• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / History / LATINOPIA HERO JUAN GÓMEZ-QUIÑONES

LATINOPIA HERO JUAN GÓMEZ-QUIÑONES

November 14, 2020 by Tia Tenopia

“In Memory  of the Legendary Dr. Juan Gómez-Quiñones”

“Anti-Mexicanism is a form of nativism practiced by colonialists and their inheritors.”

 —Dr. Juan Gómez-Quiñones (2017)

Tuesday, November 11, 2020—marks one of the saddest days of my life. On this day, we—the Mexican people on both sides of la frontera and our allies—lost a legend: the one and only, Dr. Juan Gómez-Quiñones (JGQ).

We lost one of the greatest intellectuals not only in the Americas, but also the world. The fact that JGQ was born a Mexican in el sur (Parral, Chihuahua, Mexico) and died a proud Mexican/Chicano in el norte (Los Angeles, California) in a time when the Mexican continues to be otherized, marginalized and pejoratized serves as a grim reminder of this great loss for la raza.

For over 50 years, JGQ  dedicated his life to uplift the people of the sun through his superior scholarship, dedicated mentorship, political actions and eloquent words. While his contributions are many, for the sake of space, here go a few: wrote classic books and articles on Chicana/o history, labor, politics and culture; helped establish the theoretical foundations of Chicana and Chicano studies, along with the living legend, Rodolfo “Rudy” Acuña, whom JGQ fondly admired; taught and mentored thousands of students who became leaders in their own right; supported and participated in countless political actions for social, economic and racial justice; lead co-author of El Plan de Santa Bárbara: A Chicano Plan for Higher Education; co-founded UCLA’s Chicano Studies Research Center (CSRC); co-founded CSRC’s Aztlán: A Journal of Chicano Studies; NACCS (National Association of Chicana and Chicano Studies) Scholar Recipient, 1990; wrote poetry and eloquent prose; etc.

“My father’s land / is crossed / ribbon like / by stone fences / the wither in the sun / White stones that glisten in the sun, / Stones that ballast a sea of brown hills. / My father whip laid them, / My mother’s tribe fed them.” –Dr. Juan Gómez-Quiñones, 5th and GRANDE VISTA (Poems, 1960-1973), Colección Mensaje, New York, 1973, p. 61.

One word: brilliant!

Like in the case of another brilliant Mexican in el norte, Gloria Anzaldua, JGQ provided us with a powerful voice against a racist American system that has attempted (and failed!) to erase our history. JGQ took the ashes of our once burnt history and created scholarly books, peer-reviewed articles, essays and eloquent poems in spaces limited to the best and the brightest Western Civilization has to offer. He has done so—and continues to do so—through his publications, speeches and memories without succumbing to fear or forgetting where he came from.

“Witness or, more particularly, the witness frames the process of social movements for change beyond a generational approach by emphasizing actors, motives, and actions in relation to a specific goals or enterprise. To witness means to know and to provide evidence.” —Dr. Juan Gómez-Quiñones (2020)

As I reflect on JGQ, there are no words that I can conjure to heal the immense pain that I’m feeling. I cried when I first heard the terrible news on Tuesday morning and have been struggling to maintain my East Los Angeles composure ever since. I think I lost my street cred! I’m sad because I won’t be getting random calls from JGQ at odd hours when he has something on his mind. I’m said because I won’t be receiving mail packets of his latest manuscripts for me to review or help get published.

“No worries,” Juan, “I’ll make sure that the last two manuscripts you sent me will see the light of day!”

Given all that he has done for me, I’ve always heeded his friendly and warm requests. That’s what familia is all about.

I first met JGQ in 1985, when I started UCLA as a freshman, majoring in mathematics, from East Los Angeles—a place where JGQ also hails from. I must say that I was originally shocked to see a Chicano professor at an elite university. Since most of my K-12 teachers were White, I never knew that Chicana/o professors even existed. I was equally shocked when JGQ assigned us books written by brown scholars. Many moons later, I’m following the example of the great Chicana and Chicano authors that I read in JGQ’s classes, especially his fine works.

Speaking of historians, I’ve always wondered why history professors assign at least 5-6 books—200+ pages per book without pictures!—to read in a quarter or semester? I only read one book— John Steinbeck’s The Pearl—throughout my dysfunctional K-12 education! While JGQ practiced this norm, he made it clear to us that the study of history represents a serious subject. When he walked around North Campus at UCLA, he was always carried several books on one hand and numerous student papers to grade on his other hand.

Constantly thinking, reading and writing, he was oblivious and impervious of his surroundings. One day, for instance while taking a small seminar on historiography with JGQ, I, along with my classmates, waited for him to teach and lead us in discussion/dialogue for about 30 minutes after class started. We then formed a posse to rescue him from his office, where we found him in a deep state of writing.

As I’ve said before, while JGQ was stoic, like my late Mexican father, once you scratched beneath the surface, he was a sweet and caring teddy bear. That said, during my initial encounters with JGQ, I was intimidated. Over 30 years later, I can still recall knocking on his office door on the 6th floor of  Bunche Hall, where he would gruffly say, “Yes!”

My response? “Hello, Mr. Quiñones…I mean, Professor Quiñones, I want to talk to you about my paper. I’ve never written a 10-page paper and don’t know how to start.”

Once I got to know him, I learned to announce myself. “Hello, Quiñones, this is Álvaro.  I need to ask you some questions about the readings.” Often, I would go with my fellow student activists or MEChistas, where we minored in “JGQ Studies,” just to hang out and talk about politics or sports. He wasn’t fond of small talk or chisme. Also, he rarely talked about himself or how he grew up, especially as one of the few Chicanas/os to pursue higher education when he first entered the university. He never took credit for all of his accomplishments. Instead, he would always credit the collective efforts of the committed educators, youth, activists and other agents of social change throughout the Chicana/o movement and beyond.

In terms of MEChA (Movimiento Estudiantil Chicana/o de Aztlán) at UCLA during the mid-1980s, whenever we organized a protest on campus or in the community, we could always count on JGQ for his unconditional support. For instance, when we organized a hunger strike at UCLA—one of the first, if not the first at UCLA and at any UC campus—in defense of undocumented immigrants (November 11-19, 1987), we knew that JGQ had our back. When we didn’t show up to class, he didn’t scold or hector us. He encourage us, teaching us a key lesson that I pass on to my students and colleagues: knowledge comes from practice!

Later, when several of us, as former UCLA students, became community activists and organized Latino gardeners against the City of Los Angeles’s draconian leaf blower ban during the mid-1990s. (City penalties for Latino gardeners caught with using a leaf blower? Misdemeanor charge, $1,000 fine and up to 6 months in jail). To challenge this racist law, we sought help from JGQ to lobby Council Members—like Mark Ridley Thomas, Jackie Goldberg and others—who voted for the ban on December 3, 1996.

On a more personal level, when I got married to Antonia Montes—fellow MEChista, educator, activist—in 1992, I invited JGQ. To my surprise, he showed up. Since then, we became good friends (and later colleagues), where he counseled me throughout my graduate studies at UCLA and UC Berkeley. He supported me without reservations when I was on the academic job market. Whenever I experienced racial micro-aggressions or academic hazing or pinche bullying, I never flinched since I knew that I could count on my academic homeboy, JGQ, like in the case of the late Dr. Leo Estrada.

In short, JGQ was/is my professor, mentor, homeboy, fellow-activist and colleague. He taught me/us that we, as Chicanas and Chicanos, also have history—a proud history that must be taught in K-12, higher education and our communities.

“The point of learning about Indigenous past is not to relive past practices, or to propose one essentialization over another, or to be immobilized by history. The first stone to demolish the old presidio is our own consciousness.” –Dr. Juan Gómez-Quiñones, Indigenous Quotient/Stalking Words: American Indian History as Future, Aztlan Libre Press, San Antonio, Texas, 2012, p. 39.

While I’ll humbly do my part to maintain and expand his legacy through my future lectures, writings and musings, etc., I only wish that I was able to tell him in person four magic words before his passing: “I love you, Juan!”

¡Viva JGQ!

________________________________________________

Copyright 2020 by By Álvaro Huerta, Ph.D. UCLA departmental photo used under “fair use” proviso of the copyright law.

 

 

Filed Under: History, LATINOPIA HERO Tagged With: Dr. Juan Gomez Quinones, Passing of Juan Gomez Quinones

RICARDO ROMO’S TEJANO REPORT 05.01.25 TONY ORTEGA’S ARTISTIC JOURNEY

May 1, 2025 By wpengine

Denver Latino Artist Tony Ortega’s Artistic Journey Tony Ortega, an eminent Denver artist, has been painting for over forty years and teaching art for two decades. His creative work has been in hundreds of exhibits and permanently collected by prominent museums including the Denver Art Museum, Los Angeles County Museum of Art, and the University […]

BURUNDANGA BORICUA DEL ZOCOTROCO 04.26.25

April 26, 2025 By wpengine

La Jungla de Pamela y Josué En la altura de la Cordillera Central de Puerto Rico por las crestas de Orocovis, en el barrio Pellejas Está la finca la Jungla que regentan Pamela y Josue.   Una pareja de agricultores empecinados en la más difícil de las tareas: hacer producir cinco cuerdas del terreno más […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 04.17.25 FAKE VS. TRUE RIGHTEOUSNESS

April 17, 2025 By wpengine

Fake vs. true righteousness… Let us preach righteousness, and practice it.  Brigham Young, American religious leader and politician. Last month, in this space, I commented on the hypocrisy of Donald Trump and his cultists and apologists, including, to its everlasting shame, the Republican Party. Trump says he plans to establish a White House Faith Office, […]

RICARDO ROMO’S TEJANO REPORT 04.26.25

April 26, 2025 By wpengine

Latino Art Enhances the Beauty of Botanical Gardens. With the arrival of Spring, Latinos are drawn to parks as well as botanical spaces that include art. A recent visit to San Antonio Botanical Gardens demonstrated to me that art can make these visits a more engaging experience. The Botanical Garden is a stunning gem of […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin