or Coors beer.

Chicana/o: a matter of self-determination…

A major thrust of the Chicano Movement was self-determination, starting with how we defined ourselves. Up through the 1960s, educators, politicos, scholars, etc. were hell-bent on telling us what we should call ourselves: “Spanish-speaking,” “Latin-Americans,” “Spanish-Americans.” Anything but Mexican.

“Chicano/a” reflects our history. For, the term Chicano has been used by the Mexican people in the U.S., particularly the working class, since the early 1900s. Because we were sons and daughters of miners, laborers, truck drivers, assembly-line workers, and the like, we identified with the working-class. It was natural, then, for us to use a term to refer to ourselves that was used within the milieu in which we grew up.

Moreover, we grew up in the 1950s and early 1960s, when there was a concerted societal campaign to “de-Mexicanize” us, to make us feel ashamed of our heritage. Chicano connoted pride in being of Mexican heritage and counteracted that campaign. By calling ourselves Chicanos/Chicanas we were asserting the power of our humanity, a power that up to this point had been crippled by a racist society.

An oft-quoted passage by Chicano activist Bob Morales summarizes the Chicano Movement stance:

“In brief, contrary to what others say we are, we decide what we are and what we are becoming, because our self‑designation is both a statement of current reality and an implication that we are in a progressive transition, striving to better our social, political and economic situation.

“We first plant the flag of self‑description and allow it to fly defiantly in the winds of opposition. Symbolically we are saying, no more will others through governmental decree or anthropological arrogance arbitrarily label us …

“Fortunately many of us, and in growing numbers, are satisfied that truth is in the living of it, and we feel that to call ourselves what we feel we are is to let others know that no longer will we passively permit others to describe us, define us and to assign imagined traits of character to us; furthermore in referring to ourselves as Chicanos we are expressing a commitment to a cause, and that the cause merits support.” [Morales, Bob, “Chicano: Word Symbol of Confusion or Cohesion?,” Coraje (Chicano Press Association), Tucson, Arizona, Vol. 1, # 2, April 1969, p. 8.]

It bears noting that the term “Mexican American” is also a product of self-determination. Ethnographer Américo Paredes and others of the Mexican American Generation (which preceded the Chicano Generation) maintain their generation coined the term “Mexican American” to denote their Mexican heritage. MAG member Raúl Morin explains that,

“… our people … cannot be called Spanish, Mexican, or Latin American … because we are not from those places, and we are different (culturally, etc.) from the Anglo, so we cannot simply be called ‘Americans.’  Therefore,

“For this reason we have made the term ‘Mexican-American’ our choice.  We then imply that we are proud to be Americans, and at the same time are not trying to deny our Mexican ancestry.” (Morín, Raúl, “Among the Valiant: Mexican Americans in WWII and Korea,” Borden Publishing Co., Alhambra, California, 1963, p. 33).

Be proud … of being generic?

Ethnic pride, a powerful driver of political action, was central to the Chicano Generation’s insisting on the self-descriptor Chicano (and the MAG’s use of Mexican American). But Hispanics can’t be driven by ethnic pride, for “Hispanic” is a generic term, purposely bereft of any ethnic identity. The notion of being proud of being generic is oxymoronic nonsense. “Hispanic Heritage Month” is a throwback to the “Anything but Mexican” days. Ultimately, “Hispanic” comes down to never having to say you’re Mexican.

“Hispanic Heritage Month” is so far removed from our community that even President Trump, who launched his political career by characterizing Mexicans as murderers and rapists, sponsored a “Hispanic Heritage” event at the White House recently. Trump used the occasion to mock hurricane-ravaged Puerto Rico and Puerto Ricans. And to make sure everyone, including the media, got the anti-Mexican mood of the event, one of the attendees wore a “Build the Wall” hat.

Honor our history by continuing to make it…

Poster by Malaquias Montoya

Most certainly we should celebrate our traditions, literature, art, music, and other aspects of our culture. But we don’t need to be granted permission to do that or be “allowed” a period of time in which to do it. Celebrating who we are is something we should do every day. And it should be done independently of people who have a commercial or political interest in our community.

The best way to honor our history is to continue making it by beating back the reactionary forces that have coalesced to act against our interests. Ours is not a history of victimization. Our history is a history of achievement, a history that can and does inspire, a history whose foundation is self-determination.

Our history spans centuries, and it is complex and nuanced. A month-long symbolic event does not even begin to serve as preface to our story. c/s

____________________________________________________

Copyright 2017 by Salomón Baldenegro. To contact Sal write: salomonrb@msn.com

 

Filed Under: Blogs, Political Salsa y Más

RICARDO ROMO’S TEJANO REPORT 05.01.25 TONY ORTEGA’S ARTISTIC JOURNEY

May 1, 2025 By wpengine

Denver Latino Artist Tony Ortega’s Artistic Journey Tony Ortega, an eminent Denver artist, has been painting for over forty years and teaching art for two decades. His creative work has been in hundreds of exhibits and permanently collected by prominent museums including the Denver Art Museum, Los Angeles County Museum of Art, and the University […]

BURUNDANGA BORICUA DEL ZOCOTROCO 04.26.25

April 26, 2025 By wpengine

La Jungla de Pamela y Josué En la altura de la Cordillera Central de Puerto Rico por las crestas de Orocovis, en el barrio Pellejas Está la finca la Jungla que regentan Pamela y Josue.   Una pareja de agricultores empecinados en la más difícil de las tareas: hacer producir cinco cuerdas del terreno más […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 04.17.25 FAKE VS. TRUE RIGHTEOUSNESS

April 17, 2025 By wpengine

Fake vs. true righteousness… Let us preach righteousness, and practice it.  Brigham Young, American religious leader and politician. Last month, in this space, I commented on the hypocrisy of Donald Trump and his cultists and apologists, including, to its everlasting shame, the Republican Party. Trump says he plans to establish a White House Faith Office, […]

RICARDO ROMO’S TEJANO REPORT 04.26.25

April 26, 2025 By wpengine

Latino Art Enhances the Beauty of Botanical Gardens. With the arrival of Spring, Latinos are drawn to parks as well as botanical spaces that include art. A recent visit to San Antonio Botanical Gardens demonstrated to me that art can make these visits a more engaging experience. The Botanical Garden is a stunning gem of […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin