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You are here: Home / Blogs / THIS WEEK ON LATINOPIA 9.13.25

THIS WEEK ON LATINOPIA 9.13.25

September 13, 2025 by wpengine

THIS WEEK ON LATINOPIA: WHAT IS MEXICAN INDEPENDENCE DAY? SALOMON HUERTA’S MASKED MEN AND SWIMMING POOLS AND ON BEING PIGEON-HOLED,   RICARDO ROMO ON JUAN MIGUEL RAMOS, AND EL PROFE QUEZADA ON LA ADELITA.

It’s that time of year again, Mexican Independence Day. For a reminder of what it’s all about, we post an event profile explaining El Grito and why it was so important to the formation of the nation we know today as Mexico. Sadly, in view of current raids on our Latino population by ICE agents, many cities and organizations are curtailing or completely cancelling celebrations in fear of raids by ICE agents.

Also this week we visit with Los Angeles artist Salomon Huerta and exploreS his renderings of mascaras (masks) and swimming pools, two of the themes he explores through his art. His explanation of why he has focused on masked men from the Mexican wrestler tradition and swimming pools without humans is fascinating . Not to be missed.

Ricardo Romo returns with his regular art blog. This week he looks at the art of multi-talented artist and musician Juan Miguel Ramos. Based in Austin but originally from San Antonio, Ricardo shares Juan’s career from musician with his own band to his current efforts at developing a graphic novel.

And lastly. El Profe Quezada informs us of the back story to La Adelita, a Mexican soldadera during the Mexican Revolution, after whom the song La Adelita was written. El Profe informs us that not only was she a real person, but was celebrated later in life and is honored with a tomb in her adopted hometown of Del Rio, Texas.

Enjoy your week on Latinopia!

Tia Tenopia

Filed Under: Blogs, THIS WEEK ON LATINOPIA, Tia Tenopia Tagged With: Ask Tia Tenopia. This Week on Latinopia

BURUNDANGA BORICUA DEL ZOCOTROCO (ENGLISH) 9.18.26

September 17, 2026 By JT

At the risk of self-promotion criticism, I submit to what is usually my space, the text presented by my friend Jorge Escudero Franceschini in the premiere of the documentary La Tierra de Borikén. The reaction of a farmer in good faith. The reasons why I give up space are best explained in his writing: Seeing […]

RICARDO ROMO’S TEJANO REPORT 9.18.26 THE ART OF TEJAS: FROM CASTAS TO CHICANOS

September 17, 2026 By wpengine

In 1776, when the Declaration of Independence was signed in Philadelphia, Latinos in San Antonio had celebrated 58 years since its settlement. Mexicans from colonial New Spain who settled the region in the 1680s adopted the name Tejas used by the Indigenous tribes. As a Spanish province, Tejas was settled before some of the original […]

BURUNDANGA BORICUA DEL ZOCOTROCO 9.18.26

September 17, 2026 By wpengine

Burundanga de Zocotroco José M. Umpierre A riesgo de crítica de auto promoción, someto a lo que suele ser mi espacio, el texto que presentó mi amigo Jorge Escudero Franceschini en el estreno del documental La Tierra de Borikén. La reacción de  un agricultor de buena fe. Las razones de porque cedo el espacio mejor […]

RICARDO ROMO’S TEJANO REPORT 9.11.26 DOCK SPACE GALLERY HOSTS FOTOSEPTIEMBRE EXHIBITION

September 12, 2026 By wpengine

In its 32nd year, FotoSeptiembre is part of the Dock Space Gallery exhibitions in San Antonio’s Lone Star District. The opening reception for “Close to Home,” an exhibit of the work of thirteen San Antonio photographers, is Saturday, September 12, from 4- 9 p.m. Curated by Ricardo Romo, the photographers in the exhibit include Lead Artist Monica […]

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